{"id":3776,"date":"2018-10-01T14:54:50","date_gmt":"2018-10-01T14:54:50","guid":{"rendered":"https:\/\/www.gwendolynkiste.com\/Blog\/?p=3776"},"modified":"2018-10-01T14:54:50","modified_gmt":"2018-10-01T14:54:50","slug":"sheet-music-and-hysteria-interview-with-stephanie-m-wytovich","status":"publish","type":"post","link":"https:\/\/www.gwendolynkiste.com\/Blog\/sheet-music-and-hysteria-interview-with-stephanie-m-wytovich\/","title":{"rendered":"Sheet Music and Hysteria: Interview with Stephanie M. Wytovich"},"content":{"rendered":"

Welcome back! Today I’m super excited to spotlight author Stephanie M. Wytovich. Stephanie is the Bram Stoker Award-winning author of numerous poetry collections, including Sheet Music to My Acoustic Nightmare<\/em> and Brothel<\/em>. Her debut novel, The Eighth<\/em>, was released in 2016 from Dark Regions Press, and her fiction has appeared in Gutted: Beautiful Horror Stories<\/em>, Shadows Over Main Street<\/em>, and The Best Horror of the Year, Volume 8<\/em>, among other publications.<\/p>\n

Recently, Stephanie and I discussed her evolution as a poet and fiction writer along with how witchcraft impacts her writing and what she has in store for the future.<\/p>\n

A couple icebreakers to start: when did you first decide to become a writer, and who are some of your favorite authors?<\/strong><\/p>\n

\"Stephanie<\/a>I can\u2019t remember a time when I didn\u2019t associate myself with writing, but I think the first time I declared it to the world was in third grade during career day. Some of my favorite writers are: Caroline Kepnes, Josh Malerman, Paul Tremblay, Sylvia Plath, Shirley Jackson, Clive Barker, Neil Gaiman, Seanan McGuire, and Grady Hendrix, to name a few.<\/p>\n

Your most recent poetry collection, Sheet Music to My Acoustic Nightmare<\/em>, came out last year through Raw Dog Screaming Press. As you look back over the last five years, in which you’ve been published widely and become an award-winning author, do you feel like your style or your process has changed since publishing your first book, Hysteria: A Collection of Madness<\/em>?<\/strong><\/p>\n

Oh, yes\u2026drastically. While I still tend to use body horror, sex, and violence in my work, my voice has matured over the years and my structure, especially with poetry, has focused more on line and syntax rather than emotion and shock value as it did early on. I\u2019ve also started to put more and more of myself in my work over the years, which was a goal of mine when I first decided that I wanted to pursue writing professionally.<\/p>\n

\"Brothel\"<\/a>In addition to your poetry, you’ve also written short fiction and a novel. How, if at all, does your approach to writing differ based on the medium and the length of the work?<\/strong><\/p>\n

I write poetry a lot faster than prose because in some ways, it feels more natural to me. Because of that, when I sit down to write short fiction, or a novel, I actually write each scene as a poem first to 1) keep me motivated and 2) to act as a sort of outline for the chapter. This keeps me organized and it also helps ground me in the story because if I think of it as this big, 300 + page story, I get overwhelmed and then start doubting my ability to finish the project. Poetry is usually my solution to most problems in life.<\/p>\n

You recently had a short story appear in the Lana Del Rey and Sylvia Plath themed anthology, Tragedy Queens<\/em>. How have Lana’s music and\/or Sylvia’s poetry affected your own work?<\/strong><\/p>\n

It hasn\u2019t been until recently (within the past three years or so) that I got into Lana Del Rey\u2019s music, but Sylvia Plath and I go way, way back. I started reading her poetry in high school, and then I read The Bell Jar<\/em> in undergrad, and now every so often, I\u2019ll flip through some of her journals. What I love about both of these women is that they aren\u2019t afraid of their darkness, and rather than run from it, they embrace it, channel it, and use it to their advantage. Plath showed me how to use myself as the subject for my work, how to look inside my memories and my pain and write poems about the human condition. Lana Del Rey\u2019s music, on the other hand, helps me get in touch with the more animalistic sides of my personality, the parts that yearn and ache for something or someone to bear witness to the burning, the rebirth.<\/p>\n

When I wrote my story for Tragedy Queens<\/em>, \u201cBecause of Their Different Deaths,\u201d I used themes of sisterhood, the occult, rebirth, and pain, all of which Lana Del Rey and Sylvia Plath write\/wrote about.<\/p>\n

\"The<\/a>You’re a practicing witch, and you often share tips and pictures of your projects and spells on social media and at your blog. How does your practice as a witch affect your fiction, and vice versa?<\/strong><\/p>\n

I\u2019ve always viewed writing as prayer, even before I recognized or acknowledged that I did. For instance, I\u2019ve been building altars since middle school, but they weren\u2019t the stock photo image that probably comes to mind when you hear the word \u201caltar.\u201d For me, it was always my writing space. I would build it up to my mood and what was inspiring me, add rocks and crystals, leaves, pictures, and charms, and then when I felt that I needed to be recharged, I\u2019d switch it up.<\/p>\n

As I got older, I started to realize that my writing space (which now, is an entire room), is where I go to meditate, pray, create, and relax. I\u2019m surrounded by flowers and candles, crystals and all my favorite stories, and this helps me get to a state where I feel comfortable and honest in my vulnerability. For me, getting in this mindset helps my writing to become raw and visceral while simultaneously allowing me to purge mental negativity and darkness. It\u2019s a win-win for me and my fiction.<\/p>\n

As though you’re not busy enough, you’re also a college professor. Can you share with us a few of your favorite stories you’ve assigned for your classes this semester? How has your reading list for students evolved over time?<\/strong><\/p>\n

This semester, I\u2019m particularly excited to teach the gothic works of Bram Stoker (\u201cDracula\u2019s Guest), John Polidori (\u201cThe Vampyre\u201d) and Sheridan Le Fanu (Carmilla<\/em>). Over the years, I\u2019ve made it a personal goal to teach classic literature along with speculative fiction, so students can help to bridge the gap that seems to be ever-wedged between the two. For example, last week I taught D. H. Lawrence\u2019s \u201cThe Rocking-Horse Winner\u201d and had students compare and contrast it to \u201cThe Oval Lady\u201d by Leonora Carrington. It was fun to watch them map out how two seemingly different stories essentially sent the same message in the end.<\/p>\n

\"Sheet<\/a>Out of your published work, do you have a personal favorite?<\/strong><\/p>\n

It\u2019s actually really hard for me to pick a favorite, because like most writers, I\u2019m sure, each book was its own catharsis, its own journey. Hysteria<\/em> was a stand out because I spent months writing in abandoned asylums and prisons, chasing down the trauma and pain that still lined its walls. Brothel<\/em> was the book I always wanted to write, and the fact that it won the Stoker makes it even more special to me, but when it comes down to it, Sheet Music<\/em> and The Eighth<\/em> were both steps outside of my comfort zone, and the challenges they posed to me as a writer elevates them to my favorites. I\u2019d never written a novel before, so finishing that project and then presenting it as my master\u2019s thesis was a feeling unlike no other, and half of Sheet Music<\/em> is a memoir, a confessional dirge from my time on the road, and I don\u2019t think I\u2019ve ever written anything more painfully charged than the pieces on those pages.<\/p>\n

What projects are you currently working on?<\/strong><\/p>\n

I\u2019m working on three separate projects at the moment and am hoping to have them all finished by the end of the year (fingers crossed!). The first is the audiobook for Sheet Music to My Acoustic Nightmare<\/em>, and the second is a weird horror novelette titled The Dangers of Surviving a Slit Throat<\/em>. Lastly, I\u2019m finishing up an apocalyptic science fiction poetry collection titled The Apocalyptic Mannequin<\/em>. It\u2019s been a fun year trying new approaches with my writing and I\u2019m excited to see what my readers think!<\/p>\n

Tremendous thanks to Stephanie M. Wytovich for being part of this week’s author interview series! Find her online at Facebook<\/a>, Twitter<\/a>, Instagram<\/a>, and on her blog<\/a>. <\/strong><\/p>\n

Happy reading!<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Welcome back! Today I’m super excited to spotlight author Stephanie M. Wytovich. Stephanie is the Bram Stoker Award-winning author of numerous poetry collections, including Sheet Music to My Acoustic Nightmare and Brothel. Her debut novel, The Eighth, was released in 2016 from Dark Regions Press, and her fiction has appeared in Gutted: Beautiful Horror Stories, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,3],"tags":[],"class_list":["post-3776","post","type-post","status-publish","format-standard","hentry","category-fiction","category-interviews"],"_links":{"self":[{"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/posts\/3776","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/comments?post=3776"}],"version-history":[{"count":5,"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/posts\/3776\/revisions"}],"predecessor-version":[{"id":3799,"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/posts\/3776\/revisions\/3799"}],"wp:attachment":[{"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/media?parent=3776"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/categories?post=3776"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/tags?post=3776"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}