{"id":5084,"date":"2020-05-19T17:42:00","date_gmt":"2020-05-19T17:42:00","guid":{"rendered":"https:\/\/www.gwendolynkiste.com\/Blog\/?p=5084"},"modified":"2020-05-19T17:42:00","modified_gmt":"2020-05-19T17:42:00","slug":"dark-blood-and-poetry-interview-with-emma-j-gibbon","status":"publish","type":"post","link":"https:\/\/www.gwendolynkiste.com\/Blog\/dark-blood-and-poetry-interview-with-emma-j-gibbon\/","title":{"rendered":"Dark Blood and Poetry: Interview with Emma J. Gibbon"},"content":{"rendered":"<p>Welcome back for this week&#8217;s author interview! Today, I&#8217;m excited to be talking with author Emma J. Gibbon! Emma&#8217;s debut collection, <em>Dark Blood Comes from the Feet<\/em>, is set for release later this month from Trepidatio Publishing.<\/p>\n<p>Recently, Emma and I discussed the inspiration behind her new collection as well as what draws her to the horror genre.<\/p>\n<p><strong>A couple icebreakers to start: when did you decide to become a writer, and who are some of your favorite authors?<\/strong><\/p>\n<p><a href=\"https:\/\/www.gwendolynkiste.com\/Blog\/wp-content\/uploads\/2020\/05\/Emma-J.-Gibbon.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-5087\" src=\"https:\/\/www.gwendolynkiste.com\/Blog\/wp-content\/uploads\/2020\/05\/Emma-J.-Gibbon-199x300.jpg\" alt=\"\" width=\"199\" height=\"300\" srcset=\"https:\/\/www.gwendolynkiste.com\/Blog\/wp-content\/uploads\/2020\/05\/Emma-J.-Gibbon-199x300.jpg 199w, https:\/\/www.gwendolynkiste.com\/Blog\/wp-content\/uploads\/2020\/05\/Emma-J.-Gibbon.jpg 297w\" sizes=\"auto, (max-width: 199px) 100vw, 199px\" \/><\/a>It didn\u2019t come all at once for me, I sort of realized in stages. I\u2019ve always been a reader. As soon as I knew how I just read whatever I got my hands on. I started writing poetry at first, in my teens, and then went on to short stories mainly. I think confidence was part of it, and also not really knowing where I fit in, in all of it so getting very close to publishing but not quite. Weirdly, something clicked when I turned forty\u2014just being a lot less afraid of failure and really not caring what people thought. I began making connections in the horror community and getting my work out there and it worked! I started getting publishing credits and such very quickly. I feel like one of those actors who get called an overnight success when actually they\u2019ve been working at their craft for years!<\/p>\n<p>My favorite authors! I know I\u2019m going to forget someone but off the top of my head: Shirley Jackson, Angela Carter, Daphne du Maurier, George Saunders, Kelly Link, M. Rickert, Neil Gaiman, David Mitchell, Donna Tartt, Stephen Graham Jones, Sarah Monette, Mervyn Peake, V. C. Andrews. I do read a lot of horror, but I\u2019m pretty omnivorous when it comes to books. I read all kinds of things.<\/p>\n<p><strong>Congratulations on the forthcoming release of your debut collection, <i>Dark Blood Comes from the Feet<\/i>! What can you share about this book? How did you choose the stories to include, and is there a particular theme or themes in the collection?<\/strong><\/p>\n<p>Thank you so much! <i>Dark Blood Comes from the Feet<\/i> is a collection of seventeen stories. Some of them have been previously published, but most are original to the collection. I would say that they come from the last decade of my work. They\u2019re mostly horror, but they do dip into other genres too. \u201cSermon from New London\u201d is post-apocalyptic, for example. As a reader, I like to see a range of different stories in a collection so as this is my first, I really wanted to show people what I could do. I went for the most variety of styles and moods and settings. I know that one of my strengths is my versatility and I heavily favor first person narrative so I wanted to show that. That said, there are themes and motifs that do reoccur because my own preoccupations find their way into my work. You will find a lot of references to illness and in particular, tuberculosis, you will find women characters who have deviated from \u201cnormal\u201d lives, there are geographical places I return to and I often make people who are not usually in the limelight the protagonist. I have a huge chip on my shoulder about being a woman from a working class background so that comes through. In my stories, the monsters usually win and are not necessarily the ones you should fear anyway.<\/p>\n<p><strong>What draws you to the horror genre? Do you remember your first horror film or horror book?<\/strong><\/p>\n<p>I think it\u2019s just in my DNA, honestly. I come from an ex-mining town in Yorkshire in the UK. There\u2019s a saying \u201cIt\u2019s grim up North\u201d and it\u2019s not just the weather! I say this with a lot of love but my people are a morbid, darkly comic bunch. I tell stories to my husband (who\u2019s American) about my childhood and it just sounds\u2026Dickensian. I intend to write a short nonfiction piece about it all. I just need to find a publisher interested in Yorkshire Gothic!<\/p>\n<p><a href=\"https:\/\/www.gwendolynkiste.com\/Blog\/wp-content\/uploads\/2020\/05\/Dark-Blood-cover.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-5086\" src=\"https:\/\/www.gwendolynkiste.com\/Blog\/wp-content\/uploads\/2020\/05\/Dark-Blood-cover.jpg\" alt=\"\" width=\"224\" height=\"336\" srcset=\"https:\/\/www.gwendolynkiste.com\/Blog\/wp-content\/uploads\/2020\/05\/Dark-Blood-cover.jpg 224w, https:\/\/www.gwendolynkiste.com\/Blog\/wp-content\/uploads\/2020\/05\/Dark-Blood-cover-200x300.jpg 200w\" sizes=\"auto, (max-width: 224px) 100vw, 224px\" \/><\/a>At a very young age, I used to beg my mother to let me stay up to watch Hammer Horror films and <i>Tales of the Unexpected <\/i>(based on Roald Dahl\u2019s short stories for adults.) I was too young to remember actually watching them now, except for <i>Tales of the Unexpected<\/i>\u2019s intro, which I highly recommend on YouTube, it\u2019s mesmerizing. When video stores became popular, my brother and I used to go and look at all the covers in the horror department. Our favorite covers were <i>The Lost Boys<\/i> and <i>Fright Night, <\/i>but I think the first one we could convince someone to rent was<i> Love at First Bite. <\/i>When we finally got our hands on <i>Lost Boys<\/i>, we watched it every day. I still know all the words<i>.<\/i><\/p>\n<p>The first horror book I remember was the first book I ever bought for myself at a Scholastic book fair in middle school! It was called something like <i>Ghosts, Spirits and Spectres<\/i> and was an anthology of classic and contemporary ghost stories. It had a picture of a cursed doll on the front. I read that thing so many times it fell to pieces. My favorite in there was <i>Laura <\/i>by Saki. I really have been myself for a very long time.<\/p>\n<p><strong>What is it about the short story format that appeals to you as a writer?<\/strong><\/p>\n<p>It\u2019s definitely the format that I feel most confident in. I love writing poetry, but it has a lightning from the sky element to it that I can\u2019t quite understand, whereas as I reader I have always favored short stories\u2014I\u2019ve always been a big reader of anthologies and collections. I\u2019ve read a lot of them. It\u2019s a place I feel comfortable in. As a reader, I like the way I can fully immerse myself in a space\/time in one short sitting. I like the focus of them. I like open endings where I can imagine a life for the characters after.<\/p>\n<p>When I was a teenager, in the golden MTV years of the nineties (in my opinion), I really wanted to be a music video director. I think what I really wanted to do, and what appeals to me about writing short stories, is to convey a very condensed, intense experience where theme and language and imagery can combine in a compact space. You have to get your characters and setting and mood established fairly quickly, and I like the challenge of those constraints.<\/p>\n<p><strong>You write both fiction and poetry. How does your approach to each form differ, and how is it similar?<\/strong><\/p>\n<p>They\u2019re similar as in they tend to come out of my brain ooze in an almost unconscious way. I mull things over, worry at them, have obsessions that I read and well, obsess about, and it all turns up in my work, no matter the format, and in such a way that I rarely realize until later. I can identify what time in my life I wrote something without looking at dates because I recognize what my concerns were at the time but it\u2019s retrospective. I have no idea when I\u2019m actually writing it.<\/p>\n<p>As I\u2019ve said elsewhere in this interview, poetry often comes to me in a flash. That first draft comes out whole, then I leave it for a while and go back to edit when it doesn\u2019t feel like it\u2019s from me. Short stories are a much longer process. I am getting quicker, but some of the stories in the book took up to ten years to find their \u201cfinal form.\u201d Ray Bradbury in <i>Zen and the Art of Writing<\/i> (which I loved) compared ideas to trying to befriend cats. You have to act casual at first, like you\u2019re not that interested. George Saunders said something similar and I can\u2019t find where I read it for the life of me but he talked about seeing it in the corner of your eye, letting the ideas sidle up to you. This is how I write stories. Elements of them come to me and start connecting together, then eventually a piece\u2019ll connect where I am ready to start writing. Then I have to Jedi mind trick myself into believing I\u2019m not really writing a story, no, I\u2019m just noodling around, no pressure\u2026until I have something. As you can probably guess, I\u2019m not much of a planner.<\/p>\n<p><strong>Out of your published work, do you have a personal favorite?<\/strong><\/p>\n<p><i>Dark Blood Comes from the Feet<\/i> is my first book so I\u2019m going to say this! It\u2019s been a dream of mine to have my own collection for a long time and now it actually exists! As far as individual stories go, it\u2019s like choosing between children but the two that stand out to me the most as I write this are \u201cCellar Door\u201d and \u201cThis is Not the Glutton Club.\u201d \u201cCellar Door\u201d is a story that I really wanted to write for a long time. It has some of my favorite things in it\u2014an unreliable narrator, a haunted house, spatial weirdness, which is something that genuinely terrifies me, and the house is based on my actual home. I wanted to write it so badly that I was scared I couldn\u2019t do it justice. In the end, I nanowrimo-ed it so I wouldn\u2019t get in my own way.<\/p>\n<p>\u201cThis is Not the Glutton Club\u201d is memorable because I wrote it while bedridden with double pneumonia! It\u2019s my version of a nested story about a group of Victorian gentlemen who catch illnesses on purpose. I couldn\u2019t sit at my desk, so I handwrote the first draft for the first time in years. I realized how much I missed the experience of writing like that, and I\u2019ve been using that method ever since. I also crowdsourced the research I needed for that story using my phone and Facebook because I was so sick\u2014I have very clever and generous friends.<\/p>\n<p>As for my poetry, I would say \u201cFune-RL\u201d which is up for the Rhysling this year! Not only did it get in <i>Strange Horizons, <\/i>which is a dream market, but it was one of those rare times when I <i>knew<\/i> I had something. I wrote it early one morning (which is unheard for, for me. I am emphatically not a morning person) and it just\u2026came out, pretty much as it was published. It was only looking back at it that I could see all of the things that I had been thinking about and worried about all woven into one poem. It felt close to magic.<\/p>\n<p><strong>What projects are you currently working on?<\/strong><\/p>\n<p>Oof, that\u2019s the question. I\u2019m in a bit of limbo at the moment, partially pandemic related but not entirely. I think it\u2019s about time I wrote a novel and I did write some notes before Covid hit but I\u2019ve got quarantine brain right now and concentrating on anything is hard. I think I\u2019ve got enough material for a poetry collection so that\u2019s a possibility and I have some short stories that I want to write and edit. For now, I\u2019m in input rather than output mode. I\u2019m reading in short spurts (quarantine brain, again), catching up on shows that I missed, re-watching favorite movies. I know that my brain is churning away in the background and I\u2019m hoping it\u2019ll let me know what project I should do next.<\/p>\n<p><strong>Tremendous thanks to Emma J. Gibbon for being part of this week&#8217;s author interview series! Find her online at her <a href=\"http:\/\/emmajgibbon.com\" target=\"_blank\" rel=\"noopener noreferrer\">website<\/a> and on <a href=\"http:\/\/twitter.com\/EmmaJGibbon\" target=\"_blank\" rel=\"noopener noreferrer\">Twitter<\/a>! <\/strong><\/p>\n<p><strong>Happy reading!<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Welcome back for this week&#8217;s author interview! Today, I&#8217;m excited to be talking with author Emma J. Gibbon! Emma&#8217;s debut collection, Dark Blood Comes from the Feet, is set for release later this month from Trepidatio Publishing. Recently, Emma and I discussed the inspiration behind her new collection as well as what draws her to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,3],"tags":[],"class_list":["post-5084","post","type-post","status-publish","format-standard","hentry","category-fiction","category-interviews"],"_links":{"self":[{"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/posts\/5084","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/comments?post=5084"}],"version-history":[{"count":5,"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/posts\/5084\/revisions"}],"predecessor-version":[{"id":5091,"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/posts\/5084\/revisions\/5091"}],"wp:attachment":[{"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/media?parent=5084"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/categories?post=5084"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/tags?post=5084"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}