Author Archives: gwendolynkiste

Summer Fiction: Submission Roundup for June 2023

Welcome back for this month’s Submission Roundup! This summer is already shaping up to be filled with plenty of awesome submission calls, so if you’ve got a story searching for a home, then hopefully one of these markets will be a perfect fit!

As always, a disclaimer first: I’m not a representative for any of these markets. I’m merely spreading the word! Please direct your questions to their respective editors. And with that, onward with this month’s Submission Roundup!

Submission Roundup

Cast of Wonders
Payment: .08/word for original fiction
Length: up to 5,000 words
Deadline: Open from June 1st to June 14th, 2023
What They Want: Cast of Wonders is seeking speculative fiction aimed at a young adult audience (ages 12 to 17). The theme is Banned Books Week, and they’re seeking fiction that show how stories can be a guiding light and help us understand the world around us and dismantle our misconceptions.
Find the details here.

Eye to the Telescope
Payment: .04/word (minimum $4, maximum $25)
Length: up to three poems
Deadline: June 15th, 2023
What They Want: Open to speculative poetry on the theme of trauma
Find the details here.

Alone on the Borderland
Payment: Percentage of Kickstarter
Length: 5,000 to 10,000 words
Deadline: June 30th, 2023
What They Want: Editor John Linwood Grant is seeking weird and strange fiction set anywhere during the broad Edwardian era.
Find the details here.

Dracula Beyond Stoker
Payment: .05/word
Length: 1,500 to 5,000 words
Deadline: June 30th, 2023
What They Want: The editor is seeking fiction that reimagines and expands upon the world of Dracula. For the upcoming issue, the theme is Lucy Westenra (hooray!).
Find the details here.

Electric Spec
Payment: $20/flat
Length: 250 to 7,000 words
Deadline: July 15th, 2023
What They Want: Open to a wide range of speculative fiction.
Find the details here.

It Was All a Dream, Volume 2
Payment: .05/word
Length: 1,500 to 3,000 words
Deadline: Open July 1st to July 15th for all authors; open July 1st to July 22nd for marginalized authors
What They Want: Open to short, weird horror fiction that reworks an old trope.
Find the details here.

Happy submitting!

World Dracula Day and Spring Writing Updates

Welcome back, and happy World Dracula Day! In honor of this auspicious holiday, today seems like the perfect chance to talk a little bit about Reluctant Immortals and what I’ve been up to lately. It’s been a busy year so far in my writing world, which is always nice, since it tends to keep the existential dread at bay.

So let’s dive into some updates about my little vampire baby!

Reluctant Immortals is a finalist at both the Lambda Literary Awards and the Bram Stoker Awards!

First and foremost, if you follow me on social media, you’ve already seen me screaming from the rooftops about this, but just in case you didn’t hear: Reluctant Immortals is nominated for Superior Achievement in a Novel at the Bram Stoker Awards as well as being a finalist for Bisexual Fiction at the Lambda Literary Awards!

*screams joyfully from the rooftops once again*

There have been a lot of wonderful things to happen with the book, so it’s beyond thrilling and humbling to end the promotion cycle for my Dracula-Jane Eyre retelling by attending not one but two awards ceremonies next month where Reluctant Immortals is a finalist. Honestly, even just typing that sentence is surreal.

Being a finalist for the Lambda Literary Awards holds a very unique place in my heart. Most readers and reviewers didn’t mention the sapphic story line in Reluctant Immortals; I think that was in part because it’s not revealed until about the quarter mark of the book, and nobody wanted to give away spoilers. But it always made me a little sad it wasn’t discussed more because exploring the relationship between Jane Eyre and Bertha Antoinetta Mason was always one of the most exciting things about writing Reluctant Immortals. So needless to say, having the book recognized in the Bisexual Fiction category at an award ceremony that’s been called “the queer book Oscars” is an absolutely huge honor. Especially this year, with all the ongoing attacks on LGBTQ+ books, I’m proud to be a queer author representing queer horror fiction. So yeah, I’m very, very excited about this.

And of course, it should go without saying that being nominated for a Stoker holds a very special place for me as well. I still can’t believe I’ve been nominated this year, let alone ever won a Stoker in the past, so that remains a wonderfully mystifying part of my existence and career. The ballot for this year’s Stokers is out of this world, and I’m so eager to not only see everyone at the convention and award ceremony next month, but to get to share the excitement with all my fellow nominees. I know people say it’s an honor to be nominated, but here’s the thing: it really, really, REALLY is.

My personal writing archive is now live and open for research at the University of Pittsburgh

Another huge update: my personal writing archive at the University of Pittsburgh’s Horror Studies Collection has officially been processed and has its own page online. I’ve talked about this several times in the past, but it wasn’t open to research until recently. *squeals with delight* Again, I know I’ve said it before, but having my work archived at a university was a big dream of mine from the time I was a kid, and I remain stunned that this is real. But like I said, it’s got its own page and everything, so I guess it is indeed true. *pinches myself to make sure*

In related cool news, there will be a private event at the Horror Studies Collection the week of StokerCon for all registered attendees, so if you’ll be in the Pittsburgh area on the Wednesday before the con, definitely come and hang out with us. You should have gotten an official StokerCon email about the event, so check your inbox! Speaking of which…

StokerCon Pittsburgh is coming soon!

In just a few weeks, a swarm of horror authors will be descending on Station Square in Pittsburgh for StokerCon 2023! Hooray! I’ve already recorded two virtual panels and my author reading for the online portion of the convention, and I’ll be doing even more programming in person, including multiple panels that are still in the process of being announced.

I’m also beyond thrilled to be presenting at the Ann Radcliffe Academic Conference, which will be taking place all day on Friday, June 16th at the convention. My presentation, “We Belong to Each Other: Reclaiming Representations of Bisexuality in 1970s and 1980s Vampire Cinema” will be part of an incredible block of vampire-themed academic talks, which will also include Naomi Borwein and Alex Aleco.

Early next month, I’ll be doing a post on my full StokerCon schedule, so stay tuned for anyone who is interested!

I have new short stories in American Cannibal and Forbidden Magic anthologies as well as Cosmic Horror Monthly!

In other news, it’s been a really exciting year for short story writing here in my little corner of the word. I’m literally finishing up a new story now, and I’ve been fortunate to see three new tales released in the last few months. My flesh-eating 1950s melodrama, “The Hungry Wives of Bleak Street,” made its debut in American Cannibal edited by Rebecca Rowland. “Hear, Hearth, Heartbeat,” a witchy tale of strange friendship that survives the decades, was featured in the Forbidden Magic issue of The Cellar Door. And finally, my Three Mile Island cosmic horror story, “Melting Point,” was in the latest issue of Cosmic Horror Monthly. I’m deeply proud of all three of these stories, so please pick up a copy of one (or all of them!) if you’re so inclined.

Looking down the road, I have recent acceptances for Novus Monstrum and The First Five Minutes of the Apocalypse, as well as upcoming stories out in Shakespeare Unleashed, No Trouble at All, and Never Wake along with several others that haven’t been publicly announced yet, so there will be plenty more short fiction from me coming soon.

So those are all my major updates for the moment. Otherwise, I’m just hanging out here on the old abandoned horse farm, working on new fiction. Edits on my next book have been sent over to my publisher, so I will hopefully have some news to share about my fourth novel very soon. (And seriously, FOURTH NOVEL?! How did that even happen?)

Happy reading, and happy spring!

Away Into Spring: Submission Roundup for May 2023

Welcome back for this month’s Submission Roundup! Lots of great opportunities in May, so if you’ve got a story seeking a home, perhaps one of these markets will be the perfect fit!

As always, a disclaimer first: I’m not a representative for any of these markets; I’m merely spreading the word. Please direct your questions to their respective editors.

And with that, onward with this month’s Submission Roundup!

Submission Roundup

Playlist of the Damned
Payment: .05/word; $1/line for poetry
Length: 500 to 5,000 words for fiction; 50 lines or less for poetry
Deadline: May 31st, 2023
What They Want: Open to horror fiction and poetry that explores the intersection of music and the macabre.
Find the details here.

Bury Your Gays: An Anthology of Tragic Queer Horror
Payment: .07/word
Length: 1,000 to 6,000 words (2,000 to 4,000 words ideal)
Deadline: May 31st, 2023
What They Want: Editor Sofia Ajram is seeking stories that focus on queer tragic horror written by queer authors.
Find the details here.

Escape Pod
Payment: .08/word for original fiction; $100/flat for reprints
Length: 1,500 to 18,000 words
Deadline: June 1st, 2023
What They Want: Open to science fiction short stories.
Find the details here.

Experimental Files: A Tribute to the Work of Gemma Files
Payment: $50/flat
Length: 3,000 to 6,000 words
Deadline: June 1st, 2023
What They Want: The editors are seeking stories inspired by the work of acclaimed weird fiction author, Gemma Files.
Find the details here.

Eye to the Telescope
Payment: .04/word (minimum $4, maximum $25)
Length: up to three poems
Deadline: June 15th, 2023
What They Want: Open to speculative poetry on the theme of trauma
Find the details here.

Alone on the Borderland
Payment: Percentage of Kickstarter
Length: 5,000 to 10,000 words
Deadline: June 30th, 2023
What They Want: Editor John Linwood Grant is seeking weird and strange fiction set anywhere during the broad Edwardian era.
Find the details here.

Electric Spec
Payment: $20/flat
Length: 250 to 7,000 words
Deadline: July 15th, 2023
What They Want: Open to a wide range of speculative fiction.
Find the details here.

Happy submitting!

A Fool for Fiction: Submission Roundup for April 2023

Welcome back for April’s Submission Roundup! As always, there are lots of great opportunities, so if you’ve got a story seeking a home, then maybe one of these markets will be perfect for it!

First, a disclaimer: I’m not a representative for any of these markets; I’m merely spreading the word. Please send any questions to their respective editors. And with that, onward with this month’s Submission Roundup!

Submission Roundup

FlowerSong Press
Payment: Not specified
Length: 75,000 to 150,000 words
Deadline: April 15th, 2023
What They Want: FlowerSong Press is seeking historical, fantasy, horror, and science fiction novels from Latinx authors.
Find the details here.

Bury Your Gays: An Anthology of Tragic Queer Horror
Payment: .07/word
Length: 1,000 to 6,000 words (2,000 to 4,000 words ideal)
Deadline: May 31st, 2023
What They Want: Editor Sofia Ajram is seeking stories that focus on queer tragic horror written by queer authors.
Find the details here.

Escape Pod
Payment: .08/word for original fiction; $100/flat for reprints
Length: 1,500 to 18,000 words
Deadline: June 1st, 2023
What They Want: Open to science fiction short stories.
Find the details here.

Experimental Files: A Tribute to the Work of Gemma Files
Payment: $50/flat
Length: 3,000 to 6,000 words
Deadline: June 1st, 2023
What They Want: The editors are seeking stories inspired by the work of acclaimed weird fiction author, Gemma Files.
Find the details here.

Alone on the Borderland
Payment: Percentage of Kickstarter
Length: 5,000 to 10,000 words
Deadline: June 30th, 2023
What They Want: Editor John Linwood Grant is seeking weird and strange fiction set anywhere during the broad Edwardian era.
Find the details here.

Electric Spec
Payment: $20/flat
Length: 250 to 7,000 words
Deadline: July 15th, 2023
What They Want: Open to a wide range of speculative fiction.
Find the details here.

Happy submitting!

Lucky, Spooky Fiction: Submission Roundup for March 2023

Welcome back for this month’s Submission Roundup! As always, there are plenty of amazing opportunities out there, so if you’ve got a story looking for a home, then hopefully one of these markets will be the perfect fit!

First, our customary disclaimer: I’m not a representative for any of these markets; I’m merely spreading the word. Please direct your questions to their respective editors. And with that, onward with March’s Submission Roundup!

Submission Roundup

No Trouble at All
Payment: .05/word
Length: 2,000 to 4,500 words
Deadline: March 15th, 2023 (Extended deadline for marginalized authors: March 22nd, 2023
What They Want: This anthology from editors Alexis DuBon and Eric Raglin is seeking polite horror stories, specifically horror disguised through politeness and manners.
Find the details here.

Eye to the Telescope
Payment: .04/word (minimum $4; maximum $25)
Length: up to three poems
Deadline: March 15th, 2023
What They Want: Guest editor Avra Margariti is seeking speculative poetry inspired by fungi.
Find the details here.

Novus Monstrum
Payment: .03/word
Length: 1,000 to 5,000 words
Deadline: March 30th, 2023
What They Want: Open to speculative fiction stories that feature a never-before-seen monster.
Find the details here.

Mother Knows Best
Payment: .06/word
Length: 1,000 to 5,000 words
Deadline: March 31st, 2023
What They Want: A women-in-horror anthology from Black Spot Books, editor Lindy Ryan is seeking horror stories inspired by mothers and mother figures.
Find the details here.

Vastarien
Payment: .05/word for fiction and nonfiction; $50/flat for poetry and artwork
Length: 750 to 6,000 words for fiction; 2,000 to 7,500 for nonfiction; up to 50 lines for poetry
Deadline: March 31st, 2023
What They Want: For the month of March, Vastarien is open to non-white artists and authors as well as female, nonbinary, and gender fluid authors and artists. Vastarien is seeking nonfiction, literary horror fiction, and poetry that’s inspired by Thomas Ligotti and related themes.
Find the details here.

Campfire Stories
Payment: $40/flat
Length: 2,000 to 5,000 Words
Deadline: March 31st, 2023
What They Want: Open to speculative fiction that features the eerie vibe of stories told around a campfire.
Find the details here.

FlowerSong Press
Payment: Not specified
Length: 75,000 to 150,000 words
Deadline: April 15th, 2023
What They Want: FlowerSong Press is seeking historical, fantasy, horror, and science fiction novels from Latinx authors.
Find the details here.

Experimental Files: A Tribute to the Work of Gemma Files
Payment: $50/flat
Length: 3,000 to 6,000 words
Deadline: June 1st, 2023
What They Want: The editors are seeking stories inspired by the work of acclaimed weird fiction author, Gemma Files.
Find the details here.

Happy submitting!

Moving Toward Spring: Submission Roundup for February 2023

Welcome back to the Submission Roundup! Lots of great writing opportunities this month, so be sure to send those stories of yours out into the world!

As always, a disclaimer: I’m not a representative for any of these markets. I’m simply spreading the word! Please direct any questions to their respective editors!

And with that, onward with this month’s Submission Roundup!

Submission Roundup

Ghoulish Tales
Payment: .10/word
Length: up to 5,000 words for short fiction; up to 3,000 words for short nonfiction
Deadline: February 15th, 2023
What They Want: Open to short fiction and short nonfiction that focuses on fun horror that celebrates all things spooky.
Find the details here.

Planet Scumm
Payment: .06/word
Length: up to 5,000 words
Deadline: February 21st, 2023
What They Want: Open to a wide variety of speculative fiction, weird fiction, and slipstream.
Find the details here.

The First Five Minutes of the Apocalypse
Payment: .03/word
Length: 1,500 to 4,000 words
Deadline: February 28th, 2023 (extended deadline for authors of marginalized communities: March 7th, 2023)
What They Want: Hungry Shadow Press is seeking short horror fiction that takes place at the beginning of an apocalypse.
Find the details here.

Eye to the Telescope
Payment: .04/word (minimum $4; maximum $25)
Length: up to three poems
Deadline: March 15th, 2023
What They Want: Guest editor Avra Margariti is seeking speculative poetry inspired by fungi.
Find the details here.

Novus Monstrum
Payment: .03/word
Length: 1,000 to 5,000 words
Deadline: March 30th, 2023
What They Want: Open to speculative fiction stories that feature a never-before-seen monster.
Find the details here.

Mother Knows Best
Payment: .06/word
Length: 1,000 to 5,000 words
Deadline: March 31st, 2023
What They Want: A women-in-horror anthology from Black Spot Books, editor Lindy Ryan is seeking horror stories inspired by mothers and mother figures.
Find the details here.

FlowerSong Press
Payment: Not specified
Length: 75,000 to 150,000 words
Deadline: April 15th, 2023
What They Want: FlowerSong Press is seeking historical, fantasy, horror, and science fiction novels from Latinx authors.
Find the details here.

Happy submitting!

RELUCTANT IMMORTALS is on the Preliminary Bram Stoker Awards Ballot!

So last week ushered in an absolutely wonderful surprise: Reluctant Immortals is on the Preliminary Bram Stoker Awards ballot!

Now it’s very important to note this is not a nomination, as this is only the preliminary ballot; voting on the official nominees has just started, with the final ballot being announced in the coming weeks. But to make it this far is beyond thrilling and humbling.

Reluctant Immortals has been out for almost six months now, and it’s been a really wild and wonderful ride. Not only was the American version released from Saga Press, but the UK edition came out in November from Titan Books. The novel was named one of the best horror books of 2022 by Esquire, and it’s been highlighted as a top horror book at The Lineup, Flyleaf Books, and A.C. Wise’s annual reading roundup. It’s also been featured at Harper’s Bazaar, Goodreads, Book Riot, Rue Morgue, The Rumpus, and more. Not too shabby for a book about two gothic heroines who are forgotten within their own stories.

I was recently interviewed by the incredible Andrea Blythe over at Interstellar Press, which was a lovely experience all the way around. I’m also beyond delighted that the fantastic Christina Ladd reviewed Reluctant Immortals last month for Strange Horizons! I’m such a huge fan of both Andrea’s and Christina’s work, so this is truly such an honor!

It’s also such an amazing honor to be on the preliminary ballot alongside so many horror authors whose work I admire so much. This year’s preliminary ballot is truly filled with some of the absolute best voices in the genre right now, and to appear on the same list as their names is beyond a dream come true.

And finally, a quick reminder! The iMailer newsletter from HWA went out last week, which included a special link to download Reluctant Immortals, but if you missed that email, then it bears repeating: if you’re an Active or Lifetime member and would like to read my novel, please email me at gwendolyn@gwendolynkiste.com, and I would be thrilled to send you a copy of Reluctant Immortals!

Once again, so many congratulations to everyone on the preliminary ballot! There are so many incredible works in every category, and it’s truly so wonderful to be among all of you!

Happy reading!

A Brand New Year: Submission Roundup for January 2023

Welcome back, and happy New Year! 2022 was certainly a challenging one, so let’s start the new year off right, and get to submitting some awesome stories to one of these markets!

A disclaimer first: I’m not a representative for any of these markets. I’m merely spreading the word. Please direct your questions to their respective editors.

And with that, onward with this month’s Submission Roundup!

Submission RoundupCosmic Horror Monthly
Payment: .06/word
Length: 1,000 to 6,000 words (3,000 to 5,000 words preferred)
Deadline: January 7th, 2023
What They Want: Cosmic Horror Monthly is seeking fiction that features cosmic horror, Lovecraftian, and weird stories.
Find the details here.

The Crawling Moon: Queer Tales of Inescapable Dread
Payment: .08/word
Length: up to 6,000 words (1,000 to 4,000 words is ideal)
Deadline: January 15th, 2023
What They Want: Neon Hemlock is seeking queer horror stories that feature gothic horror and depravity.
Find the details here.

Dracula Beyond Stoker
Payment: .05/word
Length: 1,500 to 5,000 words
Deadline: January 15th, 2023
What They Want: This new journal is seeking fiction that reimagines and expands upon the world of Dracula. For the upcoming issue, the theme is Renfield.
Find the details here.

Literally Dead: Tales of Holiday Hauntings
Payment: .06/word
Length: 2,000 to 4,000 words
Deadline: January 20th, 2023
What They Want: Editor Gaby Triana is seeking ghost stories set around the winter holidays.
Find the details here.

Ghoulish Tales
Payment: .07/word
Length: up to 5,000 words for short fiction; up to 3,000 words for short nonfiction
Deadline: February 15th, 2023
What They Want: Open to short fiction and short nonfiction that focuses on fun horror that celebrates all things spooky.
Find the details here.

Eye to the Telescope
Payment: .04/word (minimum $4; maximum $25)
Length: up to three poems
Deadline: March 15th, 2023
What They Want: Guest editor Avra Margariti is seeking speculative poetry inspired by fungi.
Find the details here.

FlowerSong Press
Payment: Not specified
Length: 75,000 to 150,000 words
Deadline: April 15th, 2023
What They Want: FlowerSong Press is seeking historical, fantasy, horror, and science fiction novels from Latinx authors.
Find the details here.

Happy submitting!

Next Steps Into the Future: Part Eight in Our Pro-Choice Horror Roundtable

Welcome back to the final post in our Pro-Choice Horror Roundtable! It’s been such an experience sharing all eight parts of this interview series. The featured authors’ voices have been at once enlightening, wise, heartbreaking, devastated, and hopeful. I genuinely thank everyone who’s read and shared these posts over the last few months; it means so much to me that there are those out there willing to spread the word.

And now I’m honored to let this week’s group of interviewees take it away!

There are so many things to talk about right now, but first and foremost, how are you doing personally? How has the overturning of Roe affected your life so far? How has it affected your family and friends?

LORI TITUS: Many years ago, my mother told me that she believed extremists would keep pushing until Roe was overturned. That was when I was still a teenager. I remember thinking that she had to be wrong. She’d told me stories about young girls getting back-alley abortions or trying to perform them at home and dying from complications. We watched If These Walls Could Talk together and that made the scenarios of women desperate for help even more real.

I still didn’t believe that Roe would ever be overturned. People knew what this meant to women. Determination over their lives, their bodies. I understand the religious stance. In my home, we were taught that no one was perfect and that some choices were to be made between an individual and their God. This was one of those choices.

When the ruling came down I thought about all the young women out there who thought that it would never happen. This was a protection I had, that we had for all of our lives.

I haven’t heard much from my family about this but many of my friends have been up in arms. In the Black community, there’s a sort of angry weariness about it, another of the many insults to injury, as this will affect many of us and many will also sit in silence with it. We are also waiting to see what other rights may be snatched away by this precedent.

LINDY RYAN: I have struggled tremendously with the overturning of Roe v. Wade, both on a personal level and as I watch the ripple effect of women I know—as well as friends in the queer and LGBT communities whose rights have been placed next on the chopping block. Many of my family and friends are deeply affected, especially those who live in fiercely right-wing states or otherwise under the thumb of oppressors, and while I do find some solace in knowing that I am in a community of like-minded peers, this does little to alleviate our combined suffering and the realities we face in the days to come.

JESSICA MCHUGH: It’s a lot to process. My partner and I spent a lot of time and energy discussing what we wanted for our life together, juxtaposed with the reality of what we could afford, financially and emotionally, and we vehemently chose a child-free life. So I’m horrified that our responsible decision, my husband’s selflessness in getting an immediate vasectomy, and everything we chose as a couple could be negated in an instant if some monster raped and impregnated me. I don’t want a baby, period, but the thought that I might be forced to carry a baby that doesn’t have an iota of my husband’s caring heart and beautiful soul charges through my mind several times a day now. It makes every molecule in my body feel sick, but poisonous too. Even though I live in a state where abortion is protected, I find myself wondering, “For how long?”

Selfish as it may seem, one of the many reasons I didn’t want to have kids was that I didn’t want all the worry that comes along with children, which I now realize was extremely stupid, because I’m still worrying about children. About my nieces. About my friends’ daughters. About my former writing students who I watched grow from little kids writing about being the damsel in distress to powerful young women writing about being the strong complex character who comes to the rescue. I worry about children I don’t know too. Just walking down the street, I’ll exchange a smile with a kid passing by and suddenly be overcome with sadness, wondering what the future holds for her, what rights she’ll have ripped away in the years to come. I wish I could just smile back and go about my day, but it feels impossible now; that fear and sorrow hunkers down in me.

LISA KRӦGER: These past few weeks have been a tornado of emotions. There’s been a lot of sadness and fear. And rage. I am not a person who is normally prone to this kind of rage. I think I’m a pretty empathetic person, and I tend to be a happy person. I don’t normally feel this white hot anger—just the feeling of wanting to burn everything down. But I’ve had to confront some deep, dark emotions through all this. I’m sure this isn’t a unique experience—anger is an appropriate response to the loss of human rights. My friends have felt the same way, of course, and I’ve found that my community has been a wonderful source of support. Our voices are stronger when used together.

REBECCA ROWLAND: I woke up on November 9, 2016 to find that a man who made openly racist, xenophobic, and misogynistic comments had been elected president of my country. It was as if the majority of the country had said, “Women and people of color, you do not matter.” Two women I work with and I—the three of us from very different backgrounds, vastly different life experiences—came together that morning and just hugged. We had a conversation of a thousand words without saying a thing. When the Roe overturn decision was made public this year, I remember feeling that same sense of hurt, the reiteration that women, especially women who are not from affluent means, are “lesser individuals,” at least in the eyes of those in power. To me, taking away the power a woman has over her own body is less about reproductive rights in general and more about the idea of not trusting a woman to make a decision, so one must be made for her. It’s a weighty statement made by my country that those humans who possess uteruses do not have the same rights, or intelligence, as those without.

I thought about my niece, who is thirteen. I work in a district where more than three-quarters of the families live below the poverty level, and I thought about my students, both past and present, who identify as female and are anywhere in age from seventeen to forty. How will this affect their lives, not just their future possibilities but their self-esteem? I used to think America was the greatest country in the world. Now, to be honest, I’ve grown ashamed of it.

SONORA TAYLOR: Well, I’ve been better! It ebbs and flows. I’ve known for a long time how little we matter to the government, but it doesn’t make seeing it in stark, judicial terms any easier.

My life has been unaffected so far as I’m not pregnant, not currently on birth control, and not on any medications affected by the ruling. I can’t imagine the terror those affected must be feeling. How awful is it that our day-to-day peace and expectations of care can be upended by the whims of a cruel government and a vocal minority pushing their anger and hatred into other people’s business? It angers me, but more than anything, it makes me sad.

None of my friends are happy with the ruling, and we’ve all spoken privately about our sadness and rage. I haven’t spoken much about it with my family. I grew up in an anti-choice household and I haven’t been brave enough to bring this up with them. I did see one of my uncles speaking out against Roe being overturned, which was nice to see.

What has Roe vs. Wade meant to you personally?

LORI TITUS: I’m really worried about us as a society. This sets women back, and it sets our country back as a whole. I worry about the few controlling the many. It seems more and more that the most extreme views are the ones that are getting heard. If anyone underestimated what one unhinged person could do when given the power of the Oval Office, they shouldn’t anymore.

LINDY RYAN: As a survivor of cervical cancer at 19, my reproductive health has been an ongoing struggle. After my son was born in 2007, I had to beg—and get permission from my partner AND my OB/GYN (really!?)—for a tubal ligation. I live every day with the fear of an unviable, ectopic pregnancy which would require an abortion or compromise my life. To have to fight for the right to save my own life is unthinkable, inhumane, and cruel.

A woman’s right to total and complete autonomy over her own body, including without exception her reproductive organs, is her right—and hers alone. The right to choose, to make decisions based on unique and personal factors for any individual, is not one I believe should ever belong in the hands of government, or anyone else not otherwise living and breathing in the skin of the individual. This is not about killing unborn lives, it’s about saving living lives. Even with Roe v. Wade in place, women still faced unnecessary and unfair hurdles about their decisions regarding their bodies, eclipsing our bodily autonomy and diminishing our dignity. This new action is yet another reminder that women are perceived as second-class, as property, and as breeding cattle to be governed.

LISA KRӦGER: I have two boys. I tried for a long time to have them, and I am so glad that they are a part of my life. But it was my choice. I had them when I was older—I was able to spend my teens and twenties childfree. I went to college, got my PhD, wrote a book. I traveled the world. I was able to save some money. My life today would not be possible if I had been forced to have children before I was ready. No woman should be in that position. I also have a chronic health condition, which meant I had to plan very carefully with my doctors when to have children. A pregnancy at the wrong time in my life could have been debilitating. Again, that’s not a choice the government should make. That is between myself and my doctor. So personally, Roe V. Wade means quite a lot to me. It was the safe guard that allowed me to plan my family safely.

JESSICA MCHUGH: While I’ve never had to make the choice for myself, I always knew what my choice would be, and I’ve always been a sympathetic ear and shoulder to cry on for friends who’ve had abortions, some of which very much wanted the fetus they were carrying but had to let go to save their own life or the life of another fetus struggling to grow. For me, it has meant that people I love have gotten to live their lives to the fullest, to raise children when they’re ready, and to prioritize their existence, dreams, and futures over a wad of potential human goo.

R.A. BUSBY: That I woke up one day with fewer rights to my own body than a corpse.

That my family, friends, colleagues, people I know, writers and creators I love, random strangers on the street—-any one of them might be forced to give birth under circumstances which are monstrous. Many of them might not make it. We are already seeing this happen.

What angers me is that many women, myself included, were repeatedly instructed to “calm down” in our concern about Roe in 2016; we were told that the case was established law, legal precedent, that the force of stare decisis in the court would surely, SURELY prevent Roe from being overturned, and thus, our concerns were dismissed as hysterical. Because of course. Looking back, we weren’t hysterical enough.

REBECCA ROWLAND: I stumbled across an odd post on a friend of mine’s Facebook page the other day. An acquaintance of his decided to start a debate about “when life begins,” taking an extreme alt-Right position. When I added my comment to the public feed, the man replied that I should “mind my own business.” I took a look at his home page. His most recent post was of someone holding twin hand guns, a caption chortling about how “bent out of shape” his more liberal friends would be when they saw it.

Instead of being simply irritated by his buffoonery, I got angry. I thought to myself, how fucking dare he. I am a woman in her 40s. I can still have children, but it’s unlikely I will. However, I know what it feels like to be pregnant. I also know how it feels to lose a pregnancy, both in the first trimester and in the third one. And I know how it feels to be faced with the terrible decision of having to choose between staying pregnant and saving my own life. It’s clear to me that those who support the overturn of Roe vs Wade have never walked in the shoes of the women that reproductive freedom laws protect. No woman is undergoing an abortion lightly: not at seven weeks and not at thirty-seven weeks. Without those reproductive freedoms, I would not be here today, and yet a person who takes great pleasure in making others upset would be.

SONORA TAYLOR: As I mentioned above, I’m not on birth control. My husband and I want to have a baby. Roe being overturned has made me question whether or not I want to become pregnant in a state, nay, country, that won’t guarantee my safety. I live in Virginia, where the governor has already proposed a 15-week abortion ban following Roe’s overturning. I’ve made note of the states and cities that have said they will continue to provide abortion, including D.C., which is close enough for me to access their services should I need them. I hate having to think that way. I realize it’s a privilege to first feel this way post-Roe, and to even know I have those options; but that doesn’t make me any less scared. What if we get to a point where we can’t travel to a safe space to get this done? What if the only methods available are untrustworthy or dangerous? But anti-choicers don’t care about that. It’s why I refuse to say they’re pro-life. They’re not, and they never were.

How do you feel the horror genre has responded to the crisis of losing Roe? How would you like to see people do better in terms of supporting us during this crisis?

LORI TITUS: I don’t feel that the genre has really had time to respond to the loss of Roe. Though I believe horror has always recognized injustice and what happens when humans are not allowed all their rights. We see echoes of that in Octavia Butler’s Parable of the Sower and Margaret Atwood’s The Handmaid’s Tale. And of course, there are so many more, but those are the two that come to mind. I think we’ll see writers reflecting on this era for a long time. Horror is the most frightening when it deals in truth.

I would like to see people support us by simply listening to us when we’re reflecting on this, when we’re upset, when we lift our voices in dissent. And support our rights at the ballot box.

LINDY RYAN: The horror community continues to be one of (generally) wonderful, supportive, open-minded people, fiercely defensive of our diversity and what we perceive as inalienable human rights. Our genre gets a bad reputation but is made up of some of the most passionate and compassionate people I’ve ever known. I always think we can do better, should do better, but I have been consistently amazed at how quick our horror fam is to rally behind these issues, to embrace those affected, and to take immediate action through whatever means are available to us to make our voices heard. We are loud, we are fierce, and we aren’t the type scared to shy away from the gory underbelly of these issues and put them squarely in the spotlight.

LISA KRӦGER: Horror is inherently a political genre. There’s a history of horror that deals with the idea of forced birth and human rights to bodily autonomy. Those themes are present in stories like Octavia Butler’s “Bloodchild” and even in pregnancy horror like Rosemary’s Baby. We are writers—our power lies in our words and our voices. I’d like to see more writers publishing stories that deal with these themes, but I also think roundtables like this one are important too. We have a voice and we have an audience. Let’s use it to tell our truths and keep shining a light on this issue until every woman’s choice is protected.

JESSICA MCHUGH: I understand the desire to remain neutral from a capitalist standpoint, not wanting to alienate consumers, but when so many horror outlets and associations profess to be progressive lights in the darkness and don’t immediately come out as an unequivocal supporter of women’s rights, it makes me extremely angry. Yes, this is a business aiming to make money, but behind the money, there’s art, and behind the art, there are real people who are going to suffer, who are already suffering, because of hateful legislation meant diminish our value as humans and disenfranchise us as Americans. This is more important than the all-mighty dollar, and folks who claim to support horror art but remain silent about the actual horrors being inflicted on women, bipoc folks, and the lgbtqia+ community are showing themselves to be two-faced—and both sides are ugly, honey.

R.A. BUSBY: In an effort to be diplomatic, I will say that I cheered every time a horror publisher, organization, or prominent writer in the community unambiguously denounced the recent decision and enthusiastically pledged support for all people affected by this horrific erasure of our rights.

REBECCA ROWLAND: That’s a difficult question. On one hand, I respect the whole life movement, those individuals who while against abortion, are truly respectful of all human life and support initiatives such as LGBTQ+ rights, prison reform, and abolishing the death penalty. They don’t just hold an offensive sign outside of a clinic and call it a day. I still believe that a person’s body is theirs to do with what they wish, but I can respect the whole life’s approach. If someone in the horror community is respectful of all life, I don’t want them to feel afraid or ostracized for having those beliefs. But there is no room in the community for misogyny, and it’s my hope that horror groups will continue to be outspoken in their support of all individuals with child-bearing ability. Quite a few charity anthologies have sprung up supporting the cause, and I hope horror fans—and fellow horror authors—purchase and promote them.

SONORA TAYLOR: It’s too soon to tell how fiction will handle this. I feel like abortion is an issue many people hesitate to touch, at least not without kid glove phrases like “I only support abortion when the life of the mother is at stake” or “I don’t like abortion, but I support it;” all of which frame abortion as something bad or to be avoided and only gives fuel to anti-choicers. I say that because in the books I’ve read–and I emphasize that, because there may be stories out there that go against what I’m about to say–abortion is either a fictitiously grotesque process, thrown in the character’s faces to shock them, or associated with Satanism. But Sonora, it’s horror–that’s what the genre does! Well, of course it does; but with abortion already vilified in American culture at large, how is that going against the grain? Where are the stories where someone has an abortion and it’s as routine as the character having once had their appendix out? I’d like to see more of that to balance things out, both in print and in the way we talk about abortion at large.

I do think overall, though, that horror writers have stepped up to the plate. I’ve been encouraged seeing so many authors put out calls for charity anthologies benefiting abortion providers, and others offering signed books and donations to support the same goal. I’ve also appreciated seeing various publishers and authors speak out against the overturning of Roe without hesitation. I only hope this continues.

What’s your greatest fear right now? And also, what’s your greatest hope for where we can go next?

LORI TITUS: My fear is that as deep a blow as it is to lose Roe, that this is only the beginning. Rights to contraception. Rights to marry who we would like, regardless of race or gender. With the current makeup of the Supreme Court, there’s no telling what will be targeted next.

My greatest hope is that there will be laws made that will protect women’s right to a safe abortion. And that something will happen to stop the current trajectory of our lawmakers. I hope that people stand up and pay attention to the changes around them. We have a lot to hope for but we won’t get there without working for it.

LINDY RYAN: My greatest hope is that we will dismantle systemic hate in all its forms—bigotry, racism, sexism, transphobia, and so on. My biggest fear: that we won’t.

LISA KRӦGER: I worry that more rights will be stripped away. Already, women are being discussed like they are less than human. I’ve heard so many people who are “pro-life” say that they want to save lives, but they are only speaking about the fetus and not taking into consideration the lives of the women that will be lost with the reversal of Roe V. Wade. It’s a subtle language shift. Pro-life, but women don’t count in that “life.” That, for me, is the most terrifying part. I think, what else will they strip away? How else will they use this dehumanization of women?

But I am trying to remain hopeful. There has been such an outcry. We are powerful when we all get together. We can make our voices very, very loud. My hope is that we will be so loud that we can’t be ignored.

JESSICA MCHUGH: With the Supreme Court declaring that women don’t have full control over their bodies, I’m afraid men who already regarded us as nothing but holes to be dominated will become bolder in that belief, violently so. I’m afraid of TERFs growing more dangerous because they feel (unduly) threatened by the trans community, even though we should be fighting fascism as one. And I’m afraid that young women, especially the poor and marginalized, with nowhere to turn will take their lives because they can’t get the healthcare they need and deserve.

As for my greatest hope, I don’t know. I do have hope, but I can’t pinpoint how it’ll turn things around unless we all get loud and stay loud about our rights to privacy and bodily autonomy. I’m mostly scared.

R.A. BUSBY: My greatest fear is that our loss of essential rights will not end with Roe. In his commentary on the decision, Justice Thomas gave a very clear preview of coming attractions: the overturning of other established rulings such as Lawrence v. Texas, which overturned the Texas law making same-sex intimate conduct illegal; Obergefell v. Hodges, which allowed same-sex couples to marry; and finally, Griswold v. Connecticut, which decriminalized birth control. It’s quite clear what’s happening here. With every ruling, we lose more and more rights over our literal bodies. These decisions, if overturned, will have a deeply disproportionate effect on women, BIPOC people, LGBTQ+ people, disabled people, people with serious medical issues, people struggling economically, and more. The list goes on. This, of course, is the vicious intent. Not a bug, but a feature.

I just finished Octavia Butler’s brilliant novel Parable of the Sower. If you’ve read it, you know what a deeply disquieting work it is. Butler foresees a country whose social fabric is already threadbare at the beginning of the work and unravels altogether over the course of the novel in terrifying ways, many of which have already occurred. My greatest hope is that we heed Butler’s warning, and that the seed she planted will fall on good ground after all.

REBECCA ROWLAND: My greatest fear is the same one a lot of people have right now, that this is the first domino in a series of not just steps but falls backward. In my naiveté in believing that most people are good and kind, I’m truly confused about why this decision occurred, just as it truly boggled my mind when Prop 8 was passed in California. Why are some people so interested in controlling other people’s bodies? Yes, I know some of it stems from misogyny and xenophobia, and some of it stems from classism and even religious fanaticism, but at its heart, those kinds of rulings boil down to the same thing: one person asserting control over another’s body. When did we become this country, and how can we undo the mindset a ruling like this creates?

My greatest hope lies in how some of the ramifications will eventually undo the ruling. It is obvious how abolishing federal protection of abortion rights will harm women. Not so obvious to the overturn’s supporters, I think, are the financial and social implications. It is a slippery slope. I suspect those people who believe Roe vs. Wade does not affect them are going to be in for a horrific awakening. As Pastor Martin Niemöller implied in his famous “First They Came” speech, if you stand mute when a group to which you do not belong is persecuted, it’s only a matter of time before you are the next target. It is my hope that those previously short-sighted individuals see what this crisis has set in motion and join the fight to stop it.

SONORA TAYLOR: My greatest fear is that I’ll become pregnant, have something go wrong, and be unable to access services that would save my life.

My greatest hope is that we can better come together to support each other at the community level. Donations, mutual aid, assistance to access doctors and services, etc. are all things we can and should do. It’s okay if it’s not a big, grandiose effort that goes viral. Look at what you can do. Look at what you can do for your community. This sort of help tends to spread. We’re all in this together.

Thank you so much to this week’s interviewees as well as all the writers I’ve interviewed over the past few months! Their voices on this issue are so important as are all the voices of people who are protesting against this egregious loss of rights. Keep speaking out wherever you are; your voice is necessary!

Happy reading, and happy fighting fascism!

The Strange Year That Was: 2022 Award Eligibility Post

So here we are once again at the end of a writing year. That means one thing: it’s time for the annual Award Eligibility Post! I always point out how strange these things are to put together, but hey, it’s also nice to do an inventory of the year’s publications. If nothing else, it reminds me that I was, in fact, busy over the last twelve months.

Let’s start with my biggest release of this year: Reluctant Immortals! There have been so many positive things to happen with this novel. First off, it’s been published in two editions: the American version, which came out through Saga Press, an imprint of Simon and Schuster, as well as the UK edition, which came out through Titan Books. The novel’s been featured in Harper’s Bazaar and in not one but two featured horror articles on Goodreads. It’s also been named as one of Esquire’s Best Horror Books of 2022, and it’s received lovely reviews in Cemetery Dance, Rue Morgue, Feminist Book Club, The Pittsburgh Post-Gazette, and many more.

So thank you to everyone who’s picked up a copy of Reluctant Immortals! You have no idea how much it means to me!

Moving on to short fiction, it was a sort of funny year, mainly because for the first eight months of 2022, I had absolutely no new short stories published. Then since September, I’ve had eight stories published. Proof positive that the writing world is nothing if not unpredictable. So here they are in all their horror glory.

A Scavenger Hunt When the Veil Is Thin” (Literally Dead: Tales of Halloween Hauntings, Alienhead Entertainment, September 2022)
A woman returns to her old hometown on a rite-of-passage dare, only to uncover a ghostly presence that unravels everything she knows about her town and about herself. This is a truly delightful and festive anthology, and it was such an amazing experience working with editor Gaby Triana.

The Peculiar Seclusion of Molly McMarshall” (Isolation: The Horror Anthology, Titan Books, September 2022)
Molly McMarshall goes into her house one day and doesn’t come back out again. The whole neighborhood becomes obsessed with what happened to her, and soon, they’ll stop at nothing to find out, even if it means tearing the world apart in the process. Editor Dan Coxon put together an incredible anthology with this one, and I’m so honored to be part of it. Ginger Nuts of Horror called my story “one of the most chilling and frankly upsetting short stories I have ever read.”

Seven Myths They Tell You About the Town Beneath the Lake” (That Which Cannot Be Undone: An Ohio Horror Anthology, Cracked Skull Press, October 2022)
A nameless narrator grows up visiting a local lake and hearing legends of the flooded town that exists beneath the waters. She also sees a restless ghost from the town, one that never stops calling out to her. As she grows older and more restless herself, she must decide if she’s going to heed the ghost’s call. It was so much fun returning to Ohio in my fiction, and it was of course wonderful to reunite with Jess Landry, the editor who worked on my debut collection as well as The Rust Maidens.

Things We Need for the Homecoming Seance” (Dark Murmurs: A Compendium of Curiosities, Silent House Press, October 2022)
A jaunty to-do list from a group of magically-inclined teenage girls quickly turns sinister as their true intentions for homecoming—and the reasons for their trauma—become clear. Another stellar table of contents, one that I’m proud to be part of.

Her Skin a Grim Canvas” (Stories of the Eye, Weirdpunk Books, October 2022)
An adrift young woman finds herself the muse of a celebrated designer, only to realize that her own flesh is the price she’ll pay for stardom. A fairy tale set in the world of high fashion, this one takes inspiration from the late, great Angela Carter. Working with editors Sam Richard and Joe Koch was a blast, and the table of contents is out of this world.

Last Tour Into the Hungering Moonlight” (Into the Forest, Black Spot Books, November 2022)
Families keep moving into a strange, yet seemingly perfect neighborhood. But as the whispers from something in the forest grow louder, the housewives on the street find themselves drawn to the possibility of another darker and more magical life. Inspired by the folklore of Baba Yaga, this all-female anthology has been getting rave reviews, so it’s a pleasure to be included in it.

To the Progeny Forsaken” (Looming Low, Volume 2, Dim Shores, November 2022)
An aging rock star is forced to take care of his strange teenage daughter who may or may not be plotting the end of the world. Think Sofia Coppola’s Somewhere meets the cosmic horror of H.P. Lovecraft. Dim Shores has long been a major purveyor of weird fiction in the publishing industry, and it was great to work with them on this anthology.

A Housewife’s Eldritch Guide to Hosting the Perfect Dinner Party” (Tales from Between, December 2022)
A quiet housewife does her best to put together an ideal dinner party, even though she doesn’t know anyone there, including her own husband. But as the evening wears on, she realizes they know her all too well—and they know exactly what they want to do to her. My final short story published this year, it was so much fun being part of this issue of the new Tales from Between, especially with such a great group of authors.

In addition to my short fiction, many of my articles and essays made their way into the world in 2022. This is particularly exciting since last year, I mentioned how I wanted to write more nonfiction. On that front, it’s definitely been mission accomplished: I’ve had twelve nonfiction articles published since January with one more on the horizon later this month. Here are a few of the highlights.

In Defense of Wendy, Barbra, and the Traumatized Women of Horror” (Tor Nightfire, January 2022)
An exploration of The Shining‘s Wendy and Night of the Living Dead‘s Barbra and how we’ve unfairly maligned them over the years. I’m extremely proud of this article, as it charts my own evolving opinion of the way we depict female characters in horror and the real world ramifications of that depiction.

The Devil’s Just Sitting There Laughing: The Uncanny American Landscapes of Terrence Malick’s Badlands and Days of Heaven” (Vastarien, Volume 5, Issue 1, June 2022)
A deep dive into the existential and gothic horror of Terrence Malick’s first two films. Needless to say, it was an absolute honor to work with Jon Padgett of Grimscribe Press again. This essay was also recently nominated for a Pushcart Prize. I adore Vastarien and recommend that everyone who’s a fan of horror and weird fiction pick up a copy of literally any issue if you haven’t already.

The Gothic Horror of a Post-Roe America” (Literary Hub, August 2022)
So I’m just going to declare this very loudly, because it’s one of my favorite accomplishments of the year: I now have a byline in Lit Hub. Seriously. That’s real. For years, I’ve been reading the essays at Lit Hub, and I can’t believe my work is now on the site too. The essay itself is a painful piece, dealing with the fallout of losing Roe and how the women of gothic horror have a thing or two to teach us about surviving oppressive men.

Something Old, Something Frightening and New: How Horror Retellings Help Us Reclaim Our Lost Narratives” (The Lineup, July 2022)
A discussion of how retellings can help unearth new narratives and why that’s so important for marginalized creators. If nothing else, please read this article and pick up two of the novels I mention: Hooked by A.C. Wise and Unwieldy Creatures by Addie Tsai. I can’t recommend them enough.

So that’s my year of writing. It’s certainly been a busy one. Looking ahead, I have lots of fiction and nonfiction planned for 2023, so here’s to hoping all my big forthcoming goals come to fruition!

Happy reading, and happy end of 2022!