{"id":6377,"date":"2022-03-30T15:04:52","date_gmt":"2022-03-30T15:04:52","guid":{"rendered":"https:\/\/www.gwendolynkiste.com\/Blog\/?p=6377"},"modified":"2022-03-30T15:04:52","modified_gmt":"2022-03-30T15:04:52","slug":"the-future-is-fierce-part-four-of-our-2022-women-in-horror-month-roundtable","status":"publish","type":"post","link":"https:\/\/www.gwendolynkiste.com\/Blog\/the-future-is-fierce-part-four-of-our-2022-women-in-horror-month-roundtable\/","title":{"rendered":"The Future Is Fierce: Part Four of Our 2022 Women in Horror Month Roundtable"},"content":{"rendered":"<p>We&#8217;ve nearly reached the end of March, which means Women in Horror Month is sadly almost over. But before this awesome annual celebration is done, let&#8217;s check in once more with our fabulous roundtable about their hopes for the future of women in horror as well as their own writing plans!<\/p>\n<p><strong>What&#8217;s your hope for the future of women in horror?<\/strong><\/p>\n<p>GABY TRIANA: That we will continue to kick ass. Stories by women show another side of humanity. It\u2019s not just about having different body parts. It\u2019s a whole alternative worldview that\u2019s just as important as the mainstream white, male POV, and we are not all the same. My hope is also that women don\u2019t have to fake writing in the style of men anymore to be taken seriously. They can be whoever they are\u2014feminine, masculine, in-your-face, subtle, romantic, jarring, suggestive, intellectual, weird&#8230; whoever they happen to be\u2014and still command the literary stage.<\/p>\n<p><a href=\"https:\/\/www.gwendolynkiste.com\/Blog\/wp-content\/uploads\/2022\/03\/Monster-She-Wrote.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-6422\" src=\"https:\/\/www.gwendolynkiste.com\/Blog\/wp-content\/uploads\/2022\/03\/Monster-She-Wrote.jpeg\" alt=\"\" width=\"214\" height=\"320\" srcset=\"https:\/\/www.gwendolynkiste.com\/Blog\/wp-content\/uploads\/2022\/03\/Monster-She-Wrote.jpeg 214w, https:\/\/www.gwendolynkiste.com\/Blog\/wp-content\/uploads\/2022\/03\/Monster-She-Wrote-201x300.jpeg 201w\" sizes=\"auto, (max-width: 214px) 100vw, 214px\" \/><\/a>MELANIE R. ANDERSON: That books and stories and poems and scripts with new ideas and angles keep coming for us to enjoy (and analyze)! As an educator, I also hope we can keep sharing the stories of women in the past who got the ball rolling, so to speak, and whose names may have been forgotten.<\/p>\n<p>LISA KR\u00d6GER: I hope that women in horror find so much success that we don\u2019t need a special month to highlight our work.<\/p>\n<p>HYSOP MULERO: I kind of hope that women in the genre do some sort of crazy takeover, even if just for a season or week or a day. It would be amazing to see us collectively or even singularly transcend or kind of push horror into our overall literary landscape. In short, I want to see us create magnificent storms story by story and book by book.<\/p>\n<p>EVE HARMS: I hope to see more BIPOC women in horror read and celebrated.<\/p>\n<p>NICOLE GIVENS KURTZ: My hope for the future of women in horror is the inclusion of women from all demographics, especially Black and Hispanic women. I mean a full embrace and lifting up of those stories. I loved how <em>Black Cranes<\/em> won the Stoker last year. I would love to see works by Black women and trans women also find that level of recognition.<\/p>\n<p><a href=\"https:\/\/www.gwendolynkiste.com\/Blog\/wp-content\/uploads\/2022\/03\/KEMcGee.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-6418\" src=\"https:\/\/www.gwendolynkiste.com\/Blog\/wp-content\/uploads\/2022\/03\/KEMcGee.jpg\" alt=\"\" width=\"435\" height=\"579\" srcset=\"https:\/\/www.gwendolynkiste.com\/Blog\/wp-content\/uploads\/2022\/03\/KEMcGee.jpg 435w, https:\/\/www.gwendolynkiste.com\/Blog\/wp-content\/uploads\/2022\/03\/KEMcGee-225x300.jpg 225w\" sizes=\"auto, (max-width: 435px) 100vw, 435px\" \/><\/a>KATHRYN E. MCGEE: My hope is that women continue to do what they\u2019re doing by creating great work in the genre. There really is an incredible wealth of brilliant art to be read and watched. I\u2019d love to see horror by women become increasingly recognized. I\u2019d love to see as many women in positions of leadership as possible, publishing horror books and producing, writing, and directing horror film and TV. Some of the most supportive, fascinating, and thoughtful people in my life are other women horror writers and I hope we\u2019re all able to keep writing and achieve a broad audience. The future of women in horror feels very bright, indeed.<\/p>\n<p>LEE MURRAY: What I hope, Gwendolyn, is that one day we shouldn\u2019t <em>need<\/em> a Women in Horror month, that we won\u2019t <em>need<\/em> to band together and scream, \u201cHey, we\u2019re over here and we\u2019re writing lovely horror\u201d because we\u2019ll <em>already be visible<\/em>. Because there will be a healthy coven of<em> undead<\/em> women writers who come to mind whenever the word \u2018horror\u2019 is whispered. A host of articulate women writers who are <em>making a living<\/em> writing horror and talking about horror. When, instead of being a subversive act, women writing horror becomes the norm and we are a welcome part of the horror landscape. I can\u2019t wait for the moment when I\u2019ll scroll to one of a myriad of horror sites on social media where the question \u201cWho is your favourite horror writer?\u201d is posted on a near-daily basis, and see women writers listed in the top ten comments, and not simply as an afterthought. In October 2019, Jeff VanderMeer (author of <em>Annihilation <\/em>and former co-editor of <em>Weird Tales<\/em>) wrote <a href=\"https:\/\/www.facebook.com\/jeff.vandermeer\/posts\/10156960861609195\" target=\"_blank\" rel=\"noopener\">[this] post on social media<\/a>.<\/p>\n<p>Hear, hear, Jeff. I agree. Let\u2019s have future top tens loaded with fabulous women writers of horror. How about Alma Katsu, Kaaron Warren, Gwendolyn Kiste, EV Knight, Kate Jonez, Thersa Matsura, Lee Franklin, or Kate Maruyama, for example? I could go on and on\u2026<\/p>\n<p><strong>What&#8217;s next for you? What projects are you currently working on, and what work do you have coming out soon?<\/strong><\/p>\n<p>GABY TRIANA: The first part of 2022, I\u2019ll be finishing my 5-book paranormal women\u2019s fiction series, which I write under the name Gabrielle Keyes. After that, I have a new horror novel in the works. 1950s Havana, Cuba, haunted house on a hill, palm trees, family secrets, ghosts, a woman fighting societal expectations, a family of mobsters and sugar kings fighting for control, the Catholic church, witchcraft, those who dabble in both, history, psychological horror, and a monster or two terrorizing the island. Can\u2019t wait to get started.<\/p>\n<p>HYSOP MULERO: I\u2019m currently going through another round of edits for a dark\/horror middle grade manuscript that I\u2019ve completed. I\u2019m also in the process of finishing my second short story collection that will include the \u201cThis Is You\u201d series and a few other pieces that I\u2019m really excited about! Not to mention my thrill for \u201cThis is You on Lust\u201d to be included in <em>Pluto In Furs Volume 2<\/em> from Plutonian Press. I have a few other TBAs, and WIP\u2019s for 2022! I plan on attending Necronomicon in Rhode Island this year, along with a few other cons and events. I\u2019m active on both Instagram as <a href=\"https:\/\/www.instagram.com\/wordslinger.co\/\" target=\"_blank\" rel=\"noopener\">@wordslinger.co<\/a>, and my website <a href=\"http:\/\/www.threadedburlap.com\" target=\"_blank\" rel=\"noopener\">www.threadedburlap.com<\/a> should you want to check out my events and daily musings.<\/p>\n<p><a href=\"https:\/\/www.gwendolynkiste.com\/Blog\/wp-content\/uploads\/2022\/03\/transmuted-web.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-6424\" src=\"https:\/\/www.gwendolynkiste.com\/Blog\/wp-content\/uploads\/2022\/03\/transmuted-web.jpg\" alt=\"\" width=\"306\" height=\"490\" srcset=\"https:\/\/www.gwendolynkiste.com\/Blog\/wp-content\/uploads\/2022\/03\/transmuted-web.jpg 306w, https:\/\/www.gwendolynkiste.com\/Blog\/wp-content\/uploads\/2022\/03\/transmuted-web-187x300.jpg 187w\" sizes=\"auto, (max-width: 306px) 100vw, 306px\" \/><\/a>EVE HARMS: A lot of projects are in the works, but I&#8217;m trying to avoid talking about them in order to bottle up the excitement to propel me forward. I did recently have a short story published in the <em>Monstroddities<\/em> anthology by Sliced Up Press that is available on all of the major bookstores.<\/p>\n<p>NICOLE GIVENS KURTZ: I&#8217;m writing the next <em>Kingdom of Aves<\/em> story. Mocha Memoirs Press is releasing two new novellas for Women in Horror Month. Sumiko Saulson&#8217;s <em>Happiness and Other Diseases<\/em> and L. Marie Wood&#8217;s <em>The Black Hole<\/em>.<\/p>\n<p>MELANIE R. ANDERSON: I\u2019m working on another project with my co-author and podcast co-host Lisa Kr\u00f6ger. And on the academic side, I recently finished up an essay for a forthcoming collection on Edgar Allan Poe. It\u2019s about how contemporary women writing horror are revising Poe\u2019s nineteenth-century take on the haunted house.<\/p>\n<p>LISA KR\u00d6GER: I\u2019ve got another nonfiction book, called <em>Toil and Trouble<\/em>, coming out with Quirk Books in late 2022. Like <em>Monster, She Wrote<\/em>, this book is co-written with Dr. Melanie R. Anderson, who may be the best co-author around. I\u2019m working with NYX this year to get out our second film festival, and we recently announced a partnership with Stowe Story Labs for a fellowship for women screenwriters who are writing horror and who are age 40 or over. I\u2019m hoping to get a few other personal projects out into the world too. I\u2019d love to do more fiction, or even write for a different audience, like Middle Grade or Young Adult.<\/p>\n<p>KATHRYN E. MCGEE: I recently had a story, \u201cGolden Hour,\u201d accepted for publication in the forthcoming <em>Chromophobia<\/em> anthology, edited by Sara Tantlinger, which will be coming out later this year. The stories in the anthology all deal with the horror of color in different ways and are authored by women. I\u2019m beyond thrilled to be part of this excellent group of writers. I also recently finished a draft of a haunted house novel I\u2019ve been working on for several years that I\u2019m hoping to publish soon. Otherwise, I\u2019m writing a collection of horror short stories as well as a middle-grade horror-comedy novel.<\/p>\n<p>LEE MURRAY: Thank you so much for asking, Gwendolyn. 2022 is looking set to be a busy year! I have a small (and hopefully helpful) workbook on <em>Literary Goal Setting<\/em> coming from Brain Jar Press, and <em>Asian Ghost Stories<\/em> (Flame Tree Press) for which I was Associate Editor will be published in February 2022; this comprehensive volume of ghost tales includes many of my favourite horror writers of Asian descent. I have stories coming in numerous anthologies, including \u201cThrall\u201d a seafaring tale of supernatural and superstition in Grimdark\u2019s <em>The King Must Fall<\/em> (edited by Adrian Collins), \u201cMooncake\u201d a generational tale of cultural tension in Bad Hand Books\u2019 <em>The Hideous Book of Hidden Horrors<\/em>, Hothouse Crush, a re-envisioning of Dracula as a demon fae in 1980\u2019s girls\u2019 boarding school for IFWG\u2019s <em>Dracula Unfanged<\/em> (edited by Christopher Sequiera), and \u201cKupara and Tekoteko\u201d a Kiwi retelling of Wilde\u2019s The Happy Prince in Clan Destine Press\u2019s <em>Clamour and Mischief<\/em> (edited by Narelle Harris). My novella \u201cDespatches\u201d will appear with novellas by Angela Yuriko Smith and Maxwell Ian Gold, in <em>Someday<\/em>, a volume in Crystal Lake Publishing\u2019s Dark Tide series. The themes of<em> Someday<\/em> are war and mystery, and \u201cDespatches\u201d follows the observations of a war correspondent sent to Gallipoli in the Great War in a supernatural epistolatory tale. Also with Angela Yuriko Smith, I\u2019ll be editing a collection of poetry and flash fiction by HWA members mental health and trauma for the upcoming HWA Wellness page\u2014a rare honour which I\u2019m looking forward to immensely. Angela and I are also excited to be editing <em>Unquiet Spirits<\/em>, a collection of essays by horror writers of Southeast Asian descent, with a focus on the influence monsters and spirits on perspectives of cultural identity. A follow up to both <em>Black Cranes: Tales of Unquiet Women <\/em>(co-edited with Geneve Flynn) and poetry collection <em>Tortured Willows: Bent, Bowed, Unbroken<\/em> (Christina Sng, Angela Yuriko Smith, Lee Murray &amp; Geneve Flynn), the line-up for <em>Unquiet Spirits<\/em> looks equally stupendous and includes a foreword by <em>Monster She Wrote<\/em> co-author Lisa Kr\u00f6ger. The book will be published by Black Spot Books in 2023. And I\u2019ll also be delivering the first of three fiction collections for Silver Shamrock publishing towards the end of 2022. I\u2019m expecting the German language translation of my supernatural military horror <em>Into the Sounds<\/em> will be released in 2022, as will the Spanish version of my middle grade adventure <em>Dawn of the Zombie Apocalypse<\/em>. I also have a handful of exciting film projects on the go, which sadly I am unable to talk about yet. Aargh! In any case, it looks set to be a busy year\u2026<\/p>\n<p><strong>Huge thanks to our eight fantastic authors for this year&#8217;s roundtable! It was so amazing talking with all of them!<br \/>\n<\/strong><\/p>\n<p><strong>Happy reading, and happy Women in Horror Month!<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We&#8217;ve nearly reached the end of March, which means Women in Horror Month is sadly almost over. But before this awesome annual celebration is done, let&#8217;s check in once more with our fabulous roundtable about their hopes for the future of women in horror as well as their own writing plans! What&#8217;s your hope for [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,3],"tags":[],"class_list":["post-6377","post","type-post","status-publish","format-standard","hentry","category-fiction","category-interviews"],"_links":{"self":[{"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/posts\/6377","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/comments?post=6377"}],"version-history":[{"count":10,"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/posts\/6377\/revisions"}],"predecessor-version":[{"id":6450,"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/posts\/6377\/revisions\/6450"}],"wp:attachment":[{"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/media?parent=6377"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/categories?post=6377"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/tags?post=6377"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}