{"id":125,"date":"2015-02-24T16:31:00","date_gmt":"2015-02-24T16:31:00","guid":{"rendered":"https:\/\/www.gwendolynkiste.com\/Blog\/?p=125"},"modified":"2017-01-05T20:54:22","modified_gmt":"2017-01-05T20:54:22","slug":"sincerely-sinister-for-the-love-of-epistolary-horror","status":"publish","type":"post","link":"https:\/\/www.gwendolynkiste.com\/Blog\/sincerely-sinister-for-the-love-of-epistolary-horror\/","title":{"rendered":"Sincerely, Sinister: For the Love of Epistolary Horror"},"content":{"rendered":"<p>Last month, my short story, &#8220;The Man in the Ambry,&#8221; made its debut in <a href=\"http:\/\/typehousemagazine.com\/issues\/TypehouseIssue4Jan2015.pdf\" target=\"_blank\">Typehouse Literary Magazine<\/a>. I remember quite vividly receiving the acceptance letter: it\u00a0came on Thanksgiving Day, giving me\u00a0one more thing\u00a0for which to\u00a0be\u00a0exceptionally grateful.<\/p>\n<p>Letters are of the utmost importance to this conversation, seeing that &#8220;The Man in the Ambry&#8221;\u00a0unfolds through a series of\u00a0letters\u00a0written by\u00a0a young girl and\u00a0delivered to the creature living in the walls of her family home. Epistolary fiction&#8211;that is, stories that use documents, be it diary entries, blogs, or regular old send-in-the-mail letters&#8211;isn&#8217;t quite as popular as it once was, but the format remains\u00a0one of the most tried-and-true of the horror genre.<\/p>\n<p><a href=\"https:\/\/www.gwendolynkiste.com\/Blog\/wp-content\/uploads\/2015\/02\/Man-in-the-Ambry-Title.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-158\" src=\"https:\/\/www.gwendolynkiste.com\/Blog\/wp-content\/uploads\/2015\/02\/Man-in-the-Ambry-Title-300x219.jpg\" alt=\"The Man in the Ambry\" width=\"300\" height=\"219\" srcset=\"https:\/\/www.gwendolynkiste.com\/Blog\/wp-content\/uploads\/2015\/02\/Man-in-the-Ambry-Title-300x219.jpg 300w, https:\/\/www.gwendolynkiste.com\/Blog\/wp-content\/uploads\/2015\/02\/Man-in-the-Ambry-Title.jpg 1024w, https:\/\/www.gwendolynkiste.com\/Blog\/wp-content\/uploads\/2015\/02\/Man-in-the-Ambry-Title-624x455.jpg 624w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>My personal\u00a0inspiration for\u00a0writing &#8220;The Man in the Ambry&#8221; came after\u00a0I recently reread Richard Matheson&#8217;s &#8220;Graveyard Shift.&#8221; Matheson&#8217;s 1960 story\u00a0unfolds through correspondence between two family members who are trying to make sense of what happened to a little boy and his now-deceased mother. It&#8217;s a pithy little tale&#8211;only four pages&#8211;but the diminutive length in no way diminishes its effectiveness.<\/p>\n<p>But\u00a0<em>Twilight Zone<\/em> scribe Matheson was neither\u00a0the first nor the last to use the epistolary form in the name of horror. The earliest devotees to the narrative-by-letter format would be Bram Stoker&#8217;s <em>Dracula<\/em> and Mary Shelly&#8217;s <em>Frankenstein<\/em>.\u00a0That&#8217;s right; the\u00a0epistolary form has\u00a0pretty much\u00a0been around as long as horror literature has.\u00a0If\u00a0counting two of the\u00a0original\u00a0genre stories in your corner doesn&#8217;t earn respect, then nothing can.<\/p>\n<p>And\u00a0it wasn&#8217;t just 19th century writers who loved epistolary. Everything from Stephen King&#8217;s teenage-angst-gone-wild <em>Carrie<\/em> to Max Brooks&#8217;s <em>World War Z<\/em> includes letters, interviews, and\/or newspaper articles as storytelling devices.<\/p>\n<p>These days, the epistolary format has morphed to reflect new technology. You can find\u00a0a variety of twenty-first century\u00a0stories that use tweets, blogs, and other social media to tell gruesome and otherwise macabre yarns. For as long as there&#8217;s horror literature, epistolary will be there, lurking around corners and in mailboxes to haunt your nightmares.<\/p>\n<p>Happy reading!<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Last month, my short story, &#8220;The Man in the Ambry,&#8221; made its debut in Typehouse Literary Magazine. I remember quite vividly receiving the acceptance letter: it\u00a0came on Thanksgiving Day, giving me\u00a0one more thing\u00a0for which to\u00a0be\u00a0exceptionally grateful. Letters are of the utmost importance to this conversation, seeing that &#8220;The Man in the Ambry&#8221;\u00a0unfolds through a series [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-125","post","type-post","status-publish","format-standard","hentry","category-fiction"],"_links":{"self":[{"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/posts\/125","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/comments?post=125"}],"version-history":[{"count":10,"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/posts\/125\/revisions"}],"predecessor-version":[{"id":2279,"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/posts\/125\/revisions\/2279"}],"wp:attachment":[{"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/media?parent=125"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/categories?post=125"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gwendolynkiste.com\/Blog\/wp-json\/wp\/v2\/tags?post=125"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}