Monthly Archives: December 2015

The Speculative Year in Review: Must-Read Short Fiction of 2015

2015 has been a great time for fiction readers. In keeping with the year-end celebrations around the internet, here are the stories of 2015 that stuck with me. And full disclosure: since the speculative fiction world is surprisingly small, I’m fortunate enough to know some of these authors personally. Still, I’m playing no favorites here. Each and every one of these tales left an indelible mark on me. Maybe you’ll love them too.

Author: Alix E. Harrow
Publication: Shimmer
Release: September 2015
Favorite lines: We’d thought it would last forever. We’d thought we could plow the wild out of the west and build our lives from its sun-bleached bones.
Why It Rocks: A revisionist Dust Bowl tale, this is a mournful exploration of loss and love in a backdrop of decay. Everything about this one works: the rich and palpable setting, the indomitable yet grieving protagonist, and, of course, the crux of the story—the Dustbaby herself, a changeling of sorts that instills both hope and fear in a town already coming apart at the grime-caked seams. Not only is this a fantastic tale, but it’s also one worthy of many, many rereads. Gorgeous and unforgettable.
Read the story here.

“Snow Waiting”
Author: Shannon Connor Winward
Publication: Gingerbread House Literary Magazine
Release: April 2015
Favorite line: Snow White sits on the hood of your car / ripped jeans, knees like ivory / cigarette between candy-apple lips.
Why It Rocks: I’m not a huge connoisseur of poetry, and yes, this list is called Must-Read Fiction, but the painfully beautiful lyricism of “Snow Waiting” is too strong and evocative not to include. A tragic loner version of Snow White, this incarnation of the fairy tale princess is a survivor, bounced from foster home to foster home, the prey of unscrupulous adults. Nevertheless, she knows who she is, and she knows how to get by. In no more than a handful of lines, author Shannon Connor Winward crafts an intricate backstory for her eponymous character and interweaves a complex and yearnful relationship between Snow White and the narrator. A haunting piece that will linger with you long after the last line.
Read the poem here.

“With Apologies to Charlotte Brontë”
Author: Lachlan Redfern
Publication: Microhorror
Release: June 2015*
Favorite line: Send her a telepathic message for help to make it feel more romantic.
Why It Rocks: I’m a big fan of Jane Eyre, and for years, I’ve referred to it as a horror story, at the very least in the Gothic tradition. Apparently, I’m not the only one who thinks so. “With Apologies to Charlotte Brontë” takes the naturally unsettling and dark elements of the novel and dials them up to eleven. Add in a healthy dose of satire, and you’ve got a quick, disturbing little read that plays with the tenants of classic literature. A good time and a darn good retelling.
Read the story here.

“The Tomb Wife”
Author: Scarlett R. Algee
Publication: Zen of the Dead
Release: October 2015
Favorite lines: I’m a ghoul, after all. No one comes to speak with me.
Why It Rocks: Let’s face it: there aren’t nearly enough ghouls in literature (or on celluloid). Fortunately, this story gets all the points right. The language is elegantly ornate, and the eponymous protagonist is unrepentant yet relatable in equal measure. For an extra dose of the macabre, pair this story with the under-appreciated cinematic gem Monster Club. Because one good ghoul deserves another.
Pick up a copy of the story here.

“Minotaur: An Analysis of the Species”
Author: Sean Robinson
Publication: Unlikely Story
Release: October 2015
Favorite lines: The idea that a labyrinth imprisons us is a fallacy. Does your home imprison you?
Why It Rocks: First off, the story has Minotaur right in the name, so that’s almost never a bad start. The inveterate academic in me also adores anything that uses research and/or questionnaire tactics as a storytelling device, so Sean Robinson’s tale is definitely my kind of weird fiction. Minotaurs—there are, as the title suggests, more than one in this speculative world—are beleaguered creatures who reside in labyrinths. So far, so good, say all the classics majors out there. However, these labyrinths turn out to be more like giant, ever-changing cribs for the orphaned Minotaurs who are really looking for love since their mommies and daddies abandoned them. Seriously. A strange story as comical as it is tragic, this one truly must be read to be believed.
Read the story here.

“Under the Skin”
Author: Kathryn Kulpa
Publication: Goreyesque
Release: June 2015
Favorite lines: There was a ghost girl. She talked with the dead. It didn’t do much for her popularity among the cafeteria crowd at her local high school. 
Why It Rocks: There’s a social psychological principle positing that people are more attracted to those with features similar to their own. The same could be said of fiction writers when reading other writer’s work. For example, I am an author who’s penned more than a few tales about strange teenage girls coming of age, and the finales of my stories have often featured those girls taking flight, literally or otherwise. Thus, this story feels right in my own wheelhouse. A weird and beautiful ode to the outcast in all of us, “Under the Skin” boasts a simple and unpretentious charm that makes for a quick and highly enjoyable read. And the story being featured in an Edward Gorey-inspired literary journal? Just the dour cherry on top, if you ask me.
Read the story here.

Author: Ed Grabianowski
Publication: David Wellington’s Fear Project
Release: February 2015
Favorite line: One night we came home and there were more dolls than we remembered owning.
Why It Rocks: “Dolls” is one of the shortest stories on this list, clocking in at only about 500 words, but that length doesn’t diminish how immensely effective it is. Crafted as part of the 2015 edition of David Wellington’s Fear Project, an online competition among burgeoning horror writers, Ed Grabianworski puts his compelling voice on full display here with a creepfest that focuses on—what else?—dolls. You might never look at your grandmother’s Kewpie collection the same again.
Read the story here.

“To See Pedro Infante”
Author: Silvia Moreno-Garcia
Publication: Lightspeed
Release: August 2015
Favorite line: Cecilia stood by the window, a ream of paper in her hands, and her soul flew out of her body.
Why It Rocks: Lovely, tragic, and effective, this delicate tale follows a lonely woman who can leave her body at will but often uses the gift simply to visit singer Pedro Infante, with whom she has a brief encounter early in the story. Somewhere in the collective unconscious of literature, there’s a connection between Cecilia, the protagonist of this story, and Ray Bradbury’s character Cecy, the astral projecting member of the Elliot brood who appears in “Homecoming,” and its companion fix-up, From the Dust Returned. Of course, being the rabid Bradbury fan that I am, that tangential thread only made me love “To See Pedro Infante” even more. Silvia Moreno-Garcia is an accomplished short fiction author, and her 2015 debut novel, Signal to Noise, is only the start of what promises to be a fabulous career.
Read the story here.

“Dispatches from a Hole in the World”
Author: Sunny Moraine
Publication: Nightmare Magazine
Release: October 2015, part of the Queers Destroy Horror issue
Favorite lines: Here’s how it was: We were dying. But we weren’t alone.
Why It Rocks: Fiction provocateur Sunny Moraine had a banner year with stories appearing in Apex, Shimmer, and elsewhere. But there’s something about “Dispatches from a Hole in the World” that feels at once painfully personal and terrifyingly universal, thereby elevating this story to the top of Moraine’s already impressive bibliography. The narrator investigates the “Year of Suicide,” in which thousands of people not only ended their own lives but posted their final moments on the internet. A disturbing exploration of otherness and the power of multimedia, this one will stick with you. I’m sitting here and shivering just thinking about it.
Read the story here.

“Hellhound, Free to Good Home”
Author: Gerri Leen
Publication: Daily Science Fiction
Release: June 2015
Favorite lines: He is, in a word, a huge ugly dog. But she doesn’t care.
Why It Rocks: I’m a fan of very dark fiction, but every once in awhile, it’s nice to come up for air. This great little tale is fun and triumphant and makes me laugh aloud every time I read it (and I’ve read it probably a dozen times by now). The eponymous hellhound is a harbinger of doom, arrived one day on a jogging path to foreshadow the death of a passing woman. However, this particular woman is more eager to adopt the hellhound and introduce him to her brood of pets rather than heed his portents. Great fun and well worth a read.
Read the story here.

“Three Small Slices of Pumpkin Pie”
Author: Wendy N. Wagner
Publication: Farrago’s Wainscot
Release: July 2015
Favorite line: Their pumpkins, good-sized and a mellow orange by now, sat on the floor like patiently napping dogs.
Why It Rocks: I’m a huge fan of Wendy N. Wagner. Not only is she a fantastic writer, but she’s also an incredible supporter of her fellow authors. Her recent story, “Three Small Slices of Pumpkin Pie,” is a profoundly dark allegory about the burdens that society forces women to carry. In this tale, it’s a literal pumpkin, attached with vines and all, that girls must lug around with them. I don’t want to give away too much more, but I will say this: it’s one of those stories that will go on to inspire my own fiction for years to come, and as a writer, I can’t offer greater praise than that.
Read the story here.

“To Sleep in the Dust of the Earth”
Author: Kristi DeMeester
Publication: Shimmer
Release: December 2015
Favorite lines: Sometimes, things are meant to be lost. There are things you aren’t supposed to go looking for.
Why It Rocks: As mentioned earlier in this post, coming-of-age horror stories are among my favorite kinds of fiction, and this one definitely takes the macabre to the max. Two friends tenuously welcome a girl with a curious talent into their circle, and suffice it to say, nothing good comes from it. If you’re in the mood for even more weird high school tales, then pair this one with Maria Dahvana Headley’s “Who Is Your Executioner?” that appeared last year in Nightmare Magazine. When you’re finished with these two stories, you’ll be grateful your high school experience wasn’t quite so traumatic.
Read the story here.

“White People”
Author: Brandon Getz
Publication: The After Happy Hour Review
Release: April 2015
Favorite line: That was a little disconcerting, the colorless stare of the white people, but with contact lenses and a little rouge, they could’ve looked like any young couple this side of the Missouri.
Why It Rocks: It’s hard to surprise me. I’m one of those jaded readers that can usually predict where a story is headed by the end of the opening paragraph. So within the first few lines of “White People,” I was sure I had it pegged. I was wrong. Completely wrong. Inspired by Asimov’s 1959 tale, “Rain, Rain, Go Away,” this is one decisively weird story that takes strange neighbors to the extreme. A good time, and a worthy addition to any reading list.
Read the story here.

“And We Were Left Darkling”
Author: Sarah Pinsker
Publication: Lightspeed
Release: August 2015
Favorite lines: My dream baby grows older except when she grows younger. She is sometimes a toddler, except when she’s not.
Why It Rocks: This devastating story plays out like a reverse Childhood’s End. Instead of children leaving, children are returning. Except they aren’t really children at all. Or are they? The cuckoo symbolism also connects the story, albeit tangentially, with The Midwich Cuckoos and its celluloid incarnation, Village of the Damned. Odd children often make for strong fiction, and the open-ended resolution here only heightens the power and the sorrow of this tale of motherly love that isn’t meant to be.
Read the story here.

Can’t get enough fiction reviews? Then I highly recommend checking out author Charles Payseur’s Quick Sip Reviews.

*The copyright for “With Apologies to Charlotte Brontë” is 2014; however, this little blogger could find no evidence that the story was published earlier than June of this year, thereby making it eligible for this list.

Which stories were your favorite from this year? Let me know in the comments below!

Dark Verse: Interview with Benjamin Blake

For this week’s author interview, I’m pleased to introduce Benjamin Blake. Benjamin is a fiction writer and poet as well as a photographer of all things strange. His collection, Southpaw Nights, appears on the Horror Writers Association’s 2015 Reading List, and Benjamin has received tons of great reviews on his fantastic dark verse and fiction.

Recently, he and I discussed his inspiration as a writer as well as how weird places and ghosts influence his work.

A couple icebreakers to start: when did you first decide to become a writer, and who are some of your favorite authors?

I have written most of my life in one form or another, but it wasn’t until a stormy autumn night about six years ago, in the basement room I was living in at the time, that I started to pen the first short story I had written since I was a kid. That was when I knew that writing was what I wanted to do for good.

As far as favorite authors go, I absolutely love Ray Bradbury; his prose is so utterly poetic and he fires words at the page like bottle rockets. There is such a fervency in his writing. That really gets me. Also, Charles Bukowski – he never fails to entertain, and hits home truths that most people are afraid to think about, yet alone say. I could go on all day about authors, but others include: Stephen King, J.D. Salinger, Joe Hill and Neil Gaiman.

You work in a variety of artistic mediums, including writing (both fiction and poetry) as well as photography. How is your approach to each different (or similar)?

There’s definitely an undercurrent that runs through them all, which is mood, or feeling, or whatever you want to call it. And that is the genesis for anything that I create. The search for that particular poignancy. I also tend to think very visually, so that naturally crosses over from photography to writing. Fiction is certainly the hardest; poetry and photography can be fleeting snapshots of feeling, and while that can apply to flash fiction, or short stories, the longer prose pieces take a lot more structural precision. I recently finished writing my first novel, and while it shares many creative attributes with poetry and photography, there is definitely a huge side of novel-writing that is not inherent in the other two mediums.

Much of your work leans toward horror and the darker side of life. Have you always been a fan of horror, and what was your earliest experience with the genre?

I have always been deeply in love with horror and the supernatural. It started with Scooby Doo (although I was always angry that the spooks weren’t actually real in the end), and went on to illustrated books about ghosts, and R.L. Stine’s Goosebumps. Though, my first introduction to the ‘adult’ side of the genre, was through the late night horror movies my mother would tape for me on VHS. Children of the Corn led to borrowing Stephen King’s Night Shift from the local public library, to seek out the short story that the movie was based on. I must have been about twelve years old at the time, maybe younger.

Southpaw NightsI love that on your website, your bio includes the detail that you were born in a hospital that has since been demolished. The hospital where I was born hasn’t been demolished yet, but it is now abandoned (and supposedly very haunted). What do you think it is about abandoned and demolished buildings that keeps writers and readers fascinated?

See, that got me excited just reading that question! [Concerning the supposed haunted hospital], that’s a testament to how true that statement really is. I think it’s a combination of things; the obvious history of an old place, the aesthetics, the excitement of exploration and the unknown, the possibility of seeing something otherworldly, and the classic horror movie setting – you’ve seen it a hundred times before on the screen (or read about it in books), and you get to experience it firsthand. There’s something immensely alluring in all that.

You also mention in your bio that you believe in ghosts. Does the spirit realm often find its way into your work? Any otherworldly personal experiences you care to share?

The spirit realm definitely finds its way into my work on a regular basis. There’s something so beautiful and tragic in the idea of ghosts. It really is a timeless subject, too. Humans have been telling ghost stories since the dawn of time, and will continue to tell them until our end.

When I was a small child, my father worked at a pioneer village. The site was mostly made up of historical buildings that had been moved there. Among these was an old jailhouse (which was originally just a regular house). And I wanted to go see it so bad. After weeks of nagging, my father finally gave in, and took me along. I burst into the building, ran along the hall which led to the cell (pushing past an elderly couple in my excitement), and into the small incarceration room. Where, by all accounts, I screamed my little three year old lungs out, and tore back the way in which I came. My dad let the scenario sit a little while, before eventually asking what it was that had freaked me out so badly. I replied, ‘I saw a man hanging.’

When next at the village, he mentioned the incident to a guy he worked with, who told him that back when the jailhouse was still functioning as a home, a man had hung himself out back from a plum tree.

 Out of your published works, do you have a favorite?

 I definitely have a soft spot for my first poetry collection, A Prayer for Late October. But I’d say my second published work, Southpaw Nights, a collection of prose and poetry, is my actual favorite. It’s my largest published work to date, and I’m immensely proud that it was able to come out in paperback. There are also a couple of stories in there that are among the pieces of mine that I am most happy with.

Big thanks to Benjamin for being part of this week’s author interview series! Find him online at his website and his Facebook page

Happy reading!

The Best of the Best: Interview with Rose Blackthorn

For this week’s author interview, I’m thrilled to present Rose Blackthorn. Rose is an incredible writer. Her amazing fiction has appeared in many of the top horror and fantasy publications, and as if that’s not enough, she’s a huge supporter of her fellow authors and one of the most approachable writers out there.

Recently, Rose and I discussed her favorite authors, her approach to the craft of writing, and the best way to deal with rejection.

Rose BlackthornA couple icebreakers to start: when did you first decide to become a writer, and who are some of your favorite authors?

I have been writing since my early teens, and in my twenties I actually wrote several (really bad) novels that I submitted to resounding and universal rejection. So, I guess I can say that I’ve wanted to be a writer for most of my life. But I didn’t start writing short fiction, and getting published, until 2009.

There are so many writers whose work I love. To list just a few (in no particular order) – Stephen King, Dean Koontz, Charles DeLint, Patricia McKillip, Anne McCaffrey, Vonda McIntyre, Jo Clayton, Barbara Hambly, Marion Zimmer Bradley, Nancy Springer, David Eddings, P C Hodgell, Robert Jordan, Ursula LeGuin, and Anne Rice.

What is your typical approach to writing? Do you have a set number of hours you write each day, or do you only write when inspired?

I am a dedicated ‘pantser’. I rarely have more than a basic idea of where a story is going, and I think I’ve outlined maybe two things, ever. I usually start out with either a particular character, or a specific background/place, and build on them.

I do not have set hours to write. I made a goal to write every day during NaNoWriMo, which I was able to accomplish, but I don’t always do so. I guess that means I write when I’m inspired – but luckily, that seems to be fairly often. I write to entertain myself, and so most of the time I really enjoy the time I spend at it.

Since you’ve been in the industry for a number of years, you’ve probably faced some rejections along the line. How do you deal with hearing no, and do you have any advice on coping with rejection for those writers who are just starting out?

I am a very emotional person – I have been known to cry at commercials. So in the beginning, every rejection was personal and a deep wound. In fact, I gave up submitting entirely for several years because of rejections I had received. This was back when I was younger, before I had friends who were authors or editors, and before I realized that rejection is just a part of the business of writing and submitting. I have finally gotten to the point in my life where (most of the time) I am able to simply take rejections in stride. There are still those that really sting, if it’s a story I strongly believe in or a market that I’m dying to break into. But for the most part, I pout for a minute, and then start looking for the next place to submit.

The best advice I could give anyone as far as coping with rejection is this: As hard as it is, try not to take it personally. Taste is subjective, and what one editor or publisher doesn’t like, another might love. If you believe in your writing enough to send it out once, then you can do it again. Make sure you’re researching the market, and be sure you’re sending them something they are actually looking for. If someone says “No”, then find someone else to send it to. If you need to, make edits or revisions to improve the story before you send it back out. But don’t let any one “No” stop you from being a success.

Shock TotemIn addition to your incredible fiction, you also write equally fantastic poetry. How is your process different (or similar) for each?

I write fiction with a place, or a character, that I’m drawn to or am curious about. What would this person do in this particular situation? What drives them? What is their goal, and how will they get from point A to point B?

Poetry, however, is always about emotion to me. Regardless of subject matter or style, my poetry always comes from the heart. If I’m feeling happy, or sad, or nostalgic, that’s what goes into a poem. Because of that, I only write poetry when I am really feeling inspired, because it isn’t anything I can force. It comes when it wants to.

Out of your published pieces, do you have a personal favorite?

Hmmm… That’s hard, because really I am quite fond of most of the things I’ve published! If I had to choose, I would narrow it down to these three: “The Olwen of the Wynne,” which was my first fantasy story published in 2010, and includes some of my favorite characters; “Bacon Rapt,” which is a zombie flash piece published in 2012 that I conceived, wrote, and submitted in less than an hour – and which was accepted that same day; and last “Through the Ghostlands” published in 2014 by Grey Matter Press, which I am actually working on expanding into a novella or novel.

You’re consistently releasing such remarkable work. Any upcoming publications we should be looking for?

I have two poems “Arbitration” and “Prescience” appearing in Chiral Mad 3 from Written Backwards which will be released in the spring. My story “Promises, Bliss and Lies” will be in the Fright Mare anthology edited by Billie Sue Mosiman, which will also be coming out in the spring.
“The Bani Protocols” is my first attempt at military/sci fi, and will be included in SNAFU: Hunters coming out from Cohesion Press at the beginning of next year. I am also absolutely thrilled that “Through the Ghostlands” was chosen by fans of Grey Matter Press to appear in DREAD: The Best of Grey Matter Press Vol. 1, which should be released in March 2016.

Big thanks to Rose Blackthorn for being part of this week’s interview. Find her on Twitter, Facebook, and Goodreads, and be sure to check out her main site as well as her Amazon Author Page!

Happy reading!

A Bluebird Named Matilda: Writing Avian Body Horror

It’s been awhile since I used this blog to discuss my fiction, which is odd since that was sort of my original goal when I set up the WordPress account last year. Fortunately, even when I’m not in the mindset to wax on and off about my latest stories, the author interviews are enough to keep the blog afloat (and to be honest, the interviews have become one of the coolest components of my weekly activities, so there’s that too). However, for today, let’s get back to the basics, shall we?

In case you didn’t hear, my story, “Something Borrowed, Something Blue,” is available in the current issue of Three-Lobed Burning Eye Magazine, edited by Andrew S. Fuller. (And yes, the story came out at the end of September, and it’s now the middle of December, but better a late commentary than none at all.) My husband was kind enough to design me the super cool image below, so if nothing else, I’ll take this post as an opportunity to share it, blood splatter and all:

Something Borrowed, Something Blue

For those of you who have yet to read the tale, “Something Borrowed, Something Blue” deals with birds and childbirth. As in, a woman gives birth to birds, including a plucky bluebird called Matilda. It’s a weird story—a little bit fantasy, a little bit horror, a whole lot melancholy since I’ve been in an extra dark writing mood since, like, January. When it was finished, I realized I was really proud of this particular story, in part because I’m a huge fan of body horror. Franz Kafka’s The Metamorphosis remains among the pantheon of great horror stories in this fan’s opinion, and I seriously don’t think I could ever watch David Cronenberg’s The Brood or The Fly enough times. In my previous stories, body horror has wriggled its way into the plots of “Flesh or Fantasy” (published in Sanitarium Magazine), “War Wounds” (published in Robbed of Sleep, Volume Three), and “A Certain Kind of Spark” (published in Shadows at the Door). However, in none of those tales was there the disturbing intersection of body horror and some kind of non-human animal. Cronenberg, you’ve schooled me well.

To top it all off, I sincerely adore the magazine in which the story appeared. Three-Lobed Burning Eye has long been on my shortlist of publications where I hoped to one day sell a story. Everything about the magazine is fantastic, from the tagline  (“Stories that monsters like to read”) and the always awesome cover art to the insanely impressive list of past contributors (Wendy Wagner! Sunny Moraine! Mari Ness! E. Catherine Tobler! Cat Rambo! Laird Barron!). I went back and forth on whether or not to submit “Something Borrowed, Something Blue,” because after reading scores of stories in previous issues, I still wasn’t convinced it was a good fit. Again, I personally love the story, but there is no story that belongs in every market. But ultimately, I decided to take a chance, and it paid off. As part of each issue, Three-Lobed Burning Eye includes audio version of its fiction, so for the first time ever, I got to record one of my stories! That was so much fun, which just added to the overall awesomeness of the experience.

So if you’re in the mood for a weird yarn about bluebirds, childbirth, and general grotesquery, then head on over to the latest issue of Three-Lobed Burning Eye. While you’re there, check out the other stories from fabulous authors like Kristi DeMeester, Vicki Saunders, and Jessica Reisman. Good, creepy stuff all around, and best of all, it’s Matilda-approved!

Happy reading!

Wicked Writer: Interview with Dan Foytik

For this week’s interview, I am pleased to present Dan Foytik. Dan is a writer and editor who manages numerous horror and fantasy podcasts through his company, 9th Story Studios. He and I have worked together on several projects, including The Wicked Library and The Lift, and Dan is one of those fantastic editors that makes you grateful to be a writer.

Recently, he and I discussed his upcoming podcasts and where he sees his already booming career headed in the future.

Dan Foytik A couple icebreakers to start: when did you first decide to become a writer, and who are some of your favorite authors?

I think I’ve been a writer at the core since I was very young. I was lucky to have a mother who read to me constantly, and I also had books given to me quite often, and a grandmother who constantly told me stories about her experiences growing up on a farm. Looking back on it, I realize that my grandmother’s stories were really well structured, with villains, dramatic elements, inciting events and so on.

The Wicked Library is such a fantastic podcast. Everything about the project is incredible, from the specially commissioned artwork and your awesome narration to the major authors who have been involved, such as Neil Gaiman. Is it a challenge to keep so many moving parts working at any given time, and what has been the most surprising aspect of managing The Wicked Library so far?

First, thank you! It’s always nice to hear the work is well received and enjoyed. The main challenge is always the time involved. An hour of finished show takes around 6-8 hours to create. And, in addition to my work (reading, narrating, editing audio, adding music, writing show notes, promoting on social media, and so on), there is also the time it takes the artists and authors to create, edit, and hone their work. A huge amount of work goes into making the show seem effortless and something worthy of the trust the authors place in me to interpret their work. But, it’s also a lot of fun to do, and a really nice way to build the community and connect the different creators. I’m pretty picky about who I work with, so while the coordination of everything can be a lot to manage, the professionalism of the creators makes it a lot easier.

As to the most surprising element, I think it’s when I get an author who tells me some variation of “You really creeped me out/scared me with my own story” or “I finally understand why my character did [such and such] after hearing you do the story.” It’s more gratifying than I can explain to know I’ve brought something to life not only for the listeners, but also for the author.

One of your recently debuted podcasts is The Lift, a complex shared world project that features a devious little girl and the hapless individuals who stumble upon the building where she lives. What inspired you to create The Lift, and what is your hope for the long-term future of the project?

The LiftThe Lift is the culmination of an idea I had while at a writing workshop with a few friends, including the show’s Co-creator and Executive Producer, Cynthia Lowman. Victoria already existed at that point as the “mascot” of my original show, 9th Story Podcast, and she grew in complexity and personality as the show progressed. I think of her as more impish than devious, she’s been at her task for well over a century, but at the core, she’s still just a 9 year old girl with all that entails. Ultimately, I realized there was much more I could do with her.

I had this idea that the building she inhabits sits in a kind of broken reality where (like The Twilight Zone or Fantasy Island), unique scenarios or realities could be created to test, lift up, or punish individuals who either needed to change their ways, or needed help finding their ways. In that sense there are also elements of Dante’s Inferno, since each story of the building is reserved for certain vices.

Long term, I’d like to see it on the level of a Welcome to Night Vale and something that crosses various forms of media. We’ve talked about doing an anthology of the first season and adding in a couple of bonus stories; there’s a graphic novel in discussion, but my focus right now is making the best show I can and getting the work of the writers, artists, and composers as much attention as possible.

How has your work as an editor affected your fiction writing?

It’s made me more aware of my own habits, pet phrases and so on. It’s also made me more focused when I do write because producing four podcasts–and now starting to get some paid narration and voice work as well–leaves very little time to write fiction. A lot of writing goes into creating the podcasts ,of course, but aside from the show notes, most of the writing is “transparent” since it’s in the form of audio intros, skits, and the like. Acting as an editor has also made me more receptive to criticism of my own work, because I know how hard it is for an editor to tell a writer, “This part isn’t quite working,” or “You need to change this because…”

The Wicked LibraryOut of your published pieces, do you have a personal favorite?

My favorite piece isn’t actually traditionally published yet. It’s a short story called “Grey and Red” and it appeared on The Wicked Library in Season Five (when I was still simply a listener and fan of the show). It’s not yet appeared in print and was written as a gift for a friend. There are several things I did in the story as fun for me and the intended reader that worked much better than I could have hoped.

Where would you like your writing career to be in five years?

Ah, the most dreaded job interview question ever created. I think I’d like to have a collection of my own short stories out there. I have plans to re-work a novel that’s been fermenting for years into a series of digital comics, and, if I’m shooting for the moon, I’d like to be talking to someone about a series on TV featuring Victoria and her Lift.

While I’m no George Saunders, I’ve become very enamored with writing the short story, to the point I’m not sure I actually want to write a novel anymore. I do love the idea of a connected series of stories featuring the same character – which really isn’t the same thing as a novel. Never say never I suppose, but I have a number of ideas for stories that don’t feel novel length.

Any links you’d like to share?

I have far too many websites; I collect them it seems. The main “HUB” of what I’m doing is going to be 9th Story Studios at, it’s still being reworked and tweaked, but you’ll be able to find links to all my other projects from there including all the podcasts I produce like The Lift and Listen. It’s also where I’m going to be sharing samples of voice work and info on projects like narrating the audio books for Carrot Field and upcoming The Shadows at the Door Anthology.

Big thanks to Dan Foytik for being part of this week’s author interview series.

Happy reading!

Literature in Motion: Interview with Tay Wetherbee

Welcome back! This week’s interview goes in a slightly different direction from our usual programming. Tay Wetherbee is a visual artist currently based in Pittsburgh. However, this post still isn’t straying too far from my usual spotlight on fiction creators since many of Tay’s works take inspiration directly from literature, including the stories of Edgar Allan Poe.

Tay and I met when one of her installations went up at Crazy Mocha in Pittsburgh’s Bloomfield neighborhood, and because I’m the weird girl at coffee shops who talks to random people and hands out her business card at every opportunity, she and I soon connected on Facebook. Recently, we discussed her background as an artist and where she sees her career heading in the future.

A couple icebreakers to start: when did you first decide to become an artist, and who are some of your favorite artists?

Tay WetherbeeI think, for me, I never made a decision to become an artist. I just was. I was born singing, dancing, and drawing. My decision to become a professional artist happened in high school after taking my very first art class. I “lettered” three times over in art that year. In competition, I received the honor of one of my paintings touring the entire state of Texas (where I grew up) for a full year. Then I sold my very first piece for $18,000 at 17 years old. My decision made sense and felt like the right path.

The most influential artists in my life have been Robert Rauschenberg, Dave McKean (who many know as the illustrator for numerous Neil Gaiman books), and my college instructor in mixed media at Massachusetts College of Art and Design in Boston, Robert Maloney.

Your painting, “Tell Tale,” which is currently on display in Pittsburgh, takes inspiration from Edgar Allan Poe’s “The Tell-Tale Heart.” Do you often integrate literature or other elements of the horror genre into your artwork?

TelltaleI actually consistently use text and literature in my artwork. My art degree is in illustration, and while my work is largely considered “fine art,” my love for telling stories through art is still apparent in my work through use of quotes, lyrics, and sheet music, which propel and support what is happening in the images in the foreground. Additionally on a design level, I enjoy juxtaposing graphic elements of text with fluid ink painting.

As for horror-themed literature, I have always been a fan of Edgar Allan Poe and am very much moved by the darker moments of Shakespeare. I plan to create many more pieces that are charged with those kinds of moments.

Which medium is your favorite as a visual artist?

To HelenI work in mixed media. This means every medium is within my reach. The most common mediums I work with are India ink, concentrated watercolor, a process called ink transferring, and acrylic paint. My surface of choice is reclaimed wood. I love to show viewers age and distress, like old nail holes in wood surfaces, which can be transformed into something beautiful and thought-provoking. This process is derived from my interest in the Buddhist teaching of Wabi-sabi, the aesthetic of imperfection.

Where would you like to see your art career in five years?

I will be taking commissions, participating in art shows, loving life, and forever creating, back home in Boston.

Out of your works, do you have a personal favorite?

I am partial to this postcard-sized piece I created on a whim in college, of a Ferris wheel, with haunting text torn from an old book. In a body of work that is mostly large scale, it’s the smallest of my works, yet so powerful to me.

Do you have any upcoming exhibitions planned? Any other places where fans will be able to catch your work?

My work can be seen in the upcoming issue of The Hour After Happy Hour Review, and on display at Crazy Mocha Bloomfield in Pittsburgh, PA; Evolver Tattoo, Pittsburgh, PA; and RAW Artists Showcase 2016, Boston MA

Big thanks to Tay Wetherbee for being part of this week’s interview series. Find her at her website and on Facebook, Twitter, and Instagram.

Happy reading!