Author Archives: gwendolynkiste

Fighting Back: Part Two in Our Pro-Choice Horror Roundtable

Welcome back to my blog, and in particular, welcome back to our pro-choice horror roundtable! This is part two in our ongoing series, and I’m thrilled to welcome six new authors to this week’s discussion about abortion rights and the fallout of losing Roe vs. Wade.

And with that introduction, I shall let my amazing interviewees take it away!

There are so many things to talk about right now, but first and foremost, how are you doing personally? How has the overturning of Roe affected your life so far? How has it affected your family and friends?

SUMIKO SAULSON: As an African American, I worry about my family members. Black women (and other black people with a uterus) are 4 times as likely to die during childbirth because of medical racism, poverty, and lack of access to proper medical care. Additionally, all of the poor taste memes about how people can just put the children up for adoption ignore the fact that black children are overrepresented in foster care and less likely to be adopted. I think a lot of my friends are in a state of shock, completely overwhelmed, or infuriated by the decision. Also, there’s been a lot of racism expressed on social media in attacks on Clarence Thomas, and while I certainly dislike him, this again has created stress for me personally and other Black folks who are reeling not only from Roe vs Wade, but a slew of other recent Supreme Court decisions making it easier for police to abuse their power and authority and harder for people to sue for civil rights violations. My friends and I in the LGBTQ community are upset that the Supreme Court is threatening to overturn Same Sex Marriage, and although someone on my timeline made a bad joke about Clarence Thomas not wanting to overturn Loving vs Virginia because he’s in an interracial marriage, he and the rest of the Supreme Court are indeed talking about that as well.

ALEXIS D: I am terrified for the future of our country. America is founded on Patriarchy and White Supremacy, but the goal is to move farther away from those systems of oppression, not to recede deeper into them. This decision is one of the rare instances when rights have been stripped, rather than strengthened by SCOTUS. And that is very telling for what lies ahead. They’ve already announced that contraception and gay marriage are next on the chopping block. It’s disgusting that Christofascism is embraced in such a clear and deliberate way by the judiciary. And this decision came the very next day after Bruen, which said states couldn’t make their own gun laws. It’s just such a baldfaced, shameless sprint to authoritarianism. There’s an obvious endgame and the future is bleak.

One of my family members is a doctor and they have friends who have been instructed to deny patients medication for autoimmune diseases because they are abortifacients, so these people now have to deal with lupus and rheumatoid arthritis flare ups (Tear gas is an abortifacient, too, but cops are still using that on protesters who may very well be pregnant).

To get truly personal about this, I will say that if I hadn’t been able to have an abortion, I’d have a kid right now, getting physically and emotionally abused by their father. The thought that this is now the only option for so many people, to be forever tied to their abusers and to know that the children they are forced to have will be subjected to that too, is sickening. On that subject, it’s important to state that the leading cause of death during pregnancy is murder.

MARSHEILA ROCKWELL: I’m angry, of course, but also incredibly frustrated. I live in Arizona and I support all of our pro-choice candidates, I donate to organizations that provide access here (for as long as they can), and I always vote, but it still feels like I’m screaming into the void.

But I’m also Native American, and we’ve had our reproductive rights curtailed since colonization began, so when I see people say things like, “Put clinics on reservations” (which is impossible for a myriad of legal reasons), that makes me doubly angry/frustrated. NOW people care? Now that white people are losing their rights? I mean, I get it, obviously, but I hope people can see how even suggesting that just reeks of privilege.

So I’m basically a bundle of rage who hates everybody and everything right now, LOL.

LCW ALLINGHAM: I am absolutely not good. At points I can get away from this, distract myself and give focus to the good things in my life, of which there are many, but it is an effort to not let my mind drift into how all of those good things are in danger now because of the hateful radicals in our government. I find it has very much divided me from a lot of friends and family who can’t be bothered. It’s drawn the line and given me the strength to stop giving fucks to people who don’t have them for me, or other women in general. It has also put me in touch with some amazing people that I might not have connected with otherwise.

JOANNA ROYE: It hasn’t been great. I’ve had a lot more anxiety than usual and my depression has flared up but overall I’ve managed to keep it together. Though I have called an OBGYN to have my IUD replaced as soon as possible, just in case. I worry for the future and the immediate present. I have friends that are pregnant or trying. What if something goes wrong? I do what I can to support them, but there’s no way I can know just how heavy this is for them. Everyone I’m close to seems to be experiencing varying degrees of helpless distress.

BARBARA KRASNOFF: Since I am past menopause, the overturning of Roe will not affect me personally. However, I am furious — livid — that women younger than me will have to put up with the kind of crap that I demonstrated against when I was a teenager. I also have younger friends, relatives, and work colleagues who are dealing with this. And there are so many questions that need answers. Is it safe to use a period tracking app? What are the best organizations to support to help those women who live in states where they can no longer get proper health care? What is the best legislative way to fight this decision?

Where were you on June 24th when you learned that Roe had been overturned? What was your first reaction?

SUMIKO SAULSON: I was in San Francisco for a Trans Gathering before the Trans March on the first day of San Francisco’s LGBTQ Pride celebration weekend. One of my friends was thinking of skipping Trans Day and the Trans March to go and march in with the Reproductive Rights Rally, but when she looked it up, she found out that they’d already coordinated with the Trans March. And there was another march, a Socialists Rally, out protesting. So all three of the marches arranged to meet, combined, and then march down to the courthouse to protest the overturning of Roe vs Wade. That’s a couple of miles, and I stayed with the march for a mile and a half before my body was no longer up to the challenge. I think a lot of people in the mainstream aren’t aware of how important reproductive rights are for the trans community and the LGBTQ community in general. People in the LGBTQ community do have to contend with unwanted pregnancy, and not just those of us who represent the third letter, B. Lesbian-identified community members, trans people who have a uterus, and other queer folks who can become pregnant also lost bodily autonomy when Roe vs Wade was overturned. And for a lot of transmasculine people, there’s an additional issue of gender dysphoria when it comes to being forced to carry an unwanted pregnancy to term.

ALEXIS D: I was walking to work. Even though the decision was leaked a few weeks prior to being officially announced and Gaslit Nation (my favorite podcast for politics) warned that it was a certainty, you’re never actually prepared to hear it as something that is here and now and true and real life.

MARSHEILA ROCKWELL: I found out right before I was going in to have a fractured tooth extracted, so it will forever be associated with fear and pain and trauma for me (I loathe going to the dentist, and this guy was NOT gentle).

My gut reaction, though, dental horrors aside, was the same as when my 4 month old was diagnosed with cancer thirteen years ago – pure animal terror. Back then, it was because there was this alien thing that had my child in its clutches and I had absolutely no control over what it did to him – there was nothing I could do that would save him. This time, when the ruling was announced, it wasn’t my child in the monster’s clutches, it was me and every other woman in this country, including my trans daughter – and again, there was nothing I could do to save us, because I’d already done everything and none of it had worked. So, yeah, pure animal terror.

(My son is doing okay now, BTW. Relapse is always a fear, and there are always late effects from chemo, but he’s otherwise healthy and as happy as a thirteen-year-old is capable of being, LOL.)

LCW ALLINGHAM: I was home, with my kids. I felt betrayed, by my country, by the people I love who dismissed my concerns and evidence as overreacting and falling for liberal fear mongers, by every single person who wasn’t screaming at the top of their lungs. I still feel that way. It rises up to this crest of absolute fury and then crashes into despair, over and over and over. But you know, maybe I’m overreacting.

JOANNA ROYE: I was sitting at the kitchen table, taking a break from chores. I saw a bunch of chatter about Roe across social media and had that horrible moment of realization. I’d lost track of the days and forgotten that this was the Friday the Court actually handed down their rulings. I checked AP and BBC which were already flooded with fresh pictures of protestors. I had known it was coming but still… I raced through whether birth control is next, spun dystopias for how things may be in six years for my daughter, what this all means for my queer friends…On and on to the bleak horizon of how this will bleed into every other social sector as we complete our slide into theocratic-fascism. “What were you hoping for? What did you expect?” kept ringing in my mind. I leaned back in the chair, folded my arms, and dissociated.

BARBARA KRASNOFF: Well, it wasn’t like it was a complete surprise — we had been warned that it was coming because of the leak that Politico exposed on May 2nd. However, I think that, once that first shock was over, many people wanted to hope, “Maybe not. This was not the final decision. Maybe they won’t do something this awful.” I was pretty sure that the deed was done, but who knew? So I waited.

As a horror writer, how do you feel like this ruling will affect your work? Are you struggling to write? Will you incorporate these themes into your writing more? Also, how would you like to see people in the genre, especially those in positions of power, do better in terms of supporting us during this crisis?

SUMIKO SAULSON: I’m someone who has had to deal with trauma on a near-constant basis for large portions of my life, and as a result, writing is a way for me to process the trauma. Being unable to write is less of a concern than becoming manic – I am bipolar with psychosis and have PTSD – and staying up all day and all night pounding out work in a frenetic state that is not good for my physical or mental wellbeing. So I have been trying to really monitor my sleep, and take care of myself. I would like people in the genre to be a bit more mindful about who is directly impacted by the recent legislation. People directly impacted are processing a lot of grief right now, and I have seen a really large number of posts by women about how really gung-ho men are telling them how they need to feel about what just happened. A bunch of us are traumatized, and some of us need to recover. It’s actually OK for those of us with a uterus to talk about Stranger Things and not discuss the Handmaid’s Tale-type dystopia we’re living in for a while. Speaking of which – stop it with the creepy adoption memes. No one owes you a baby, and even the jokes about it are cringe. Clarence Thomas being a Justice isn’t a free pass for racism. I’ve had to block a couple of clods who had the nerve to call women who have abortions promiscuous. What decade are they living in? I’m guessing sometime back in the 1950s since that’s the decade the Supreme Court is trying its damnedest to drag us back to. I would tell those in power to write cautionary tales and see if that helps, but Margaret Atwood did that 37 years ago and this still happened. Still, I’m going to go with that. Write the best horror dystopias you can come up with about why and how all of this can go terribly wrong. I know I will.

ALEXIS D: I haven’t written much since the decision. I have been in a kind of adrenaline/anger/sadness/numb cocktail state and it hasn’t been great for my ability to focus. I’ve mostly just been rewatching shows I’ve already seen a thousand times and scrolling Twitter, reading about all the horrors that have already come from this ruling and those that are being anticipated.

I feel like in terms of horror writers as a whole, we are angry. And when people are angry, they have something to say. And a lot of great art can come from that. Rod Serling was angry about how people were being treated in this country and he created The Twilight Zone because of it. And I believe that had to have impacted the way people interacted with the world around them. Even if it’s just a handful, it still counts. I watched that show as a kid and I know it had an effect on me. Art is important that way. It frames the way we see and interpret real life.

People in power need to be vocal. They have a duty to be. Power provides a platform and that is a responsibility. If you are the person who represents a group of people, no matter how big or small, you better do right by them, or step aside and let someone who is able to meet the moment take the wheel. Complacency is complicity, and silence is a statement.

MARSHEILA ROCKWELL: Well, I’m writing this response after that whole kerfluffle with HWA issuing a nonstatement, retracting it after a storm of community anger, and finally proclaiming their support for a woman’s right to bodily autonomy, so there’s a perfect example of how those in power can do better (and a lot of other organizations/publishers stepped up and put out unequivocal statements of support without having to be pressured into it, which was nice to see). I’m also happy to see some bodily autonomy-themed horror anthos being put together, because as writers, that’s where our power lies and how we can make a difference – with our words.

Personally, I haven’t written anything since the ruling came out. I’m sure my fears RE: bodily autonomy and my revenge fantasies on those who take it will make it into my work at some point, but right now I’m still processing being turned back into property.

LCW ALLINGHAM: This is such a big question. First, I’m not sure this will affect my work. I have always been compelled to write pieces that examine the subjugation of women, how the patriarchy shapes them and how they take back their power. I started to hear that it wasn’t relevant, was overdone. With so much wrong in the world around me, I started to doubt myself and what I was trying to say. So, what is changing is that I decided I don’t care. I’m going to keep writing my stories. I’m going to keep screaming.

As an author I write in a lot of genres, but I started in horror, and I return to horror because it is how I control the monsters in the dark. I have already started to compile a list of ideas. I have a horror anthology my small press is putting out about feminine rage, and I am going to try to contribute a story to it. I have a horror novel I’m poking with a stick about motherhood and monsters in the patriarchy.

I hope that the horror community can step up and provide a light in the dark for its marginalized writers. That starts with listening to what female, queer, BIPOC, and trans authors have to say about this situation and not rushing to make spokesmen of those who still have all their rights intact. It starts by making horror a welcoming place for the oppressed and a dangerous place for the predators.

JOANNA ROYE: It has energized me, strangely enough. The instability of the future gives me a sense that I MUST finish my book while I can. The next few years are extremely uncertain, and that has summoned up a renewed vigor for completing projects. Right now I don’t have any stories that explicitly interact with the right to choose. In the future, though, bodily autonomy is a theme I look forward to exploring thoroughly.

As for leaders in this field, it does give me comfort whenever I see someone state their support of access to abortion. What does NOT give me comfort is vaguery. These days, if someone fails to make it exceedingly clear that they regard me as a person rather than an elaborately decorated incubation rig, I will not be assuming otherwise. It sucks that it has to be like this.

BARBARA KRASNOFF: To tell you the truth, I don’t think this will affect my work — unless I start to work more out of pure unadulterated anger. I had a great deal of trouble writing during the first couple of years of the pandemic, and I’m just now starting to become somewhat productive again. It’s possible that I’ll incorporate these themes into my writing, or not — I really don’t know. As far as support is concerned, those with public visibility can speak out and do what we all need to do: urge our representatives to oppose any laws that will negatively affect abortion rights and women’s health; support candidates who will work on a local and national level to fight against these laws; and contribute what they can to organizations that will help women trapped in the states enacting these laws.

What’s your greatest fear right now? And also, what’s your greatest hope for where we can go next?

SUMIKO SAULSON: What concerns me the most is that the current Supreme Court is not that old. The oldest current member, Clarence Thomas, is 74. The three Justices appointed by Donald Trump are in their 50s now. We could easily be stuck with them for another 20 to 40 years. We can’t hop back in a time machine and undo the damage that was done by allowing Trump to get into office in the first place. My hope is that the Democratic Party in Congress will do an in-run around the Supreme Court. Some new iteration of Women’s Health Protection Act of 2021. Several states are amending their state constitution to protect abortion rights at the state level, but that won’t protect the most vulnerable. I hope that people will be out in the streets marching, raising hell, and demanding justice.

ALEXIS D: My greatest fear right now is that it really seems like the Christofascist takeover has arrived. They’ve already put in place all the apparatus they need to ensure Right Wing domination over our country. Next term, SCOTUS plans to hear a case that could alter election laws, changing how much power state legislatures have over elections. Who even knows what will happen between now and then, though? If abortion is a felony, and in many cases miscarriages will be treated as such, that person can’t participate in the democratic process anyway. It’s hard to say what scares me most, but I’m scared. We should all be scared.

The time to act is now, and establishment democrats who are completely out of touch with the current political climate, and fetishizing bipartisanship at immeasurable cost, are not acting. They have occupied their positions for so many decades that they feel as though those roles are promised. We need more AOCs and less Pelosis. Right now, AOC gives me more hope than pretty much anything. It’s important to feel like the people in charge are looking out for you, which echoes back to the previous question about our leaders in the genre and their response to this ruling.

As far as horror writing goes, it has been comforting to see a practically unanimous response from the community. So that gives me hope, too. It’s hard to look at yourself and think, “I can make a difference,” but we have to believe that in some way, even if it’s small, we all do.

MARSHEILA ROCKWELL: My greatest fear is that this is only the beginning of what we as women (and people of color and the LGBTQ+ community and the disabled community and, and, and) are going to lose. My greatest hope is that this can all somehow be reversed. (And after that, we get our land back, but first things first.)

LCW ALLINGHAM: My greatest fear? That everyone who cares will stand idly by wringing their hands while our rights burn.

My great hope is that we’ll be the fire and we’ll finally take what has been denied to us for far too long.

JOANNA ROYE: Despite how outlandish it sounds, I really worry the most about a hot Civil War. I love where I live, but if violence breaks out, we’ll almost certainly have to move abroad for our children’s safety. Secondly, I worry about how many other precedents were overturned on 6/24 in the shadow of Dobbs. Decisions that rip the last few teeth from the EPA, threaten Tribal sovereignty, encourage gun sales, and protect cops from being held accountable when they violate citizens’ rights (re: Mirandization). It’s a grab-bag of regression. And this is before we even get to Clarence Thomas’ remarks about “reexamining” cases like Obergefell, Griswold, and Lawrence.

In contrast, my greatest hope is that (against all odds) enough politicians currently in office would actually take direct action to codify abortion rights into federal law. I feel there’s only a microscopic chance of this but, that’s what hope is for, I guess. Realistically, I plan to do whatever I can to help the people I can reach. This is the time for our nation to correct its course and recommit to protect the rights of all its citizens instead of just the lucky few.

BARBARA KRASNOFF: My greatest fear is that this is only the beginning — that this Supreme Court will continue to turn out decisions that will erase more federally-mandated safeguards, thus eroding more and more of the rights that we’ve enjoyed since the middle of the 20th century. I dread the possibility we will continue to lose what gains we have made supporting the rights of women, POCs, LGBTQ+ people, and others; against the destruction of our environment… the list goes on.

Where can we go next? I think we have to look at the long term: make sure enough Democrats (and even reasonable Republicans) are voted in so we don’t find ourselves in this position again. There are other possibilities: a larger Supreme Court, for example. And the continued activities of all of us to push for change, even when it seems like nothing is changing.

Thank you so much to my six featured authors in this week’s roundtable! Once again, I appreciate the writers in our community sharing their thoughts about abortion rights. 

Happy reading, and happy fighting back against fascism!

Fall Into Fear: Submission Roundup for September 2022

Welcome back for this month’s Submission Roundup! Lots of great calls for September and beyond, so if you’ve got a story looking for a home, perhaps one of these markets will be a perfect fit!

A disclaimer as always: I’m not a representative for any of these markets. Please direct your questions to their respective editors.

And with that, onward with the Submission Roundup!

Submission Roundup

Hush, Don’t Wake the Monster: Stories Inspired by Stephen King
Payment: $15/flat
Length: No specified word count
Deadline: September 12th, 2022
What They Want: A Women in Horror anthology, the editor is seeking stories inspired by Stephen King’s work.
Find the details here.

Weird Magazine
Payment: .015/word
Length: 500 to 6,000 words
Deadline: September 30th, 2022
What They Want: This magazine from Undertow Publications is seeking horror and weird fiction.
Find the details here.

Kaleidotrope
Payment: .01/word for fiction; $5/flat for poetry
Length: 250 to 10,000 words
Deadline: September 30th, 2022
What They Want: Open to a wide variety of speculative fiction and poetry.
Find the details here.

Fantasy Magazine
Payment: .08/word
Length: up to 7,500 words
Deadline: October 1st to 7th, 2022 for general submissions; for BIPOC authors, submissions are open until the end of the year
What They Want: Open to fantasy and dark fantasy stories.
Find the details here.

Dracula Beyond Stoker
Payment: .05/word
Length: 1,500 to 5,000 words
Deadline: January 15th, 2023
What They Want: This new journal is seeking fiction that reimagines and expands upon the world of Dracula. For the upcoming issue, the theme is Renfield.
Find the details here.

Nowhere Fast
Payment: .06/word
Length: 3,000 to 5,000 words
Deadline: October 28th, 2022
What They Want: This Clash Books anthology is open to coming-of-age horror inspired by 80s and 90s movies.
Find the details here.

Happy submitting!

From the Ashes: Part One in Our Pro-Choice Horror Roundtable

Welcome back! Today is the start of something very special to me. This is part one in our Pro-Choice Horror Roundtable series. In each installment, I’ll be featuring  a group of horror authors as we discuss how the fall of Roe vs. Wade is affecting us, both personally and professionally. This will be an ongoing series here on the blog for the rest of the year and possibly even stretching into next year.

So with that, I’ll turn today’s interview over to this week’s six incredible authors!

There are so many things to talk about right now, but first and foremost, how are you doing personally? How has the overturning of Roe affected your life so far? How has it affected your family and friends?

JO KAPLAN: I feel sick that the bodily autonomy I’ve always taken for granted is being snatched away, but I’m lucky that I live in California, and my family also lives primarily in states where abortion is not being banned. But just because this isn’t legally affecting me doesn’t mean I can shrug it off. That’s, unfortunately, something you see a lot of these days: this inability to care about things when they don’t affect you personally. It’s depressing that there are so many people in this country who just lack basic empathy, who can only empathize with some pure, idealized notion of the “unborn,” rather than actual living, breathing human beings. The mental gymnastics people go through to argue that a ten year old should carry a pregnancy to term, or that women are somehow idiots or villains who wait eight months before deciding to have an elective late term abortion rather than it being a medically necessary last resort for wanted pregnancies—it makes me feel like I’m going crazy.

ZIN E. ROCKLYN: While overwhelmed, I’m also angry. I knew this was going to happen when the doc was leaked but it was absolutely disheartening for the final decision to be passed. I recently moved to Florida to help take care of my mother who has dementia (even she, a hardcore, Bible-thumping Christian, is pissed) and I am incredibly nervous for myself while straight up scared for other birthing folk, especially the poorest of us. The stigma and continued, persistent ignorance surrounding birthing folks’ reproductive health is more than a concern, it’s a crisis. Friends have already had their life-saving meds denied due to these misconceptions.

MEGAN HART: I am furious. Even knowing it was on the horizon didn’t prepare me for the utter betrayal and outrage I feel now that it’s actually been overturned. I, personally, am unlikely to ever need an abortion again, but I’m livid and horrified for all of those who still will need to make that choice — and have no choice to make.

JANET JOYCE HOLDEN: Personally, I count myself lucky at this particular time that I’m post-menopausal and no longer able to give birth. However, I’m acutely aware of how an important means of healthcare has, in some states, been rudely stripped away. A lot of my friends are in a state of shock, and rightly so.

LYANA RODRIGUEZ: Personally? I’m about as fine as a log thrown into a wood chipper. I think part of the problem is how much this decision is affecting me and not my family. My father, older brother, and nephew, all cis men/boys, don’t seem to display any personal attachment to the issue. My mother, post-menopause, seems mostly glad that it didn’t affect her own life during her marriage with my father. Her continuing response to my concerns has been, “Things change! Things always change, you’ll see, it’ll be back to what it was one day!”

It’s the most out of touch reply I’ve seen so far. None of them seem to understand that this directly affects me the most. I’m twenty-seven years old, I’m bisexual, I’m Latine which means I’m highly fetishized by a lot of people, and I’m in the process of questioning my gender identity. I walk into work, and I wonder at how fast we become desensitized to it. We’re all expected to just keep going as if everything’s normal as fascism creeps in? Really? That’s the “adult” thing to do here?

CHRISTINA LADD: I wake up every morning just a little bit nauseous, just a little bit more scared, and just a little bit angrier than the day before. I try to exist one step removed from everything, focusing only on my job or projects to get through the day, but when I tune back into the Roe reality, all those feelings rush back. I am tired with such a fury all the time. I don’t have a word for this angry exhaustion. Maybe it’s not a word. Maybe it’s a story. Maybe it’s all the stories that come after. I don’t know. Almost everyone I know is in the same place; we just keep expressing the same despair to one another over and over again.

What has Roe vs. Wade meant to you personally?

JO KAPLAN: I’ve grown up with Roe vs. Wade as settled policy, and I’ve never questioned my control over my own body. I’ve never wanted kids. Though this is a personal choice, I can’t help but also think about it in broader terms. I think about the difference between centuries past, when people were having ten children with the knowledge that not all would live to adulthood, and today, when massive improvements in technology and medicine have reduced infant and childhood mortality, and lengthened lifespans. Back then, I think there was an evolutionary imperative to have lots of children. There were also way fewer people in the world. Now we have 8 billion people on this planet, and we cannot sustain continued, explosive population growth with our current infrastructure. So in a way, I think the world needs people like me who are opting out of reproduction. Having choice is good for me personally, but it’s also good for the planet. Unfettered growth is an unsustainable capitalist dream. The right-wing wants to keep churning out babies—the right kind of babies, of course—in pursuit of this ridiculous (and very American) idea that unfettered growth is the end-all be-all, without regard to the consequences of overpopulation. So, what Roe vs. Wade has meant to me personally is having equal rights and bodily autonomy, the opportunity to live my life the way I want, and also allowing everyone the power to make their own choices.

ZIN E. ROCKLYN: It is the final nail in the coffin of freedom of choice for birthing folk. Period.

MEGAN HART: I’ve never lived, consciously, without knowing that I could choose not to carry an unwanted or non-viable pregnancy. Being able to have an abortion has been a choice for my entire life. I’ve always been a strong and outspoken advocate for reproductive rights, even though it was something seemingly “set in stone.” I never took it for granted, but I also never thought that right would be torn away.

JANET JOYCE HOLDEN: Healthcare, choice, and a right to privacy regarding that choice. Plain and simple. It’s nobody else’s business.

LYANA RODRIGUEZ: For me, Roe was the law of the land for my entire life. I always had that reassurance in the back of my head when I got my first period: if anything happened to me, I at least have the right to get an abortion and keep my life on track. Even if people tried to block my way to a clinic, even if they shamed me for something out of my control, I had that choice. In a society where we put the onus so frequently on people who can get pregnant, usually including the most marginalized of genders, having that choice is tantamount to participation in a larger, public society. Technically speaking, Florida has the right to an abortion guaranteed in its state constitution, and a state judge ruled Governor De Santis’ recent fifteen week ban on abortion unconstitutional for that reason.

But this precedent, the overturning of such a huge case, only worries me about other cases. In a matter of months, my right to marry any woman I love could fall away from me. My right to a sexual relationship, even, with another woman could be subjected to on-the-books indecency and sodomy laws. Hell, that’s just in my own personal relationships. What happens should Brown v. Board or Loving v. Virginia gets overturned? Florida isn’t exactly the paragon of healthy racial reckoning. This would be a catastrophe for many Latine families living here in Miami. After all, a lot of Latine cultures didn’t have the same stringent “one-drop” rule that dominated the Jim Crow South and the racist North.

While it may seem like I’m going off topic, I’m really not. In the end, the choice to strike down Roe v. Wade is about snatching autonomy from the country’s most marginalized people and giving it to a bigoted, powerful state. It certainly won’t stop here.

CHRISTINA LADD: It meant freedom. And now it’s gone, and I have fewer rights than a corpse. I knew, intellectually, that this was always the case for some people when they saw me. Roe just meant that it wasn’t the law, those thoughts and feelings of others. Now those thoughts and feelings are the law. Roe was my shield, and now there’s so much less between me and the massed hordes of gibbering idiots, swinging their crosses at my head.

How do you feel the horror genre has responded to the crisis of losing Roe? How would you like to see people do better in terms of supporting us during this crisis?

JO KAPLAN: The people I know in the horror community tend to be conscientious, socially and politically aware people who genuinely want to help create a better society. I like to think the horror genre, through exploring the darkest parts of humanity, reminds us of what is most important to us, what we stand to lose, and what we are willing to sacrifice. I’ve already seen horror folks being vocal, taking a stand, creating charity anthologies with proceeds going to abortion access, and I want to see the horror community keep doing what it does best: using its voice and its willingness to delve into the darkness to push for a brighter future for everyone.

ZIN E. ROCKLYN: With the exception of the HWA’s shitty response, to see folks coming together for benefit anthologies and auctions is amazing. Folks of horror are some of the nicest people in the world and our response has affirmed that.

MEGAN HART: I can’t speak for the genre as a whole. The people I follow on social media all seem to have the same level of outrage and disgust that I do. I don’t need individual support from strangers, so it’s more of a broad desire to see people taking action to protest, support and try to make change to the loss of reproductive freedoms. (And human rights, in general.)

JANET JOYCE HOLDEN: I’ve seen the initial statements of support from various sources, and going forward, at the creative level, I’d like to see a shift away from woman and fetus used as a shock morality mechanism. How about aiming our Klieg light and pen toward the reckless impregnator, cocksure, striding through life, leaving behind a trail of blood and misery? One of the ways we use horror is to better understand ourselves, and this side of the issue is way overdue for a long, hard examination.

On the organizational front, should we move our conventions to abortion-friendly states? I realize some states might not turn out as bad as they’re painted once the legal dust has settled, but it’s worth looking into, for sure.

LYANA RODRIGUEZ: For the most part, the members of the horror community I follow are amazing. They’re so supportive and willing to listen to all my rants about the historical particulars of this decision. Nobody in the community that follows me or that I follow has called me, for example, “paranoid” or “hysterical” the way that so many people have done in the past. (To be fair, this is also true of the anarchist community, but I often find a lot of overlap in these two groups).

The “genre,” on the other hand, has a lot of work to do. I think you all know exactly what I’m talking about here. The HWA incident confirmed some of the worst fears many horror writers have about the big names in the community. It all originated from something so simple, too! Some of HWA’s staff decided to put up a sign stating, “We support women’s rights to choose.” Okay, cool, it’s not exactly inclusive of every single gender that can get pregnant and would be affected by the decision, but it’s not something that will get a non-profit any flak from the IRS. But nope! HWA leadership decided it had to go down. Furthermore, I’m convinced that the reasoning they gave is false. It wasn’t because of them losing non-profit status. They just don’t want to lose any money from more conservative donors. I call it the Bob Iger Special, personally. Thankfully, many other organizations, including several great indie publishers in the horror writing community, spoke out against HWA’s decision and came out firmly in favor of bodily autonomy. Several other horror creators branching outside writing and into film production, film reviews, and more also threw their hats firmly on the side of justice. That gives me a lot of hope, at the least!

CHRISTINA LADD: I’m glad to see the Brigid’s Gate anthology for charity, and glad to see a lot of interactions on twitter. I’m not sure if there’s more–I’m not super plugged in and could be missing a lot. I agree with your statement that I would love to see conventions refuse to do any business in states where abortion is prohibited. I’d also like to see more statements of condemnation, and just like so many websites have statements against transphobia, racism, etc., it would be nice if they included “the message of your work cannot be anti-choice/anti-abortion.”

What’s your greatest fear right now? And also, what’s your greatest hope for where we can go next?

JO KAPLAN: Unnecessary deaths, first of all. With the right to choose being taken away in many places, it’s a simple fact that more people are going to die, whether from back-alley abortions, ectopic pregnancies, or other complications leaving doctors unsure of what they can and can’t do. On a larger scale, my greatest fear is the christofascist takeover of our government and how that might fundamentally change our society—that the religious right will become the law of the land. My greatest hope is that these are the last desperate gasps of a dying political force and that the future will see a people who refuse to kowtow to antiquated and oppressive worldviews.

ZIN E. ROCKLYN: My greatest fear is to become pregnant. That’s it. There is absolutely no support in this country for so many things, worst of all being parents, single or no. Our greatest hope is a revolution and overhaul of how this country is run.

MEGAN HART: My fear is that this is the beginning. That the next target is birth control, the right to marry who we choose, the right to cross state lines, to worship as we please…to be honest, the future seems pretty dystopian and bleak, and I have a vivid imagination, so I can fear a lot of horror on the horizon. My greatest hope is that the people who do not believe in hatred and oppression can rise up and make ourselves known, heard and respected. That we can stop the march of this country into fascism.

JANET JOYCE HOLDEN: The fear is that we can’t turn this around. The hope is that our government will live up to its current promise and right the wrong at Federal level.

LYANA RODRIGUEZ: My greatest fear is pretty simple and possibly vindicated by history. My fear is that Americans will continue to allow this fascist creep to become normalized. Instead of organizing across demographic lines on issues we all care about, such as the climate, abortion rights, healthcare, wages, and rent, they will continue the “Vote Blue No Matter Who Only!” strat, refuse to criticize their leaders, and continue hoping for the return of normality that was ultimately never even really good for us anyways. Then the rest of us that actually hope for a better world just get to sit back and watch as we become the victims of a Christofascist state, our more centrist neighbors complicit in our ultimate victimization.

My greatest hope, however, is just what I proposed: organizing! It is nowhere as easy to do as it is to say, but we need to start doing that now. We have to get in touch with our communities and make them actually livable again. So much connects us here, and we all have so many of the same needs. Plus, once you get into the practice of listening to other people’s lived experiences, the differences that separate us are nowhere near as insurmountable as you might think.

Tips on how you might get started? I’d suggest dealing with two universals in the United States: housing and wages. The housing crisis is worse than ever, and ultimately, everybody no matter what requires shelter to live in. No matter where you live, I guarantee that you either have a mutual aid organization that focuses on building tenant power or a community that would jump at the chance for it. As for wages, we have to go the way of Starbucks: unionization. For those who primarily work freelance or have less sociable jobs, this can be a pain. However, I promise that, even in freelance, people are tired, angry, and want to form a coalition. Start small. Build up an email list, a discord chat room, or anything that can get you all together! And as for the topic that started this whole roundtable together, there are plenty of actions you can take. For starters, if you want to get into abortion rights long term, look up direct action groups in your own neighborhood. Brave fighters such as clinic escorts have been doing the work of clinic defense for years. Consider getting the training for that volunteer work and working hands-on in the fight for our rights. If your circumstances can’t get you that far, I recommend supporting abortion funds and travel networks. A good one is the Brigid Alliance. This organization specializes in getting patients in the most restrictive parts of the country the healthcare they need. This includes patients who are currently in the states affected by trigger laws totally banning abortion.

CHRISTINA LADD: My greatest fear is that there will be a war over this. Or that there won’t be, and that eventually every state will bow to evangelical fascism. That birth control and gay marriage are next. That I will be raped and be forced to listen to a bunch of lies that the criminal deposit of dividing cells has a heartbeat or fingernails or some other lie. That I won’t even be able to listen to those lies, because I won’t be able to get an abortion. I don’t have one fear. They all just chase each other around, ascendant one after the other without end.

My greatest hope is that we get universal abortion rights enshrined as a constitutional amendment, and while I’m at it, I hope we also get an equal pay act and full gender-affirmation rights for trans and nonbinary people. But more immediately, I want “The Lottery.” I want stories so terrible and essential that they imprint on the collective consciousness. I want cis men to be afraid, or barring that, I want more of them to understand our fear. I hope we can make them as afraid as they ought to be, as we already are.

Thank you so much to my featured interviewees this week! I appreciate so much that they shared their thoughts with us about abortion rights!

Happy reading, and happy fighting back against fascism!

Book Tour for RELUCTANT IMMORTALS

Welcome back! Today, I’m super excited because we’re officially only two weeks away from the release of Reluctant Immortals!

*screams joyously into the void*

And that’s not the only reason I’m excited. For the first time ever, I’m doing an actual author book tour! Most of the appearances will be virtual, but a couple will, in fact, be in person! This is seriously the neatest thing in the world to me. I’ve literally imagined doing an author book tour ever since I was a little kid, so needless to say, I’m over the moon about this.

And where will I be appearing? Well, since you asked, here’s a nifty promo featuring all the event dates!

So first up, on the release day of August 23rd, there’s the book launch at Riverstone in Pittsburgh! This is an in-person event, and I’ll be in conversation with author Emma Riva! If you’re in the area, please feel free to stop by! The event starts at 7pm ET!

Then on Wednesday, August 24th, I’ll be doing a virtual event at Mysterious Galaxy! Festivities start at 6pm ET/ 9pm PT, and I’ll be appearing with the always awesome A.C. Wise who was also kind enough to blurb my novel! Bonus: if you order Reluctant Immortals through the Mysterious Galaxy site, you can also get a signed bookplate!

On Thursday, August 25th at 7:30pm ET, I’m thrilled to be appearing at a virtual event at Charis Books, a feminist bookstore located in Decatur, Georgia. I’ll be in conversation with the amazing Addie Tsai whose queer re-imagining of Frankenstein, Unwieldy Creatures, was just released! It’s beyond perfect that my Dracula and Jane Eyre retelling is being paired with a Frankenstein retelling, and I can’t wait to talk more with Addie about our new novels!

To finish off the first week of my book tour, the ever supportive Daniel Braum has invited me back to his Night Time Logic series. That virtual event is on Friday, August 26th at 8pm ET, and I’ll be appearing with the fabulous Rebecca Rowland!

For the second week of my book tour, I’ll be appearing at a virtual event at The Novel Neighbor, a bookstore located in St. Louis, Missouri. This fabulous bookstore does so many wonderful events with authors, and I’m so thrilled to be able to be part of their lineup. The event starts at 8pm ET/ 7pm CT!

On Tuesday, August 30th at 7pm ET, I’m doing a virtual event at Old Town Books where I’ll be in conversation with the amazing and supportive Becky Spratford! It’s always great to talk with Becky as she’s long been one of the biggest supporters of my work, so this will no doubt be a very fun night!

And last but not least, I’ll be appearing at another in-person event when I return to StoryFest at The Westport Library on Saturday, September 10th. I’ll be on the panel “Resist and Rise Up: A Panel on Activism,” alongside amazing authors Sarah Gailey, Hugh Ryan, Mondiant Dogan, and Sonya Huber. That panel starts at 1pm ET, but the event goes all day and features lots of incredible writers, so if you’re in the area, please come and hang out with us!

So that’s the schedule for my first ever author book tour! And as if that’s not enough, I’ll also be appearing on numerous podcasts over the next two months, so like it or not, you’ll have plenty of opportunities to catch me discussing vampires, the Gothic, Hammer horror, the 1960s, and everything else related to Reluctant Immortals. *another joyous scream into the void*

Happy reading!

Writing through the Apocalypse: Submission Roundup for July 2022

Welcome back for this month’s Submission Roundup! America has completely fallen apart since last we met, so this is a less jubilant post than normal. But art is one of the greatest forms of resistance, so let’s keep resisting fascism, shall we?

A disclaimer as always: I’m not a representative for any of these markets. Please direct your questions to their respective editors.

And with that, onward with the Submission Roundup!

Submission Roundup

Dread Stone Press
Payment: .02/word
Length: 500 to 1,000 words
Deadline: July 15th, 2022
What They Want: Open to a wide variety of horror flash fiction.
Find the details here.

Brigids Gate
Payment: No payment as this is a charity anthology
Length: 1,000 to 4,000 words
Deadline: July 19th, 2022
What They Want: The Hell Hath Only Fury anthology is seeking body autonomy horror stories. All proceeds will benefit The Brigid Alliance, which is committed to helping pregnant people seek abortion care. Open to all women, femme-identifying individuals, and any authors who have or have had a uterus.
Find the details here.

HWA Scholarships
Payment: Scholarships range from $250 to $2,500
Deadline: August 1st, 2022
What They Want: Sponsored through Horror Writers Association, there are currently multiple scholarships available, including for horror nonfiction, dark poetry, women in horror, and more.
Find the details here.

Creature Horror
Payment: No payment as this is a charity anthology
Length: 3,000 to 5,000 words
Deadline: August 1st, 2022
What They Want: This anthology theme focuses on reproductive rights and body autonomy horror. All proceeds will benefit NARAL Pro-Choice America.
Find the details here.

Cosmic Horror Monthly
Payment: .06/word
Length: up to 5,000 words
Deadline: August 1st, 2022
What They Want: This anthology, which is themed broadly around hysteria, is open to anyone affected by the overturning of Roe vs. Wade. All proceeds will benefit the Chicago Abortion Fund.
Find the details here.

Les Petites Morts: An Anthology of Dark Fairy Tales
Payment: .06/word
Length: 1,000 to 5,000 words
Deadline: August 31st, 2022
What They Want: The editors are seeking erotic horror stories inspired by folklore, fairy tales, and mythology.
Find the details here.

Under Her Eye
Payment: $5/flat
Length: Up to 50 lines
Deadline: August 31st, 2022
What They Want: Open to women and nonbinary femmes, this anthology is seeking poetry with the theme of domestic horror. A portion of the proceeds will benefit The Pixel Project.
Find the details here.

Nowhere Fast
Payment: .06/word
Length: 3,000 to 5,000 words
Deadline: October 28th, 2022
What They Want: This Clash Books anthology is open to coming-of-age horror inspired by 80s and 90s movies.
Find the details here.

Happy submitting!

Summer of Horror: Submission Roundup for June 2022

Welcome back for this month’s Submission Roundup! Lots of super cool opportunities in June and beyond, so if you’ve got a story seeking a home, one of these markets might be the right fit!

First, a disclaimer: I’m not a representative for any of these publications. Please direct your questions to their respective editors. And with that, onward with this month’s Submission Roundup!

Submission Roundup

Dracula Beyond Stoker
Payment: .05/word
Length: 1,500 to 5,000 words
Deadline: June 15th, 2022
What They Want: This new journal is seeking fiction that reimagines and expands upon the world of Dracula. For the inaugural issue, the theme is Dracula.
Find the details here.

Rites of Passage: An Anthology of Queer Pagan Fiction
Payment: $25 to $75/flat
Length: 2,500 to 7,500 words
Deadline: June 30th, 2022
What They Want: The anthology is seeking coming-of-age stories about queer pagans.
Find the details here.

Vastarien
Payment: .05/word for fiction and nonfiction; $50/flat for artwork and poetry
Length: up to 7,500 words
Deadline: June 30th, 2022
What They Want: Vastarien is seeking nonfiction, literary horror fiction, and poetry that’s inspired by Thomas Ligotti and related themes.
Find the details here.

Les Petites Morts: An Anthology of Dark Fairy Tales
Payment: .06/word
Length: 1,000 to 5,000 words
Deadline: Opens to submissions on July 1st, 2022
What They Want: The editors are seeking erotic horror stories inspired by folklore, fairy tales, and mythology. Please consider supporting their Kickstarter for the project!
Find the details here.

Nowhere Fast
Payment: .06/word
Length: 3,000 to 5,000 words
Deadline: October 28th, 2022
What They Want: This Clash Books anthology is open to coming-of-age horror inspired by 80s and 90s movies.
Find the details here.

Happy submitting!

Les Petites Morts: Interview with Hailey Piper

Welcome back! Today, I’m happy to be helping out with the promotion of Les Petites Morts: An Anthology of Erotic Horror Fairy Tales from Ghost Orchid Press. The project is currently up on Kickstarter and is over a quarter of the way funded already!

As part of this promotion, I recently interviewed contributor Hailey Piper about her story in the anthology!

What can you tell us about your new story in Les Petites Morts?

It’s a sapphic twist on the Greek myth of the sphinx, in which she’s sometimes offered sacrifices in lieu of riddle answers, and our heroine has become one such offering after getting on a king’s bad side for taking his queen’s attention.

Horror and eroticism have a long history of intertwining. What do you think is the draw of this particular subgenre? What are some of your favorite erotic horror stories and films?

I think horror and eroticism both indulge in visceral elements, and they make an easy couple. There’s both a seductive “wrongness” that draws some, wanting to see something they might consider repulsive, while for others there’s a freedom to indulge in the fiction’s fantasy, and that same thing seen as a repulsive element can instead be beautiful and alluring, which was how I approached scenes in this story, my novel Queen of Teeth, and other work.

As for favorites, Clive Barker really hits a sweet spot with some Books of Blood stories and the movie Hellraiser. I also love Go Down Hard by Ali Seay.

What in particular do you feel makes Les Petites Morts a unique anthology?

Focusing on fairy tales, folklore, and mythology for erotic horror both forces the erotic horror to dance with speculative elements of magic and monsters and sex within, but also invites the stories to play with foundational elements of our cultures, get into the tactile sensations of them, be that blood or other things. Plus I have so much faith in editors Evelyn Freeling and Antonia Rachel Ward, and a book of erotic horror is going to be a wonderful time. I can’t wait to read the other stories.

What projects are you currently working on?

I’m finishing up one of my queer horror/weird crime chapbooks for Death’s Head Press, and I’m getting started on a new cosmic horror novella, plus some short stories sprinkled around.

Big thanks to Ghost Orchid Press and Hailey Piper! Please consider backing this fabulous new anthology over at Kickstarter today!

Happy reading!

Fiction for a Dystopic World: Submission Roundup for May 2022

Welcome back for May’s Submission Roundup. Lots of great opportunities this month, so if you’re looking for a home for a story, then perhaps one of these markets will be a perfect fit!

As always, a disclaimer: I’m not a representative for any of these markets; I’m merely spreading the word! Please direct your questions to their respective editor.

And with that, onward with this month’s Submission Roundup!

Submission Roundup

Kolchak: The Night Stalker
Payment: $120/flat
Length: 1,500 to 5,000 words
Deadline: May 15th, 2022
What They Want: This anthology is seeking horror fiction inspired by Kolchak: The Night Stalker.
Find the details here.

Brigids Gate Press
Payment: .08/word
Length: 2,500 to 5,000 words
Deadline: May 15th, 2022
What They Want: The latest anthology is seeking splatterpunk western horror set in the Old West.
Find the details here.

Halloween Ghost Anthology
Payment: .06/word
Length: 2,000 to 4,000 words
Deadline: May 31st, 2022
What They Want: Editor Gaby Triana is currently seeking ghost stories set on or around Halloween.
Find the details here.

Dracula Beyond Stoker
Payment: .05/word
Length: 1,500 to 5,000 words
Deadline: June 15th, 2022
What They Want: This new journal is seeking fiction that reimagines and expands upon the world of Dracula. For the inaugural issue, the theme is Dracula.
Find the details here.

Rites of Passage: An Anthology of Queer Pagan Fiction
Payment: $25 to $75/flat
Length: 2,500 to 7,500 words
Deadline: June 30th, 2022
What They Want: The anthology is seeking coming-of-age stories about queer pagans.
Find the details here.

Nowhere Fast
Payment: .06/word
Length: 3,000 to 5,000 words
Deadline: October 28th, 2022
What They Want: This Clash Books anthology is open to coming-of-age horror inspired by 80s and 90s movies.
Find the details here.

Happy submitting!

Spectacular Spring: Submission Roundup for April 2022

Welcome back for April’s Submission Roundup! I can’t believe a quarter of the year is already gone! Fortunately, there are lots of great opportunities this month and beyond for writing. So if you’re looking for somewhere to send your latest work, perhaps one of these markets will be the perfect fit!

First, a disclaimer: I’m not a representative for any of these markets. I’m merely spreading the word! Please direct any questions to their respective editors.

And with that, onward with this month’s Submission Roundup!

Submission Roundup

The Quiet Ones
Payment: $25/flat
Length: up to 3,000 words
Deadline: April 14th, 2022
What They Want: The upcoming issue’s theme is post-apocalyptic pride and will be released for Pride Month in June.
Find the details here.

Electric Spec
Payment: $20/flat
Length: 250 to 7,000 words
Deadline: April 15th, 2022
What They Want: Open to a wide variety of speculative fiction.
Find the details here.

Rewired: An Anthology of Neurodiverse Horror
Payment: .03/word
Length: 1,000 to 6,000 words
Deadline: April 30th, 2022
What They Want: Ghost Orchid Press is seeking horror stories inspired by neurodiverse experiences.
Find the details here.

Planet Scumm
Payment: .05/word
Length: up to 5,000 words
Deadline: May 2nd, 2022
What They Want: Open to a wide variety of speculative fiction.
Find the details here.

Kolchak: The Night Stalker
Payment: $120/flat
Length: 1,500 to 5,000 words
Deadline: May 15th, 2022
What They Want: This anthology is seeking horror fiction inspired by Kolchak: The Night Stalker.
Find the details here.

Halloween Ghost Anthology
Payment: .06/word
Length: 2,000 to 4,000 words
Deadline: May 31st, 2022
What They Want: Editor Gaby Triana is currently seeking ghost stories set on or around Halloween.
Find the details here.

Rites of Passage: An Anthology of Queer Pagan Fiction
Payment: $25 to $75/flat
Length: 2,500 to 7,500 words
Deadline: June 30th, 2022
What They Want: The anthology is seeking coming-of-age stories about queer pagans.
Find the details here.

Nowhere Fast
Payment: .06/word
Length: 3,000 to 5,000 words
Deadline: October 28th, 2022
What They Want: This Clash Books anthology is open to coming-of-age horror inspired by 80s and 90s movies.
Find the details here.

Happy submitting!

The Future Is Fierce: Part Four of Our 2022 Women in Horror Month Roundtable

We’ve nearly reached the end of March, which means Women in Horror Month is sadly almost over. But before this awesome annual celebration is done, let’s check in once more with our fabulous roundtable about their hopes for the future of women in horror as well as their own writing plans!

What’s your hope for the future of women in horror?

GABY TRIANA: That we will continue to kick ass. Stories by women show another side of humanity. It’s not just about having different body parts. It’s a whole alternative worldview that’s just as important as the mainstream white, male POV, and we are not all the same. My hope is also that women don’t have to fake writing in the style of men anymore to be taken seriously. They can be whoever they are—feminine, masculine, in-your-face, subtle, romantic, jarring, suggestive, intellectual, weird… whoever they happen to be—and still command the literary stage.

MELANIE R. ANDERSON: That books and stories and poems and scripts with new ideas and angles keep coming for us to enjoy (and analyze)! As an educator, I also hope we can keep sharing the stories of women in the past who got the ball rolling, so to speak, and whose names may have been forgotten.

LISA KRÖGER: I hope that women in horror find so much success that we don’t need a special month to highlight our work.

HYSOP MULERO: I kind of hope that women in the genre do some sort of crazy takeover, even if just for a season or week or a day. It would be amazing to see us collectively or even singularly transcend or kind of push horror into our overall literary landscape. In short, I want to see us create magnificent storms story by story and book by book.

EVE HARMS: I hope to see more BIPOC women in horror read and celebrated.

NICOLE GIVENS KURTZ: My hope for the future of women in horror is the inclusion of women from all demographics, especially Black and Hispanic women. I mean a full embrace and lifting up of those stories. I loved how Black Cranes won the Stoker last year. I would love to see works by Black women and trans women also find that level of recognition.

KATHRYN E. MCGEE: My hope is that women continue to do what they’re doing by creating great work in the genre. There really is an incredible wealth of brilliant art to be read and watched. I’d love to see horror by women become increasingly recognized. I’d love to see as many women in positions of leadership as possible, publishing horror books and producing, writing, and directing horror film and TV. Some of the most supportive, fascinating, and thoughtful people in my life are other women horror writers and I hope we’re all able to keep writing and achieve a broad audience. The future of women in horror feels very bright, indeed.

LEE MURRAY: What I hope, Gwendolyn, is that one day we shouldn’t need a Women in Horror month, that we won’t need to band together and scream, “Hey, we’re over here and we’re writing lovely horror” because we’ll already be visible. Because there will be a healthy coven of undead women writers who come to mind whenever the word ‘horror’ is whispered. A host of articulate women writers who are making a living writing horror and talking about horror. When, instead of being a subversive act, women writing horror becomes the norm and we are a welcome part of the horror landscape. I can’t wait for the moment when I’ll scroll to one of a myriad of horror sites on social media where the question “Who is your favourite horror writer?” is posted on a near-daily basis, and see women writers listed in the top ten comments, and not simply as an afterthought. In October 2019, Jeff VanderMeer (author of Annihilation and former co-editor of Weird Tales) wrote [this] post on social media.

Hear, hear, Jeff. I agree. Let’s have future top tens loaded with fabulous women writers of horror. How about Alma Katsu, Kaaron Warren, Gwendolyn Kiste, EV Knight, Kate Jonez, Thersa Matsura, Lee Franklin, or Kate Maruyama, for example? I could go on and on…

What’s next for you? What projects are you currently working on, and what work do you have coming out soon?

GABY TRIANA: The first part of 2022, I’ll be finishing my 5-book paranormal women’s fiction series, which I write under the name Gabrielle Keyes. After that, I have a new horror novel in the works. 1950s Havana, Cuba, haunted house on a hill, palm trees, family secrets, ghosts, a woman fighting societal expectations, a family of mobsters and sugar kings fighting for control, the Catholic church, witchcraft, those who dabble in both, history, psychological horror, and a monster or two terrorizing the island. Can’t wait to get started.

HYSOP MULERO: I’m currently going through another round of edits for a dark/horror middle grade manuscript that I’ve completed. I’m also in the process of finishing my second short story collection that will include the “This Is You” series and a few other pieces that I’m really excited about! Not to mention my thrill for “This is You on Lust” to be included in Pluto In Furs Volume 2 from Plutonian Press. I have a few other TBAs, and WIP’s for 2022! I plan on attending Necronomicon in Rhode Island this year, along with a few other cons and events. I’m active on both Instagram as @wordslinger.co, and my website www.threadedburlap.com should you want to check out my events and daily musings.

EVE HARMS: A lot of projects are in the works, but I’m trying to avoid talking about them in order to bottle up the excitement to propel me forward. I did recently have a short story published in the Monstroddities anthology by Sliced Up Press that is available on all of the major bookstores.

NICOLE GIVENS KURTZ: I’m writing the next Kingdom of Aves story. Mocha Memoirs Press is releasing two new novellas for Women in Horror Month. Sumiko Saulson’s Happiness and Other Diseases and L. Marie Wood’s The Black Hole.

MELANIE R. ANDERSON: I’m working on another project with my co-author and podcast co-host Lisa Kröger. And on the academic side, I recently finished up an essay for a forthcoming collection on Edgar Allan Poe. It’s about how contemporary women writing horror are revising Poe’s nineteenth-century take on the haunted house.

LISA KRÖGER: I’ve got another nonfiction book, called Toil and Trouble, coming out with Quirk Books in late 2022. Like Monster, She Wrote, this book is co-written with Dr. Melanie R. Anderson, who may be the best co-author around. I’m working with NYX this year to get out our second film festival, and we recently announced a partnership with Stowe Story Labs for a fellowship for women screenwriters who are writing horror and who are age 40 or over. I’m hoping to get a few other personal projects out into the world too. I’d love to do more fiction, or even write for a different audience, like Middle Grade or Young Adult.

KATHRYN E. MCGEE: I recently had a story, “Golden Hour,” accepted for publication in the forthcoming Chromophobia anthology, edited by Sara Tantlinger, which will be coming out later this year. The stories in the anthology all deal with the horror of color in different ways and are authored by women. I’m beyond thrilled to be part of this excellent group of writers. I also recently finished a draft of a haunted house novel I’ve been working on for several years that I’m hoping to publish soon. Otherwise, I’m writing a collection of horror short stories as well as a middle-grade horror-comedy novel.

LEE MURRAY: Thank you so much for asking, Gwendolyn. 2022 is looking set to be a busy year! I have a small (and hopefully helpful) workbook on Literary Goal Setting coming from Brain Jar Press, and Asian Ghost Stories (Flame Tree Press) for which I was Associate Editor will be published in February 2022; this comprehensive volume of ghost tales includes many of my favourite horror writers of Asian descent. I have stories coming in numerous anthologies, including “Thrall” a seafaring tale of supernatural and superstition in Grimdark’s The King Must Fall (edited by Adrian Collins), “Mooncake” a generational tale of cultural tension in Bad Hand Books’ The Hideous Book of Hidden Horrors, Hothouse Crush, a re-envisioning of Dracula as a demon fae in 1980’s girls’ boarding school for IFWG’s Dracula Unfanged (edited by Christopher Sequiera), and “Kupara and Tekoteko” a Kiwi retelling of Wilde’s The Happy Prince in Clan Destine Press’s Clamour and Mischief (edited by Narelle Harris). My novella “Despatches” will appear with novellas by Angela Yuriko Smith and Maxwell Ian Gold, in Someday, a volume in Crystal Lake Publishing’s Dark Tide series. The themes of Someday are war and mystery, and “Despatches” follows the observations of a war correspondent sent to Gallipoli in the Great War in a supernatural epistolatory tale. Also with Angela Yuriko Smith, I’ll be editing a collection of poetry and flash fiction by HWA members mental health and trauma for the upcoming HWA Wellness page—a rare honour which I’m looking forward to immensely. Angela and I are also excited to be editing Unquiet Spirits, a collection of essays by horror writers of Southeast Asian descent, with a focus on the influence monsters and spirits on perspectives of cultural identity. A follow up to both Black Cranes: Tales of Unquiet Women (co-edited with Geneve Flynn) and poetry collection Tortured Willows: Bent, Bowed, Unbroken (Christina Sng, Angela Yuriko Smith, Lee Murray & Geneve Flynn), the line-up for Unquiet Spirits looks equally stupendous and includes a foreword by Monster She Wrote co-author Lisa Kröger. The book will be published by Black Spot Books in 2023. And I’ll also be delivering the first of three fiction collections for Silver Shamrock publishing towards the end of 2022. I’m expecting the German language translation of my supernatural military horror Into the Sounds will be released in 2022, as will the Spanish version of my middle grade adventure Dawn of the Zombie Apocalypse. I also have a handful of exciting film projects on the go, which sadly I am unable to talk about yet. Aargh! In any case, it looks set to be a busy year…

Huge thanks to our eight fantastic authors for this year’s roundtable! It was so amazing talking with all of them!

Happy reading, and happy Women in Horror Month!