Monthly Archives: May 2017

An Oath of Writers: Interview with Wendy N. Wagner

Welcome back! Today, I’m thrilled to feature author and editor Wendy N. Wagner. Wendy is an accomplished writer of both short fiction and novels. When she’s not penning her own stories, she also works as the managing/associate editor of Nightmare and Lightspeed. Earlier this year, Wendy was featured in my Women in Horror Month series, but I’ve never featured her in a solo interview before today, so I thought it was about time to remedy that!

Recently, Wendy and I discussed her forthcoming book, An Oath of Dogs, as well as the types of stories she seeks as an editor.

A couple icebreakers to start: when did you first decide to become a writer, and who are some of your favorite authors?

Wendy WagnerI was about seven, and I was reading the book Alanna, by Tamora Pierce. It was the first book I had ever read that shifted PoV characters, and it blew my mind. I suddenly realized that someone had decided to tell the story that way, and that books didn’t just sort of … happen. Before that point, I hadn’t really connected learning how to write at school with writing a book. I realized that what I was doing, making up little stories about unicorns and writing them down, wasn’t that much different from creating a book. It was incredibly empowering. At that moment, I knew I wanted to be a writer, and more importantly, that I could.

I love Pamela Dean. I re-read her novel Tam-Lin almost every year, because it somehow conveys everything I love about autumn and learning, and it’s just a beautiful book. I also really love Shirley Jackson. She’s my literary hero. Other people I really enjoy are David James Duncan, Sheri S. Tepper, Frank Herbert, and Octavia Butler. I’m also a huge fan of Stephen King.

You are an accomplished writer of both short stories and novels. Do you find that your process differs between the two? Is there one medium you find easier, and is there one you prefer overall as a storyteller?

There’s one big difference between my process on novels and short stories: With a short story, I usually just jump right in and try to write something, but with a novel, I drag my feet outlining and making sure I really want to write the story. Sometimes I think I have commitment issues!

I feel like once I get started on a novel that writing one is less stressful than writing a short story. All the hard work of building a world and sorting out the characters gets done at the beginning, so then I can just put my butt in my chair and produce words every day. Creating a short story means re-inventing the wheel every time. It’s exhausting. Also, I like having the space to play around inside a novel. It’s really fun to plant little seeds of events and reveals and have them blossom at the end of a novel. So yes, I think I prefer writing novels!

Congratulations on your new novel, An Oath of Dogs, that is due out this summer. What can you reveal about this book and the inspiration behind it?

An Oath of DogsThanks, Gwendolyn! I’m really, really excited about this book.

The novel is the story of a woman, Kate Standish, who, along with her therapy dog, moves to the first planet humans have colonized outside of our own solar system. Standish suffers from an anxiety disorder worsened by the view of the sky, and the new planet, Huginn, rains nearly year-round. The world seems like a great fit, but once she gets there, she learns her new company is involved with a massive corporate cover-up that includes the murder of her boss. The cover-up is also connected to the strange pack of wild dogs that is tormenting the town. To save herself—and her dog—she’s got to solve the mystery before the company gets her thrown off-planet … or worse.

One of the things I wanted to do with Oath was explore the complex relationship between humans and dogs. Today, most dogs are pets or working dogs, but in the past, wild dogs and humans could be enemies. Just look at our language, and you’ll see how we have mixed feelings about dogs—if you call someone a dog, it’s never a compliment. I find that sort of thing fascinating.

In addition to your writing, you’re also an editor at both Lightspeed and Nightmare. How do you balance the commitments of your editing with your workload as a writer? Also, what tips have you picked up from your editing work that have helped you develop your skills as a writer?

Luckily for me, editing and writing are pretty much my full-time gig, so I can really control my schedule. I don’t know if I could have done all of this when I had a day job! I like to spend my mornings working on my own projects—writing and promotional stuff—and then use my afternoons to handle editorial and administrative tasks.

When I started editing, I realized that as an editor, I was trying to approach the work with complete respect and trying to see what the writer most wanted from the work. I see my job as an editor as to bring that out in the work. I try to encourage writers to take their work and make it even more like the dream they had about it. Sometimes when I’m editing my own work, it’s easy to get frustrated with myself and be hard on my work, and when I catch myself doing that, I try to tap into my editor brain.

It’s funny, because when I first really got into writing, all the advice talked about writing drafts quickly to avoid “editor brain.” I know the people writing that advice really meant to avoid thinking too critically of your work so you didn’t discourage yourself. But the more I learn about editors and editing, the more I see that the job of an editor is to be an advocate for story, not a soul-crushing gatekeeper.

Since most readers of this blog are also writers—and since both Nightmare and Lightspeed are two of the most beloved markets in speculative fiction—I have to ask the question most of them have for you: what is it you look for in a story as an editor? Is it a certain feeling or a specific theme that hooks you? Or is it more the voice or the characters that draw you in?

It’s all about the characters.

A story, at its heart, is about a character having experiences. Those experiences are meaningless unless they’re filtered through the responses of a character. The character becomes my eyes, my ears, my heart in that world; I need complete, full access to sensation and emotion to enter the universe of the story. If I can’t access that, then the story is very rarely going to move me, engage me, or even interest me.

Out of your own published work, do you have a favorite piece?

Oh, it’s definitely An Oath of Dogs. I love the characters and the world, and I find all the jokes funny, and there are some spooky, suspenseful scenes that still get me on-edge. And there’s one scene that I cry every time I read it, even though I’ve now read it six or seven times.

What projects are you currently working on?

I’m finishing up a gothic novella about a haunted seaside mansion, and I’m outlining a dark fantasy novel that’s sort of an American Gods meets It kind of thing.

Big thanks to Wendy Wagner for being part of this week’s author interview series. Find her online at her author site!

Happy reading!

Dystopia and Unexpected Endings: The Story Behind “The Five-Day Summer Camp”

Welcome back! Today, I’m highlighting another original story from my collection, And Her Smile Will Untether the Universe. This time around, we head to a childhood vacation spot that isn’t quite so welcoming as it seems with “The Five-Day Summer Camp.”

The Five-Day Summer Camp

Now sometimes, when I do these behind-the-scenes blogs, I like to give insight into the story’s origin (mostly because I love to read blogs from other authors that discuss inspiration). Then there are times when it seems more pertinent to discuss the story’s development or its quest toward publication, because let’s face it: these beasts can often take on lives of their own. So it went with “The Five-Day Summer Camp,” which—with its two unusual sisters who must endure a world brimming with oppressive terror—might be best described as a little bit Shirley Jackson and a little bit George Orwell.

And Her Smile Will Untether the UniverseFrom the get-go, this was a story that I loved writing. It includes elements of my other work—sisters, outsiders, coming-of-age—but it also takes a different, and at times darker and more precarious, path to get there. That made this one both a challenge to write and a joy to take to fruition as a storyteller. But that was pretty much where the joy ended, because when it was finished, I had no idea where to submit this tale. It’s a bit of a between-genre piece with echoes of dystopia, horror, and the weird. As many of us short fiction writers lament, there aren’t a ton of markets for those stories that bridge those hard-to-define gaps. So last summer after completing this story, I was incredibly morose about its future, fearing it might never see the light of day. I mean, seriously morose (there might have even been some moping involved). After a day or two of my said moping, it was my husband who told me with complete confidence, “Don’t worry. It’s a great story. Just hold on to it until a publisher asks you for a fiction collection.” I promptly scowled and told him in my most dismissive tone, “No one’s ever going to ask me for a fiction collection.” (I probably rolled my eyes at him too, though fortunately we were on the phone at that time and he didn’t see that part.) But it’s true that I didn’t think there was much chance of me having a collection in the foreseeable future. Because when it comes down to it, I’m still such a relatively new writer; my first published story only came out in 2013, so why would anyone ask me for a collection?

But then, someone did. An awesome someone. Less than a month later, my beyond fabulous editor Jess Landry contacted me and asked me to send her a fiction collection. Naturally, “The Five-Day Summer Camp” was included in the book. So basically within a matter of days of claiming I’d never have a fiction collection, I was proved quite merrily wrong, and my husband likes to point this out whenever we discuss this particular story. Well played this time, husband. Well played.

To top it all off, I’ve already had several readers tell me how much they enjoyed “The Five-Day Summer Camp.” Over at her blog just earlier this week, Maria Haskins named it as one of her favorites from the collection and called it “a gut-wrenching story about resistance and rebellion.” If only every tale of author woes ended so happily, right?

I wish I could say this story has taught me something about endurance during the submission process, but truth be told, the next time I have a story that I love that can’t find a home, I’ll probably mope around the house all over again. But it is nice to be able to look back and remember a time like this one when it all worked out in the absolute best way. So maybe that’s something of a lesson in itself.

Happy reading, and happy submitting those strange stories that you love so much! Keep at it, because they’ll find their homes!

Master Class: Interview with James Dorr

Welcome back! Today’s author interview is with the prolific James Dorr. James is an accomplished author of over a hundred short stories published in such outlets as Daily Science Fiction, Abyss and Apex, and Alfred Hitchcock’s Mystery Magazine, among others.

Recently, James and I discussed his inspiration as a writer, his work as a Renaissance musician, as well as his tips for time management as an author.

A couple icebreakers to start: when did you first decide to become a writer, and who are some of your favorite authors?

James DorrHi Gwendolyn.  I came to writing somewhat late, being more involved in visual arts up through college, but doing a little bit of writing on the side (for example, I became art editor on the college humor magazine, but then occasionally did fill-in writing, when an article didn’t come in or something).  But then as a graduate I became editor of an arts newspaper, that had me writing (but doing occasional fill-in illustrating) which led to a job as a technical writer for an academic computing center and several other writing jobs including some non-fiction freelance.  However, aside for occasional amateur work, my actual entry into serious fiction and poetry didn’t come until the lateish 1980s, with my first paid fiction, an S&S story called “The Fourth Attempt,” published in the long-defunct magazine Fright Depot in Spring 1988, for which I received a one dollar bill.  I immediately made a little frame, and it’s still hanging on my wall somewhere, although buried under many, many more recent notices.

For authors, there are four that I would consider mentors:  Ray Bradbury who injected beauty into even his darkest work; Edgar Allan Poe as the master of the combination of love and death, eros and thanatos, that informs much of my own fiction — and, indeed, is a driving force in my upcoming Tombs:  A Chronicle of Latter-Day Times of Earth, due out this June from Elder Signs Press; Allen Ginsberg for poetry, in combining the ugliness of everyday life with the beatific along with his use of what he considered natural rhythms; and Bertolt Brecht for his theories of “epic theatre,” of artistic distance but at the same time an emotional intimacy as in a play like Mother Courage.

You are a widely published and prolific author with stories appearing in hundreds of publications around the world. What does a typical day as a writer look like for you? For instance, do you write every day, and do you have any specific writing habits (e.g. listening to music while writing, etc.)?

I’m really a very undisciplined person, especially now that I’m retired from my day job.  I also prefer to work in fairly long stretches (some, to be sure, taken up by warm up time because I’m a procrastinator too) so what I do now is still a reflection of habits of a few years ago when most of my new writing was done on weekends, where I could plan for at least four-hour stretches, and weekdays after work were used for editing, marketing, researching, etc. in more bite-sized chunks.  Nowadays walks downtown to the library (my one good health habit, plus faster internet) substitute for days in the office, and “honorary weekends” (that is, days planned for being at the computer all day long, or a good part thereof) can come any time of the week.  As for habits, I don’t listen to music when I write.  I will have the TV on in a different room, though, with perhaps the news on or, in season, football, which I can’t really hear while I’m working (think “white noise”), but if I break to refresh my coffee, I’ll check on the score (or headlines) then.

Since you’ve been so widely published, you’re clearly skilled at being able to consistently produce as a writer. What tips do you have for new writers about time management? How, if at all, have your habits changed as you’ve progressed as a writer?

TombsWell, if on deadline, that’s when honorary weekends come more frequently.  Prior to that, to some extent I could force myself to work occasional longer weeknights — not to be lazy, but too many can lead to exhaustion however, which in the long run is counter productive — or on some occasions write out an informal sort of outline and just make myself slog through, say, a scene a night, an hour at a time.  To new writers out there, though, I’m not the one to ask about time management.

To add to that, though, my “bad” habits may come from my newspaper and magazine college experience, where deadlines had to be planned around academic requirements.  But deadlines came every month anyhow (every week on the arts newspaper, though ideally you might have two teams working on alternate weeks, only stopping in briefly to check on things on the “off” week), and emergencies happened, so one became used to all out spurts of work sometimes when something simply had to be done NOW.

In addition to your writing, you are also a semiprofessional Renaissance musician. Do you find that music often influences your writing, or even vice versa?

I think music does, but in what might be considered an odd way.  Remember that poetry is music too — they both have rhythms, beats — but in my opinion the best poets are also very aware of the sounds of individual words.  Poetry is meant to be read aloud (well, maybe not all of it, concrete poetry for instance, but a lot of poetry).  But prose is made up of words as well, with harmonies, rhythms, and sounds and, even if fiction may not be read out loud, I think music can inform styles of writing.  Think of Hemingway compared to Faulkner.  So in a sense I really believe my interest in music, including in my case hands-on experience performing it, has helped me become a better writer.  (A quick example:  My 2013 collection, The Tears of Isis, has received at least two reviews making a point that there is a difference in styles between various stories, matching styles to the type of story, which they thought was good.  This is something I try to do consciously, and I think a feel for music helps me to do it.)

From your website, I see that something we have in common is that we both share writing space with beloved cats (congrats on the recent addition of your rescue kitty, Triana!). Do you have any favorite anecdotes about writing while trying to share your space and time with a curious feline?

Playing with the cat, petting the cat, what a wonderful way to wind down from a long writing session!  Hi there, Triana.  On a practical level, she’s learned that there’s a space to the left of the keyboard of one computer I use that it’s okay for her to be in (but beware, if a paw gets on the keyboard she may get yelled at) so sometimes she’ll lie there, getting an occasional petting or scratch on the head during brief pauses while I’m working.  (On the other hand, at my writer’s group meeting just last week I pointed out, in a critique of one member’s work, a string of five or six incoherent letters as “the cat’s comment.”  A paw apparently had gotten on the keyboard when I’d gotten up for something, and I hadn’t noticed until after I’d printed it out.)  As a matter of fact, though, I’m at a different computer now, an off-line one I do most of my original composition on, and Triana is fast asleep on a work table just behind me.

Out of your published work, do you have a favorite piece?

The Tears of IsisI have two fiction collections prior to The Tears Of Isis, which I’ve mentioned above, Strange Mistresses:  Tales of Wonder and Romance and Darker Loves:  Tales of Mystery and Regret, both a little hard to find nowadays but some copies usually are on Amazon (my upcoming Tombs is a novel, however, though also on Amazon for pre-order).  Of the three I’d put The Tears of Isis as my favorite and not just because it’s newest, but because the publisher had given me an almost completely free hand in its creation — selection of stories, the order of presentation, etc. — essentially the editing as well as writing as long as it came in at more than sixty thousand words.  So if a whole book is okay, of what’s published now — which would include a poetry collection, Vamps (A Retrospective), as well — that would be the one.  Of the stories in it, I’ve also mentioned the styles are varied and which I’d like best at a given time might be a reflection of my mood, but certainly these would be among my favorites.

What projects are you currently working on?

This would have to be Tombs:  A Chronicle of Latter-Day Times of Earth, pretty much in the homestretch for a June release.  Indeed, much of this afternoon will be taken up by continued proofreading of an advance PDF.  Tombs is a mosaic novel, or novel-in-stories, in the style of books like Amy Tan’s The Joy Luck Club or, more directly, Ray Bradbury’s The Martian Chronicles.  It’s the story of a far-future exhausted Earth where, at the outset, a ghoul — an eater of corpses — has been exploring the ruins of one of its greatest cities in hopes of discovering the one thing that made its inhabitants truly human. This is the premise, the quest that introduces us to the book’s sixteen stand-alone chapters, arranged in five sections much like a classic five-act play (about half in fact already published in various venues as separate short stories), and loosely inspired by a pair of quotations from Edgar Allan Poe, of the most poetic subject being the death of a beautiful woman (which also informs, in its way, The Tears of Isis) and of the boundaries between life and death being “at best shadowy and vague.”  So the question implied is, if these statements be true, and in an already dying world, can love be a power to even transcend death?

Where can we find you online?

Probably the best place would be my blog, at  I also can be found on Facebook at and, for those interested, my Amazon Author Page is at

Big thanks to James Dorr for being part of this week’s author interview series!

Happy reading!

Women of Horror, Dark Fantasy, and the Weird: A Recommended Reading List

Welcome back, and happy Monday! Today, let’s celebrate with some awesome books you should add to your summer reading list. Because why not?

Now earlier this year, I returned to with an article celebrating Women in Horror Month, and since that list was so fun to write (and hopefully a fun one to read!), I would like to share a few more fabulous horror, dark fantasy, and generally weird books penned by female authors. In particular, since far too often Women in Horror celebrations are confined to one month a year, it’s important to shine a light on those ladies who are working twelve months and around the clock to bring readers the latest and greatest in strange and haunting tales. As a quick note, I was fortunate enough to receive review copies of several of these books, and I can tell you that each and every one of them is most certainly worth checking out!

So let’s get started with today’s Recommended Reading List!

Never Now AlwaysNever Now Always by Desirina Boskovich
Desirina Boskovich has spent the last few years steadily making her indelible mark on speculative fiction. With stories published everywhere from Nightmare and Lightspeed to Kaleidotrope and The Magazine of Fantasy and Science Fiction, her work has been easy to find and impossible to forget. Now, with her debut novella forthcoming from Broken Eye Books, she tries her hand at longer fiction, and of course, knocks it right out of the park. An incisive story about identity and the tenuous line between dreams and reality, Never Now Always is as brutal as it is beautifully written. Although I don’t want to spoil anything here, suffice it to say that this is one story that will break your heart and open your eyes with its incredible blend of science fiction, fantasy, and the weird. Highly recommended for readers who enjoy stories that are anything but simple and predictable.
Get Your Copy Here.

Feeding the DeadFeeding the Dead by M. Brett Gaffney
Released earlier this year from Porkbelly Press, M. Brett Gaffney’s horror and dark fantasy chapbook is supremely beautiful. The delicate pages and binding along with the lovely cardstock make for a truly magical reading experience. And of course, the selected poetry from Gaffney’s ever-building (and incredibly impressive) bibliography is exquisite. My personal favorites include the horror film-themed, “The Scream Queen” and the dark fairy tale, “Hunter,” but truly, each and every piece in this book is an absolute work of art unto itself. Brimming with hauntings and otherworldly creatures, these poems will stay with you long after you close those gorgeous pages.
Get Your Copy Here.

BoundlessBoundless by Miracle Austin
I’ve said it before, and I will be quite happy to say it again: Miracle Austin is always awesome, always surprising, and always worth reading. So naturally, her latest book—the fiction collection, Boundless—is a rollicking good time. A combination of short stories and poetry, these tales explore darkly fantastic worlds and characters who come to unexpected crossroads where they must make the ultimate choices that decide their fate. But through even the most dire circumstances, Austin’s writing brims with flair and whimsy, making Boundless a supremely enjoyable ride from first to last.
Get Your Copy Here.

Seeking SamielSeeking Samiel and The Bookseller’s Secret by Catherine Jordan
Catherine Jordan is an author to watch. Thanks to Horror Writers Association, I’m proud to call myself the mentor of this fantastic writer, though truthfully, working with her has undoubtedly taught me as much about the craft as I have taught her. Need proof of her immense talent? Look no further than this pair of horror books—the devilish Seeking Samiel and its equally engrossing sequel, The Bookseller’s Secret—which are both enthralling explorations on the nature of good and evil. A perfect two-for-one, I would recommend these titles to anyone who enjoys fast-paced and dark horror that takes inspiration from the varied worlds of Gillian Flynn and Ira Levin. Jordan’s work is ambitious and effective, and her name is one you’ll see for years to come in the horror fiction world.
Get Your Copies Here and Here.

Spells and PersuasionsSpells and Persuasions by S. J. Budd
Over the last few years, S.J. Budd has been making appearances in numerous publications as a short fiction writer, and she’s also a devoted reader and reviewer at her regular blog. Now, in her debut collection, Budd goes all in with these nine beautiful dark fantasy stories of magic and loss. A wide-ranging group of tales, you’ll find broken friendship, lost dreams, and a variety of strange beasts and bargains in these pages. Eminently readable, Spells & Persuasions is the perfect bedside book, one that will unnerve you just enough to ensure you keep the nightlight on.
Get Your Copy Here.

In the Crocodile GardensIn the Crocodile Gardens by Saba Syed Razvi
Saba Syed Razvi is an author I only recently discovered—once again, thanks to Horror Writers Association—and wow, am I so incredibly grateful for having found her work. This beautiful book of poetry, released from Sundress Publications, weaves an intricate tapestry of fairy tale imagery, cultural explorations, and political discourse. Her faculty with language is undeniable, and the ease with which she crafts her words is as lyrical as it is profound. These poems never take the simple way out and instead challenge readers to look beyond and ponder the all-too-difficult world in which we live. A weighty journey to be sure, but quite a beautiful and worthwhile one.
Get Your Copy Here.

Blood RelationsBlood Relations by Lori Titus
With a new and always fantastic book out nearly every few months, it’s no stretch to say that Lori Titus is one of the most talented and hardest working authors in dark fantasy and horror today. She crafts spell-binding stories steeped in history, magic, and mystery. Blood Relations is among her most recent releases, and it’s a beautiful and haunting novel that will burrow beneath your skin and stay there long after you’ve read the final pages. Also, if somehow you’ve missed Titus’s previous novels, including her fabulous Marradith Ryder series, then Blood Relations might be a perfect place to start, since it’s a standalone novel. But really, once you read this one, you know you’ll want more, so be sure to check out all her many other books, each of which is absolutely worth moving to the top of your to-read list.
Get Your Copy Here.

The Kraken SeaThe Kraken Sea by E. Catherine Tobler
Last year, I featured E. Catherine Tobler and her work on this blog, but it bears repeating: read The Kraken Sea. Read her other incredible Traveling Circus stories too. Read pretty much anything E. Catherine Tobler has written or edited. She is a fabulous storyteller, and her fiction should always have a place on your bookshelf. The Kraken Sea in particular has stuck with me since I first read it many months ago. This gloriously strange and gorgeous novella interweaves aspects of Tobler’s wider Traveling Circus universe while still delivering a standalone story, which is no easy feat. But of course, her mastery as an author makes this a highly readable story that gets its claws in you and never lets go. And that cover seriously haunts both my dreams and my nightmares, a perfect combination that fits the tone of this beautiful tale all too well.
Get Your Copy Here.

Happy reading!

Fear in a Flash: The Story Behind “By Now, I’ll Probably Be Gone”

Welcome back, and happy Friday! Hopefully, you’ve got some fabulous plans heading into the weekend! Here in Gwendolyn-Land, I’ve sadly been marooned at home with strep throat all week, meaning that the last five days are a blur of doctor offices, giant pink pills, and the proverbial water drinking and rest. A majorly boring way to spend a week, but hey, we authors must soldier on, right? Especially when we’ve got books to talk about!

So it’s now been a month since the release of And Her Smile Will Untether the Universe. Happy one-month birthday, my book! And as promised in my post last week, let’s dig into the stories that are original to the collection! We’ll start small… as in the shortest of the brand-new tales: “By Now, I’ll Probably Be Gone.” Without divulging too much (it’s only 900 words, after all), this is a dark—and darkly humorous—breakup tale that features one of the most whimsically wicked characters I’ve ever created. How’s that for a teaser?

By Now, I'll Probably Be Gone

I’m sure I’ve said it before, but I will say it again: I love flash fiction. The table of contents for And Her Smile Will Untether the Universe includes two flash stories, the other being the mother-daughter horror tale, “Find Me, Mommy” (perfect for the impending Mother’s Day holiday, if I do say so!). As for the only new flash story from the book, “By Now, I’ll Probably Be Gone” started as a weird love letter to my husband, but immediately turned into something… more sinister. My husband, of course, thinks this is particularly humorous—in a wonderfully diabolical kind of way—and takes it as a serious compliment. So perhaps “a poisonous Valentine” is the best way to describe this story, which contains perhaps the most sweetly caustic voice of the entire collection. Because you need at least one mordant narrator to round out the protagonists, no?

And Her Smile Will Untether the UniverseUnfortunately, in my never-ending searches for places to submit, I’ve found there aren’t nearly enough markets out there for bite-sized fiction. I’m not sure what it is about flash fiction that puts off some editors and readers, but ever since I was young, I’ve always been a major fan, especially of super short horror tales. Packing a creepy wallop in less than 1,000 words has always seemed to me to be quite an underrated skill. Furthermore, as a writer, I’ve found that flash fiction has been incredibly helpful to my own development. I have no doubt that my longer fiction has benefited from my writing flash. The word limit forces me to whittle down a tale to the bare essentials of storytelling while still focusing on character development, plot, voice, setting, and theme (and all those other important elements that make literature so fabulous). So while flash might not be exactly en vogue right now, I will always adore it nonetheless, both as a reader and a writer.

Do you love flash fiction as much as I do? Here are six fantastic markets where you can submit your own flash fiction as well as read other authors’ flash stories!

Grievous Angel
An eclectic blend of tales, Grievous Angel focuses on genre (namely, fantasy, science fiction, and horror). Also, flash fiction stories are capped at no more than 700 words, so plan your submissions accordingly (and keep in mind that the editors accept poetry too!). You never know exactly what kinds of wonderful and strange tales you might find at Grievous Angel, but one thing is certain: the stories are consistently unique and entertaining. So if you’ve got an especially pithy flash story, this might just be the market for you.
Read More Here.

Although LampLight’s bread-and-butter fiction tends more toward short stories, that doesn’t mean there isn’t flash lurking in the magazine’s pages. LampLight has long been one of my very favorite horror markets, and I can’t recommend it enough. So if you’ve got a short and terrifying work of “quiet horror,” then get submitting to LampLight; submissions close on May 15th, and won’t reopen until September.
Read More Here.

Mithila Review
One of the newest publications on this list, Mithila Review is only a handful of issues into its run, but already, this magazine is proving itself to be among the very best speculative fiction markets out there today. While the publication does not focus solely on flash fiction—the editors look for a wide variety of submissions, including poetry, short stories, novelettes, and visual art—at least one or two flash stories make the cut each issue, so this is definitely a publication to keep in mind for your super short submissions in need of a great home.
Read More Here.

Like flash fiction, there aren’t enough markets for magic realism. Fortunately, Bracken has you covered for both. Word count for general submissions tops out at 2,500 words, so Bracken most certainly makes the list for awesome markets that accept flash fiction. And while the editors are currently open to regular submissions, the magazine is also running a flash fiction contest (judged by yours truly!), so if you’ve got a magic realism tale looking for a home, then consider sending it Bracken’s way!
Read More Here.

Daily Science Fiction
When it comes to flash stories, Daily Science Fiction has long been a favorite of speculative fiction readers—and for good reason. The bite-sized stories featured on the site run the gamut from humorous to deadly serious and include everything from fairy tales and swords-and-sorcery fantasy to hard science fiction and horror. This site is a joy to read and an absolute must for flash writers looking for places to submit their work. After all, it’s quite the badge of honor to have a rejection from this market but just keep on submitting.
Read More Here.

Flash Fiction Online
One of the few pro-paying markets out there that focuses solely on flash stories, Flash Fiction Online lives up to its name, providing an outlet to a wide array of speculative and literary flash tales, all of which are available to readers for free online. Each issue features a terrific table of contents (I love Maria Haskins’ new story this month!). So read Flash Fiction Online (if you aren’t already), and send your best flash fiction to the editors, too. It will be great literary times all around.
Read More Here.

Happy reading!

Even More from the Collection Trenches: Updates Galore!

Welcome back! So it’s now been three weeks since my debut collection, And Her Smile Will Untether the Universe, was unleashed upon the world, and let me just be honest: I’m still every bit as thrilled and honored and ineffably giddy about it as ever. You’d think the enthusiasm might wane with the weeks, but nope. Not at all. Not even a little. After all, a writer only gets a first book once, and I’ve been savoring every moment of it.

And Her Smile Will Untether the UniverseThe paperback copies of And Her Smile are still arriving, so if you’ve ordered one and haven’t gotten yours yet, fear not! They are on their way. Also, I’ve mentioned it before, but I’ll say it again for good measure: if you have a copy of the collection, I would love it if you shared a picture of it! It brings this writer’s heart a tremendous amount of joy to see the book out in the wild with readers!

So what’s new in these parts? Plenty! My podcast interview with the awesome guys at Miskatonic Musings is now available; it was a super fun and wide-ranging episode that covered everything from Ava Gardner to Amish Romance. I was also recently spotlighted over at Unnerving Magazine in a very lively interview with editor Eddie Generous.  We talk outsiders, Shirley Jackson, and The Berenstain Bears, though not necessarily in that order. And finally, a fantastic new review at Hex Libris says the stories in And Her Smile “show a familiar world with deep currents of bizarre beauty, pain, and sheer anomaly running through it that create a tapestry of weird horror unlike anything I’ve read before.” Big thanks to Aaron Besson for those incredibly humbling words!

Starting next week on this blog, I’ll be highlighting each of the brand-new stories in the collection. It will be great to talk more about those tales, since all five of them are quite near-and-dear to my macabre little soul. That means if you like my posts about the behind-the-scenes development of my fiction, then you’re in luck! And if you don’t like those posts, consider yourself warned!

Also, speaking of updates, now is the perfect time to announce that I’m currently a guest judge at Bracken Magazine! That’s right: I’ll be at the helm for the flash fiction contest! The theme is home, and I’ll be looking for beautiful and devastating stories of magic, forests, and faraway places. If this sounds up your alley, then please find all the details here!

So that’s my month so far! A couple big writing announcements are forthcoming (even though I’m bursting at the seams to announce them now!), and I’m also working on a spotlight on my favorite recent releases from a host of talented speculative fiction writers. So head on back here soon for more fiction-loving goodness!

Happy reading!

Spring into Fiction: Submission Roundup for May 2017

Welcome back to this month’s Submission Roundup! Today’s post features some great calls for May, plus a couple early warnings for submission windows not closing until June and July!

As always, I am not a representative for any of these markets; I’m only spreading the word! That means if you have any questions, please direct them to the respective publications!

And now onward to this month’s Submission Roundup!

Submission RoundupBroad Knowledge: 35 Women Up to No Good
Payment: .06/word
Length: up to 5,000 words
Deadline: May 30th, 2017
What They Want: Dark speculative stories by authors who are female, non-binary, or a marginalized sex or gender identity. Stories must highlight the theme of knowledge, and also “feature female protagonists whose knowledge is integral to the plot/conflict.”
Find the details here.

Chiral Mad 4
Payment: .06/word
Length: up to 20,000 words
Deadline: May 31st, 2017
What They Want: Open to horror stories that are collaborations between two or more authors.
Find the details here.

Corporate Cthulhu
Payment: .03/word
Length: 2,000-7,000 words
Deadline:  June 1st, 2017
What They Want: Lovecraftian stories based in corporate or other large, private-sector bureaucratic worlds.
Find the details here.

Eternal Haunted Summer
Payment: $5/flat
Length: No specific limits, though stories over 5,000 words will probably be serialized
Deadline: June 1st, 2017
What They Want: Open to original stories and poetry about gods and goddesses in the pagan tradition.
Find the details here.

Welcome to Miskatonic University
Payment: .08/word
Length: up to 6,000 words
Deadline: June 30th, 2017
What They Want: Lovecraftian stories based at Miskatonic University.
Find the details here.

NonBinary Review: The Tales of Hans Christian Andersen
Payment: .01/word for fiction and nonfiction; $10/flat for poetry; $25/flat for visual art
Length: up to 5,000 words
Deadline: July 31st, 2017
What They Want: Poetry, visual art, fiction, and nonfiction based around theme of Hans Christian Andersen’s tales. All submitted work must have a clear connection to Andersen.
Find the details here.

Happy submitting!