Tag Archives: Women in Horror Month

Looking to the Horror Future: Part Three in Our 2019 Women in Horror Month Roundtable

Welcome back for the final installment of our Women in Horror Month roundtable! February went far too quickly this year!

The last couple weeks, we’ve discussed favorite female authors writing today along with challenges that women in horror face in the industry. Today, to wrap things up, let’s talk about the future of horror and what these seven amazing authors have in the works!

What are your hopes for the future of horror? In what ways could we all be striving to make the industry more equitable for everyone? 

CHRISTINA SNG: I hope to see exciting new ideas and stories bringing horror to the masses, like how Linda Addison’s poem inspired Jamal Hodge’s film MOURNING MEAL and how Josh Malerman’s BIRD BOX was simply revolutionary to me. And on that note, blind readings. That’s the most equitable way really. Let the work sell itself.

STEPHANIE M. WYTOVICH: I want to see a horror genre that is more inclusive and diverse (especially with our anthology TOCs), and I think we’re making strides to get there, but I also think we need to continue to be welcoming and supportive of book reviewers and all the work that they do for us. For instance, Ladies of Horror Fiction is doing a magnificent job of promoting and supporting women in the field, and then services like Nightworms, which is a monthly curated horror-to-read-and-review delivery service, is a unique approach to reading/reviewing, not to mention a wonderful marketing tool to/for our genre.

S.P. MiskowskiS.P. MISKOWSKI: We can all recognize that the genre has room to grow. Competitiveness in horror is self-defeating. It makes people look stupid and bitter. More diversity, a wider range of styles and approaches and experiences, can only make things more interesting.

Accept the fact that change requires action. A correction is needed before things become equal (and once that happens, we can stop trying so hard). This is where we are, on the verge of great changes, but we’re not there yet. To get there, you do have to plan some outreach. If you want talented women and people of color to contribute to your anthology, you might have to introduce yourself. You might have to be explicit in stating how open you are to diversity in fiction.

JULIA BENALLY: My hopes for the future of horror is that regardless of gender, people can publish good horror stories that send chills up the spine, that there won’t be anymore of this backbiting, statement-making, and offended-at-everything-under-the-sun bull crap that’s going on now, and that strong male and female characters can be accepted together, along with the weak ones, be whatever gender they may, and that writers can follow the one rule of writing that’s been torn down, that we can create whatever we want, and that every mold, old and new, can just be obliterated along with those who try to make molds. I think the best way is in the individual author’s hands. We don’t have to submit to this.

SABA SYED RAZVI: I’ve been really delighted by the popularity of spooky poetry and stories, lately. I hope that we continue to see more books of poetry, more collections of short fiction, more anthologies, and more novellas in the future. I’m pleased, too, that more films, television shows, and graphic novels are including the efforts of women. I love the idea that the horror industry can move toward a more equitable space. I hope that the field of horror continues to embrace the marginalized, the nonconformists, the weird, the rebellious, the unexpected. I hope it continues to embrace notions of intersectionality, transcendence, transgression, multiculturalism, gender equality in its topics, texts, and artworks in addition to its authors. The more we start to hear these varied voices tell stories, the more we are likely to hear what it is they are saying, too. I think that Speculative Literature in general, and Horror in particular, have always asked us to consider the things that challenge our senses of comfort, safety, and stability — and as long as we continue to push that envelope and do just that, instead of falling into formulaic traps that ask us to consider only purity of approach, or scarcity of expression, or conformist attitudes toward what frightens and delights us, we have a good chance of discovering newer kinds of horror — not just new monsters, but new approaches to the feeling of being alive, afraid, and energized by the fear that all of those things are as precarious as our ideas of what the world should be. As our world changes — and isn’t it always changing? — our awareness of what scares us in the world should change, too.

SARAH READ: I want to make sure Women in Horror Month is inclusive for all who identify as female in any way, to any extent, and it needs to work at being inclusive for women of color and women with disabilities, too. It needs to keep its focus intersectional, or it does more harm than good and shouldn’t exist at all. I hope that inclusiveness will enrich the genre with delicious new horrors of diverse imaginations.

Emily CataneoEMILY B. CATANEO: Gatekeepers are so important. We are all socialized to respond to specific stories about specific types of characters, and oftentimes, that socialization corresponds to our identities. If our gatekeepers were all socialized to respond to the same kind of story, well, that won’t lead to breadth and variety in our genre. We need more gatekeepers from different backgrounds and with different tastes, and we also just need more: more magazines, more anthologies, more publishers. There’s room for all of us in this field; we simply need to make that room.

What’s next for you?

CHRISTINA SNG: I hope to finish my next poetry collection by the first half of the year which is ambitious because life gets pretty busy and I only have the night to work on my poetry. If I fall asleep, that time is gone so chocolate is my best friend. I also have a children’s chapbook to complete, a haiku book to finish editing, and a novel in three parts to begin. If only time turners exist…

STEPHANIE M. WYTOVICH: Right now, I’m finishing up an apocalyptic science fiction poetry collection titled, The Apocalyptic Mannequin, and it’s going on two years in the making right now, so it’s definitely my baby at the moment. I wanted to push myself to work on something new for my readers, and while there’s still a lot of my personal style in the book, the subject matter, approach, and themes are a tad different.

PariahsI’m also working to put out weird horror novelette this spring titled, The Dangers of Surviving a Slit Throat. This, too, is a bit different from me as it’s my first attempt at something bizzaro (ish), and it’s something that I’ve wanted to write ever since my aunt gifted me an antique radio. Matthew Revert did the cover art for it, too, so I’m beyond excited to put it in everyone’s hands soon!

S.P. MISKOWSKI: I’m writing a new novel, and I hope to have news about that in the coming year. Fingers crossed!

JULIA BENALLY: Writing is what’s next for me. “Pariahs” is out, and now I’m working on the second book, and trying to get a bunch of my other short stories published. Other than that, who knows what the future might bring.

SABA SYED RAZVI: I mentioned some of my ongoing projects earlier, so I think I’ll have psychopaths, robots and demonic faeries on the brain for a while. I’m working on some stories that have to do with magic/sorcery, necromancy, divination, genies, a series of poems about tarot cards, and a novel that isn’t itself horror but is all about people who love horror (and so it is maybe a sort of commentary on the social implications of how we transgress and transcend what we love when we love the shadows and the darkness). If all goes well for me, I hope that this will be a productive writing year, and that maybe during the next Women in Horror Month, I might be able to talk about some completed new projects! 🙂

The Bone Weaver's OrchardSARAH READ: I’ll be doing lots to promote my new novel, of course, and I’ll be at StokerCon and WisCon this year. I’ve just sold my debut collection to Trepidatio, so I’ll be working on that as well! And I’ll be wrapping up edits on my second novel shortly and sending that off into the world. I’m currently writing my third novel. I’ve had a few short story invites for 2019, so hopefully those all come to fruition. Pantheon Magazine will be taking a short hiatus while our publisher finishes up a new degree (and while I do this three books in one year madness), so I’ll have a little more writing time this year! I plan to put it to good use. I’ll also be spending time in Denver, New Orleans, and Chicago, hawking books so I can buy more books.

EMILY B. CATANEO: I’m finishing up my second short story collection in the form of my MFA thesis; it’s called Vainglory and Other Stories, and it’s a mixture of realism, fantasy, and everything in between, but every story features a so-called “bad woman” (some of them misunderstood, some of them actually deeply flawed). I’m also working on a novel, as of yet untitled, about spooky happenings by the ocean. It promises to be very gothic.

And that’s our roundtable for this year! Tremendous thanks to these seven fabulous female authors! It was an absolute pleasure talking with each of them!

Happy reading, and happy Women in Horror Month!

Recommended Reading: Part Two in Our Women in Horror Month Roundtable

Welcome back for part two of our Women in Horror Month roundtable series! Last week, we checked in with our authors about what they’ve been working on and what Women in Horror Month means to them.

This week, we’re discussing all about recommended female horror authors along with the publishers that support them! So let’s take it away!

Let’s focus on the positive for a moment: who are some editors and publishers that have shown their dedication to supporting female horror authors?

Christina SngCHRISTINA SNG: All of the editors and publishers I’ve worked with have been supportive, as well as many who haven’t yet accepted my work but have taken the time to advise me on improving my writing, of which I am deeply grateful for, Linda Addison, Dawn Albright, Mike Allen, F.J. Bergmann, Charles Christian, CC Finlay, Vince Gotera, David C Kopaska-Merkel, Terrie Leigh Relf, Teri Santitoro, David Lee Summers, Susan Shell Winston, to name a few. Our community has been kind and supportive to both old faces and new during the early days of the Internet (showing my age here) and now, although as with every community, there will be exceptions.

STEPHANIE M. WYTOVICH: Personally, I have to give a massive shout out to Christopher Golden, Gabino Iglesias, and Shane Douglas Keene, all three of who are feminist warriors for the women in our field. There’s often not a day/week that goes by where they aren’t supporting, marketing, or promoting female writers on their social media feeds, and it’s really refreshing to see this.

S.P. MISKOWSKI: In my experience: Joe Pulver, Ellen Datlow, Ross E. Lockhart, Kate Jonez, Jess Landry, Justin Steele… I’ve met some wonderful people in horror and weird fiction.

JULIA BENALLY: I will say The Horror Zine, The Wicked Library Podcast, I’ve enjoyed stories from Black Static Magazine, Liquid Imagination, and Another Realm Magazine has good ones.

SABA SYED RAZVI: I feel like this is a challenging question for me because it can be so variable. I hope to learn more about this from the other panelists, but here is what comes to mind: I’ve seen a lot of positive attention in the HWA Newsletter, recently. Many of these are not strictly horror, but friendly to/welcoming of the genre. Hyacinth Girl Press. Sundress Publications. Coffee House Press. Menacing Hedge. Raw Dog Screaming Press. Fairytale Review. Finishing Line Press. Agape Editions. Ugly Duckling Presse. Chax Press. Fiction Collective 2. University of Hell Press. Rose Metal Press. Future poem Books. VIDA. I feel like my awareness of those who are supportive is often colored by my enthusiasm or awareness at any time. I’m often surprised when I see the catalogues of presses or the tables of contents of magazines, only to find that the male voices outnumber the female. I think this is a really great question, and that maybe it would be a great topic to explore during Women in Horror Month. I think I’m going to make it my mission to find a more thorough answer, this month…

Sarah ReadSARAH READ: Ellen Datlow, Andy Cox, Sean Wallace, Jess Landry, Dan Coxon, and Richard Thomas have been phenomenal. If you’re looking for women in horror, their publications should be first on the list. And many others are making great efforts toward being more diverse and inclusive in their work. I see more effort and accountability. There’s still a long way to go, but things are happening. Awareness is definitely happening, and I think any editor today who puts together an all-white-cis-male horror anthology knows that they’re going to be alienating a lot of their potential audience. And if they don’t care, well, that tells us everything we need to know about what not to read.

EMILY B. CATANEO: Michael Bailey, of the aforementioned Chiral Mad 2 anthology, has elevated quite a few female voices lately; Jess Landry, of Journalstone/Trepidatio Publishing, has edited a variety of female-written novels and short story collections in the past few years; and Sean Wallace and Silvia Moreno-Garcia over at The Dark have shown a dedication to diversity in their magazine, especially working to elevate the voices of women of color.

Who are a few female horror authors you wish more people were reading? Likewise, what are some recent horror books or stories by women that should have gotten more attention?

CHRISTINA SNG: I think your fiction is mesmerizing. I love Caroline Yoachim’s flash fiction. The poetry of Linda Addison, Marge Simon, Jennifer Crow, Christa Carmen, Sara Tantlinger, Erin Sweet-Al Mehairi, and Stephanie Wytovich.


STEPHANIE M. WYTOVICH: Oh! I love making author/book recommendations, so some absolute must-reads are:

Something Borrowed, Something Blood-Soaked by Christa Carmen
• “Slipping Petals from Their Skin” by Kristi DeMeester
Hair Side, Flesh Side by Helen Marshall
And Her Smile Will Untether the Universe by Gwendolyn Kiste
I Am Not Your Final Girl: Poems by Claire C. Holland
• “The Changeling” by Sarah Langan
• “Horror Story” by Carmen Maria Machado
• “Death’s Door Café” by Karron Warren
• “Necksnapper” by Emma Alice Johnson

S.P. MISKOWSKI: Anyone who likes subtle psychological and supernatural horror, especially ghost stories or strange stories, ought to read Lynda E. Rucker. She has two superb collections in print—The Moon Will Look Strange and You’ll Know When You Get There—and her stories are frequently published in annual ‘best of’ anthologies. One of her stories won a Shirley Jackson Award.

The Worst Is Yet to ComeIf you write horror or aspire to, I also recommend the fiction of Lucy Taylor, Lisa Morton, Lisa Tuttle, and Gwendolyn Kiste. I’m not including you to be nice because you invited me to your blog. I think what you’re doing, formally, stylistically, is unusual. When the right structure meets the right theme in a Kiste story, the effects are stunning, amazing.

JULIA BENALLY: I have a small list of who I’m a fan of: Scarlett R. Algee, you, Miracle Austin, and Jamie R. Wargo. But as for the new, I’ve found only one. Her name is Barbara Avon. She usually writes romance, but she also hops into horror. She had a book called “Speed Bump” that came out last year. It’s about this guy trying to get home for Christmas and he has several freaky adventures along the road. Her stuff reads like watching a movie. You can just see everything play out so well. Another book I really enjoyed was by Jamie R. Wargo, called Coyote Ridge. That one was really fun to read. These two people run over a coyote puppy and unleash these monsters from legend on themselves. I am a monster fan, so I was all about this. Both of these books are on Amazon.

SABA SYED RAZVI: So, writers whose works (which I consider horror, but which may also be categorized differently by the author) I’ve been reading recently include Elizabeth Hand, Quintan Ana Wikswo, Joyelle McSweeney, Caitlin R Kiernan, Lucie Brock-Broido, Stephanie Wytovich, YOU (Gwendolyn Kiste!), Nikki Ducornet, Shelly Jackson, Kit Whitfield, Elizabeth Kostova, Damien Angelica Walters, Marge Simon, Christina Sng, Marjorie Liu, Lee Murray. I find women’s voices are finding expression in poetry and short fiction often, lately. I’ve been impressed by what I’ve read in the past few years. As always, I think the Stoker ballot is a great source for good new works, but so is the Elgin Award nomination list (it isn’t always horror, but there’s some good overlap).

SARAH READ: I want to see more people reading more horror in general–especially from women and genderqueer authors, but a few of my recent favorites are: Letitia Trent, Eden Royce, Caitlin R Kiernan, Jordan Kurella, Rena Mason, Lisa Morton, Rebecca Jones-Howe, Nnedi Speaking to Skull KingsOkorafor, Premee Mohamed, Gwendolyn Kiste, Maria Haskins, Helen Oyeyemi, Karen Runge, Emma Johnson, Nicole Givins Kurtz, Mercedes Murdock Yardley, Tananarive Due, Jessica McHugh, Helen Marshall, Gemma Files, Angela Slatter, Anya Martin, Julie C. Day, Carina Bissett, E. Catherine Tobler, JS Breukelaar, Kaaron Warren, Maria Dahvana Headley, Megan Arkenberg, Rhonda Eikamp, Silvia Moreno-Garcia, and a few dozen others, but I should stop or we’ll be here all day. There are hundreds. Anyone who says it’s hard to find is reading with blinders.

EMILY B. CATANEO: These days, I’ve actually been reading more fiction that’s classified as literary, because of the aforementioned MFA program, so I feel out of the loop in regards to women who are writing fiction that’s classified as horror. However, I do want to draw horror fans’ attention to the fact that plenty of literary-classified fiction is actually tinged with the horrific. Clare Beams’ We Show What We Have Learned and Other Stories, for example, is crawling with gothic creepiness. And Otessa Moshfegh’s Eileen is a thriller for the ages.

Thanks again to our amazing featured authors, and head on back here next week for the final part of this year’s Women in Horror Month interview series!

Happy reading, and happy Women in Horror Month!

Fear and the Feminine: Part One in Our 2019 Women in Horror Roundtable

So welcome back for the official kickoff of our Women in Horror Month Roundtable! I’ve already introduced my fabulous interviewees last week, so in the spirit of the season, let’s just charge forth, shall we?

First off, welcome to this year’s Women in Horror roundtable! Please tell us a little bit about yourself and your latest or forthcoming releases.

Stephanie M. WytovichStephanie M. Wytovich: Thank you so much for having me, Gwendolyn!

I’ve been working in the horror industry for a little over seven years now, and I write, teach, mentor, and tutor writing (fiction, poetry, and nonfiction) for a living. I’ve had five collections of poetry published through Raw Dog Screaming Press, one of which (Brothel) brought home the Bram Stoker Award in 2016. My graduate thesis, a religious horror/dark fantasy novel titled The Eighth was published in 2016 by Dark Regions Press, and it also helped earn me my MFA in Writing Popular Fiction from Seton Hill University.

My latest book, Sheet Music to My Acoustic Nightmare came out in 2017 and it’s a collection of poetry that is more or less a confessional dirge filled with ghosts, heartache, and naturally, a little (just kidding—a LOT) of blood.

Christina Sng: Hi Gwendolyn! Thank you for inviting me to this year’s Women in Horror roundtable. I’ve been writing horror for as long as I can remember and began submitting work in 2000. My first sale was to Dreams and Nightmares. I took a decade off writing to raise my kids (not much of a multitasker I am) and returned with my first full-length dark poetry book A Collection of Nightmares and a science fiction chapbook Astropoetry in 2017. This year, I’m back to putting poems into collections and hoping they find a home.

S.P. Miskowski: I’m a fiction writer with a lifelong respect for horror. My childhood reading was eclectic, anything from Vladimir Nabokov to Ira Levin.

Generally speaking, my work is about the nightmares just below the surface of everyday life. Many of my main characters are women, often doing and saying things women are not supposed to—in other words, being human. I think equality means being respected, and perceived as human and therefore fallible. My obsessions are existential: What does it mean to be human in a universe entirely indifferent to humanity?

My latest book is a short novel, The Worst Is Yet to Come (published by JournalStone/Trepidatio). It’s a stand-alone horror story about two very different teenage girls and how they alter one another’s lives, but it overlaps with and is related to four previous books comprising the Skillute Cycle (published by Omnium Gatherum), set in a fictional town in Washington State.

Julia BenallyJulia Benally: Hi, Gwen! Thanks for having me here. This is so much fun. So, a little about me. I’m an American Indian who used to have a fish. I love to cross-stitch, I enjoy singing, dancing in my room where nobody can see me, and I love driving through the mountains and listening to beautiful music, because it stirs my muse. So it drives me insane when someone gives me a ride and turns their music off so they can do small talk with me. As of now, I’m getting my second reprint for 2019. It’s called “Kittylyn,” and it will be featured in Another Realm Magazine. This little story kept getting rejected by editors left and right, and now suddenly it’s in demand. It’s almost like a Cinderella story, but I didn’t mean for it to be. Therefore, saying I had put my own twist on Cinderella wouldn’t be right. Also, my book Pariahs is out, and I am so excited, and thrilled, and I touch it and look at it every day, still not exactly sure if it’s a hallucination. This one’s about a twelve year old boy being terrorized by a fallen demon-killer who’s claimed him as his son. This world, and this story, is full of monsters and soulless creatures. I’ve seen it classed online as not only folk horror, but also adventure and thriller.

Sarah Read: Hi, I’m Sarah Read. I write horror and dark fantasy fiction. I have a few dozen short stories scattered about (soon to be unscattered into a collection from Trepidatio Publishing), and my first novel, The Bone Weaver’s Orchard, was just released. I’m also the editor for Pantheon Magazine. Our latest anthology, Gorgon: Stories of Emergence, has just come out and is not to be missed!

Saba Syed Razvi: Thank you so much for Inviting me to participate in this Roundtable. I think Women in Horror Month is such an important endeavor, and I’m honored to be here — and to hear about the experiences and thoughts of the other panelists!

I’m a writer who feels an interest in the intersecting spaces among and between genres, ideas, and experiences, so I find that my own work overlaps many spaces, but tends to find itself most usually settled in darkness and in shadow. Not that I’m into being morbid for its own sake, necessarily, but I find a certain beauty in the grotesque, and in the ways in which we approach the macabre and the morbid, the ephemeral and the phantasmagoric, the occult and the elusive. I tend to trace these threads in my work, no matter the genre, whether I am working on academic scholarship, short fiction, essays, or poetry. I like the weird and the strange, the way it nudges us out of the ordinary into something more real. It is my hope that my feelings of fascination come across in the work I write, too. I feel that language is in many ways itself haunted, that it haunts me, too…and I think that comes through in my work. My most recent collection of poetry is “heliophobia”, and I’ve been really enjoying the chance to give readings from it. I’m recording some of the poems for those who may want to hear them, and posting them on SoundCloud at times; that’s been an interesting project because I don’t have any experience with recording, but I have a great enthusiasm for giving readings!

Saba Syed RazviAs far as new material goes… I have a few things in the works, at the moment, but they are in process, which is an exciting phase to be in. I’m finishing up work on a long collection, a cycle of poems that center around a man who has murdered his wife and is sculpting a replacement of her…sort of erasing her consciousness rather than uploading or preserving it; the work focuses on the notion of artificial intelligence, and how our own biases inform the way we can know things, the way we define them or delineate between them, the way we attempt to negotiate our fears through our relationship to them, and it pays a lot of attention to the idea of dissection, taxonomies, destruction, and disempowerment, of a fear and terror born of powerlessness. It focuses on a darkness that is somewhere between the exhilaration of experiment and the clandestine cover-up of a crime, building its fragmentary narrative through currents of violence and violent impulse, as investigated through the materiality of the language and the flat plane of the page. I’m also working on completing a long poem about a predatory game hunter and a ghostly faerie woman that he has captured; it takes place in a castle in Ireland, along the Blackwater (a river) and tackles ideas about freedom and domestic imprisonment, the monstrosity of obligatory motherhood as a stifling condition, and the desperation in magic borne of captivity. Lately, I’m interested in this space between magic and making, and my short fiction is wading its way through representations of madness and the occult. I’m really drawn to the paranormal in my short fiction, so I hope to share a bit of that in the forthcoming year, too.

So, I think I have a lot of things sort of…. in the works, but they may be a little while in the works before I can say they are forthcoming.

Emily B. Cataneo: Thank you so much for putting this together, Gwendolyn! I’m a writer and journalist originally from New England and currently based in Raleigh, North Carolina. My stories fall into several different literary categories—fantasy, realism, magical realism, etc.—but almost all of them are tinged with some kind of creepy, gothic, or horror element. If you’d like to check out some of my recent work, you can read a piece of mine in Nightmare called “Seven Steps to Beauty for a Girl Named Avarice,” which is about murderous witches, or a reprint that just came out in Lightspeed, called “The Emerald Coat and Other Wishes,” which is about a coat that transports its wearers to a realm from which they can never return.

How did you first learn about Women in Horror Month, and what are your thoughts on it? Do you think over its decade of existence that it’s helped to raise visibility for female horror creators?

Stephanie M. Wytovich: I got on the WiHM train back in 2014 after I graduated with my MFA, and I thought that it was such a fantastic concept to highlight women and their work in the horror industry. Mind you, I think every month should be WiHM, i.e. we shouldn’t stop celebrating women’s voices when February is over and long gone, but I do like the concentrated support it gives everyone.

And sure, it’s frustrating that we still need something like this, but for better or worse, I think anything that showcases new/seasoned voices and allows women to be seen and heard is a good thing.

A Collection of NightmaresChristina Sng: I first learned about Women in Horror Month on Facebook. I think it is awesome and there’s a sense of sisterhood around it, which I love. It has definitely raised visibility for female horror creators and it’s wonderful to see.

S.P. Miskowski: Like most people, I heard about WiHM via social media. I tend not to think of myself while writing. By that I mean I don’t think of myself as a person who fits a category. So a reminder that, in fact, my writing may be identified (by the world) by my gender—this is always startling, at first. Then I remember, “Oh right, I have this layer of identity, like a bulky suitcase, to carry around with me. People who see me will reduce me to this one thing and make assumptions about my gender, my age, my life, my beliefs.” It’s a pain in the ass.

Of course we all deal with this, all people have to deal with some degree of objectification. People of color face many more assumptions about who and what they are. The world is a place where you’re constantly told who you’re supposed to be, and anything you do to upset the status quo counts against you. The smaller the community in which you reside, the more that community tries to keep you in one category because it makes life simpler.

I don’t know how much WiHM has helped. Has it made women horror writers more visible? Maybe. Does it let people off the hook, so they only have to think about women in the genre once a year? Probably. Is it an annual reminder that a shocking number of people can still only name two or three women—all dead—who wrote horror? Definitely.

Julia Benally: So the first time I ever heard of Women in Horror was from you, Gwen. I was totally confused about it, but now I think it’s really fun. I like having a month dedicated to women horror writers. I’m pretty sure it has raised visibility, because now lots of people know about it, and it’s their chance to find new authors to read, and for authors to find new readers. That’s the most important to us authors than anything else.

Sarah Read: I don’t remember exactly how I learned about WiHM. Twitter, probably? I do think it has increased visibility, yes. Women in Horror Month lists and features were the first places my name ever appeared as a horror author, and it’s where I’ve discovered other names that have since become some of my favorite authors. From an editor’s perspective, I know those lists are a great place to look when I’m reaching out to writers for new work.

Saba Syed Razvi: I first learned about Women in Horror Month through the Horror Writers Association! I hadn’t known anyone else who was involved in it or who worked with it, but a stray mention on the website caught my attention.

HeliophobiaRight away, I loved the idea of celebrating women in horror, especially because, so often, women are victimized by horrific and violent acts or creatures in horror stories and film. Because I am interested in how gender is represented in literature and pop culture, and also how it plays a part in the ways in which we interpret it, I found myself immediately fascinated. A simple search on YouTube brought up so many videos that I really enjoyed watching and listening to — and brought my attention to so many writers whose works I had not yet read. I was pretty excited about that. Because my emphasis has traditionally been on the mainstream or experimental “literary” approach, and often moored in academic presses, I hadn’t encountered many of the names or books mentioned. Women in Horror Month also opened up my awareness of indie publishing in a big way, too. And, I imagine that when people stumble across the idea, they suddenly have at their fingertips a lot more resources than they knew about before.

I definitely think it has brought more visibility to the female creators of horror — but I also think it has built a sort of community, an awareness that women’s voices do matter in this space, the validation of the idea that horror can be much more than simple male aggression, that Medea is just as scary as Freddy Krueger and therefore just as meaningful however disparate they seem, and a sense of dynamism that invites more participation. For me, knowing that a designated month existed in which we could honor women in the field reminded me of all the nuances of it, the many ways in which horror could be enlivened, shared, and appreciated. I can say that my searches online since that first discovery have introduced me to the work of many writers whose material I would not have encountered otherwise, many frameworks for exploring and discussing them that I did not have before. As a movement, it has brought not only awareness and visibility for women writers and creators of horror, but also a reminder that these voices are not anomalous interlopers, but artists who should be celebrated. I love the positivity of the movement!

Emily B. Cataneo: I think Women in Horror Month is something that shouldn’t have to exist; in a perfect world, we wouldn’t need it. However, we don’t live in a perfect world, and I do think that Women in Horror Month has helped raise visibility for female horror creators over the past decade. I also think that the publishing industry as a whole, although it has a very long way to go, has slowly started to awaken to its representation problems. It could be that Women in Horror Month is part of a larger shift in the industry. Is this a lasting change? I certainly hope so.

So that’s part one of our interview series! Head on back here next week for even more Women in Horror Month celebration!

Happy reading!

Women in Horror Month 2019 Roundtable Coming Soon!

Welcome to February, and more importantly, welcome to Women in Horror Month! I am super thrilled that I’m once again doing a roundtable interview series to celebrate the month!

So before I start unveiling the Q&A next week, allow me to introduce our incredible authors who are part of this year’s interview series!

Julia BenallyJulia Benally began on a dark and stormy night on the Fort Apache Reservation. She loves to run around in the mountains, snow is her element, and wonders at strange people who love the desert. In 2009, she graduated from Brigham Young University in Utah and began her long painful climb up the writing mountain. Her book Pariahs came out almost without her knowing because she wasn’t sure how to work the publishing button, and went through a slight panic attack. She’s been published in several magazines over the years, including The Horror Zine, Hellbound-books’ anthology Graveyard Girls, Liquid Imagination and Enthralled Magazine.

Emily CataneoEmily B. Cataneo is a writer and journalist. Her work has appeared in magazines such as Nightmare, Lightspeed, The Dark, and Lady Churchill’s Rosebud Wristlet, and her debut short fiction collection, Speaking to Skull Kings and Other Stories, was released from Journalstone in 2017. She calls New England home, and is currently based in Raleigh, North Carolina, where she’s completing her MFA at North Carolina State University. She’s a 2013 Odyssey Writing Workshop and a 2016 Clarion Writers Workshop graduate. She likes hats, crafts, and dogs.

S.P. MiskowskiS.P. Miskowski is a recipient of two National Endowment for the Arts Fellowships. Her stories have been published in numerous magazines and anthologies including Haunted Nights, The Madness of Dr. Caligari, Darker Companions: Celebrating 50 Years of Ramsey Campbell, and The Best Horror of the Year, Volume Ten. Her second novel, I Wish I Was Like You, was named This Is Horror 2017 Novel of the Year, received a Charles Dexter Award from Strange Aeons, and was a finalist for a Bram Stoker Award. Her books have received three Shirley Jackson Award nominations. Her latest novel, The Worst Is Yet to Come, is available from JournalStone/Trepidatio.

Saba Syed RazviSaba Syed Razvi is the author of the Elgin Award nominated collection In the Crocodile Gardens (Agape Editions) and the new collection heliophobia (Finishing Line Press), which appeared on the preliminary ballot for the Stoker Award, as well as the chapbooks Limerence & Lux (Chax Press), Of the Divining and the Dead (Finishing Line Press), and Beside the Muezzin’s Call & Beyond the Harem’s Veil (Finishing Line Press). Her poems have appeared in several literary journals, as well as in anthologies such as Carrying the Branch: Poets in Search of Peace, Voices of Resistance: Muslim Women on War Faith and Sexuality, The Loudest Voice Anthology, The Liddell Book of Poetry, Political Punch: Contemporary Poems on the Politics of Identity, The Rhysling Anthology, Dreamspinning, & The Horror Writers Poetry Showcase Volume V. Her poems have been nominated for the Elgin Award, the Bettering American Poetry Awards, The Best of the Net Award, the Rhysling Award, and have received a 2015 Independent Best American Poetry Award. She is currently an Assistant Professor of English and Creative Writing at the University of Houston in Victoria, TX, where in addition to working on scholarly research on interfaces between contemporary poetry and science, on mysticism in speculative and horror literature, she is writing new poems and fiction.

Sarah ReadSarah Read is a dark fiction writer in the frozen north of Wisconsin. Her short stories can be found in Gamut, Black Static, and other places, and in various anthologies including Exigencies, Suspended in Dusk, BEHOLD! Oddities Curiosities and Undefinable Wonders, and The Best Horror of the Year vol 10. Her novel The Bone Weaver’s Orchard is now out from Trepidatio Publishing, and her debut collection will follow in late 2019. She is the Editor-in-Chief of Pantheon Magazine and of their associated anthologies, including Gorgon: Stories of Emergence. She is an active member of the Horror Writers Association. When she’s not staring into the abyss, she knits. Keep up with her at www.inkwellmonster.wordpress.com.

Christina SngChristina Sng is an award-winning poet, writer, and artist. Her work has appeared in numerous venues worldwide, including Apex Magazine, Dreams and Nightmares, Fantastic Stories of the Imagination, New Myths, and Polu Texni. She is the author of the Bram Stoker Award winning A COLLECTION OF NIGHTMARES (Raw Dog Screaming Press, 2017) and Elgin Award winner ASTROPOETRY (Alban Lake Publishing, 2017). Her poems received nominations in the Rhysling Awards, the Dwarf Stars, as well as honorable mentions in the Year’s Best Fantasy and Horror, and the Best Horror of the Year. Christina is also an avid gardener and an accomplished musician, and can be found most days in a dark corner deadheading her flowers while humming Vivaldi to the swaying branches. Visit her at http://www.christinasng.com and connect on social media @christinasng.

Stephanie M. WytovichStephanie M. Wytovich is an American poet, novelist, and essayist. Her work has been showcased in numerous anthologies such as Gutted: Beautiful Horror Stories, Fantastic Tales of Terror, Year’s Best Hardcore Horror: Volume 2, The Best Horror of the Year: Volume 8, as well as many others.

Wytovich is the Poetry Editor for Raw Dog Screaming Press, an adjunct at Western Connecticut State University, Southern New Hampshire University, and Point Park University, and a mentor with Crystal Lake Publishing. She is a member of the Science Fiction Poetry Association, an active member of the Horror Writers Association, and a graduate of Seton Hill University’s MFA program for Writing Popular Fiction. Her Bram Stoker Award-winning poetry collection, Brothel, earned a home with Raw Dog Screaming Press alongside Hysteria: A Collection of Madness, Mourning Jewelry, An Exorcism of Angels, and Sheet Music to My Acoustic Nightmare. Her debut novel, The Eighth, is published with Dark Regions Press.

Follow Wytovich at https://www.stephaniemwytovich.com/ and on twitter @SWytovich.

So those are the seven fabulous women that I’ll be featuring in the coming weeks! As always, be sure to head on back here throughout February for all the interview goodness!

Happy reading, and happy Women in Horror Month

Women of Horror, Dark Fantasy, and the Weird: A Recommended Reading List

Welcome back, and happy Monday! Today, let’s celebrate with some awesome books you should add to your summer reading list. Because why not?

Now earlier this year, I returned to Horror-Movies.ca with an article celebrating Women in Horror Month, and since that list was so fun to write (and hopefully a fun one to read!), I would like to share a few more fabulous horror, dark fantasy, and generally weird books penned by female authors. In particular, since far too often Women in Horror celebrations are confined to one month a year, it’s important to shine a light on those ladies who are working twelve months and around the clock to bring readers the latest and greatest in strange and haunting tales. As a quick note, I was fortunate enough to receive review copies of several of these books, and I can tell you that each and every one of them is most certainly worth checking out!

So let’s get started with today’s Recommended Reading List!

Never Now AlwaysNever Now Always by Desirina Boskovich
Desirina Boskovich has spent the last few years steadily making her indelible mark on speculative fiction. With stories published everywhere from Nightmare and Lightspeed to Kaleidotrope and The Magazine of Fantasy and Science Fiction, her work has been easy to find and impossible to forget. Now, with her debut novella forthcoming from Broken Eye Books, she tries her hand at longer fiction, and of course, knocks it right out of the park. An incisive story about identity and the tenuous line between dreams and reality, Never Now Always is as brutal as it is beautifully written. Although I don’t want to spoil anything here, suffice it to say that this is one story that will break your heart and open your eyes with its incredible blend of science fiction, fantasy, and the weird. Highly recommended for readers who enjoy stories that are anything but simple and predictable.
Get Your Copy Here.

Feeding the DeadFeeding the Dead by M. Brett Gaffney
Released earlier this year from Porkbelly Press, M. Brett Gaffney’s horror and dark fantasy chapbook is supremely beautiful. The delicate pages and binding along with the lovely cardstock make for a truly magical reading experience. And of course, the selected poetry from Gaffney’s ever-building (and incredibly impressive) bibliography is exquisite. My personal favorites include the horror film-themed, “The Scream Queen” and the dark fairy tale, “Hunter,” but truly, each and every piece in this book is an absolute work of art unto itself. Brimming with hauntings and otherworldly creatures, these poems will stay with you long after you close those gorgeous pages.
Get Your Copy Here.

BoundlessBoundless by Miracle Austin
I’ve said it before, and I will be quite happy to say it again: Miracle Austin is always awesome, always surprising, and always worth reading. So naturally, her latest book—the fiction collection, Boundless—is a rollicking good time. A combination of short stories and poetry, these tales explore darkly fantastic worlds and characters who come to unexpected crossroads where they must make the ultimate choices that decide their fate. But through even the most dire circumstances, Austin’s writing brims with flair and whimsy, making Boundless a supremely enjoyable ride from first to last.
Get Your Copy Here.

Seeking SamielSeeking Samiel and The Bookseller’s Secret by Catherine Jordan
Catherine Jordan is an author to watch. Thanks to Horror Writers Association, I’m proud to call myself the mentor of this fantastic writer, though truthfully, working with her has undoubtedly taught me as much about the craft as I have taught her. Need proof of her immense talent? Look no further than this pair of horror books—the devilish Seeking Samiel and its equally engrossing sequel, The Bookseller’s Secret—which are both enthralling explorations on the nature of good and evil. A perfect two-for-one, I would recommend these titles to anyone who enjoys fast-paced and dark horror that takes inspiration from the varied worlds of Gillian Flynn and Ira Levin. Jordan’s work is ambitious and effective, and her name is one you’ll see for years to come in the horror fiction world.
Get Your Copies Here and Here.

Spells and PersuasionsSpells and Persuasions by S. J. Budd
Over the last few years, S.J. Budd has been making appearances in numerous publications as a short fiction writer, and she’s also a devoted reader and reviewer at her regular blog. Now, in her debut collection, Budd goes all in with these nine beautiful dark fantasy stories of magic and loss. A wide-ranging group of tales, you’ll find broken friendship, lost dreams, and a variety of strange beasts and bargains in these pages. Eminently readable, Spells & Persuasions is the perfect bedside book, one that will unnerve you just enough to ensure you keep the nightlight on.
Get Your Copy Here.

In the Crocodile GardensIn the Crocodile Gardens by Saba Syed Razvi
Saba Syed Razvi is an author I only recently discovered—once again, thanks to Horror Writers Association—and wow, am I so incredibly grateful for having found her work. This beautiful book of poetry, released from Sundress Publications, weaves an intricate tapestry of fairy tale imagery, cultural explorations, and political discourse. Her faculty with language is undeniable, and the ease with which she crafts her words is as lyrical as it is profound. These poems never take the simple way out and instead challenge readers to look beyond and ponder the all-too-difficult world in which we live. A weighty journey to be sure, but quite a beautiful and worthwhile one.
Get Your Copy Here.

Blood RelationsBlood Relations by Lori Titus
With a new and always fantastic book out nearly every few months, it’s no stretch to say that Lori Titus is one of the most talented and hardest working authors in dark fantasy and horror today. She crafts spell-binding stories steeped in history, magic, and mystery. Blood Relations is among her most recent releases, and it’s a beautiful and haunting novel that will burrow beneath your skin and stay there long after you’ve read the final pages. Also, if somehow you’ve missed Titus’s previous novels, including her fabulous Marradith Ryder series, then Blood Relations might be a perfect place to start, since it’s a standalone novel. But really, once you read this one, you know you’ll want more, so be sure to check out all her many other books, each of which is absolutely worth moving to the top of your to-read list.
Get Your Copy Here.

The Kraken SeaThe Kraken Sea by E. Catherine Tobler
Last year, I featured E. Catherine Tobler and her work on this blog, but it bears repeating: read The Kraken Sea. Read her other incredible Traveling Circus stories too. Read pretty much anything E. Catherine Tobler has written or edited. She is a fabulous storyteller, and her fiction should always have a place on your bookshelf. The Kraken Sea in particular has stuck with me since I first read it many months ago. This gloriously strange and gorgeous novella interweaves aspects of Tobler’s wider Traveling Circus universe while still delivering a standalone story, which is no easy feat. But of course, her mastery as an author makes this a highly readable story that gets its claws in you and never lets go. And that cover seriously haunts both my dreams and my nightmares, a perfect combination that fits the tone of this beautiful tale all too well.
Get Your Copy Here.

Happy reading!

Looking to the Future: Part 4 of Our Women in Horror 2017 Discussion

Welcome back to the fourth and final part of our Women in Horror 2017 Discussion! To close out our month-long series, these amazing authors and I chat about their hopes for the future of horror as well as what each of them has planned for the coming year! And once again, if you need to familiarize yourselves with my featured authors (and all their varied accomplishments), head on over here for a quick refresher!

So let’s finish this up in style! Take it away, ladies!

What is your hope for the trajectory of the horror genre over the next couple decades? What would you like to see more of in horror, and what would you like to see less of?

Kristi DeMeester: I’m hopeful quiet horror becomes more mainstream. With I Am the Pretty Thing That Lives in the House on Netflix, I’m hoping for an uptick in less gore and more atmosphere.

Miracle AustinMiracle Austin: I hope that all women will be paid more attention to and offered diverse opportunities to have their works exposed in various outlets. So many still have no idea how many women love to write and read horror tales.

K.Z. Morano: The horror genre is constantly evolving and that’s one of the many things I love about it. This is what makes this genre immortal. Already, we’re enjoying a vast selection of subgenres from fantasy horror to noir horror to bizarro horror. Even so, I’d very much like to witness the revival of extreme horror done the right way. You know, the way Poppy Z. Brite did it. I’d like to read horror that’s ferocious and fearless and emotionally honest and raw. I hope that fewer horror authors would be forced to “tone down their voices” in order to be accepted.

Wendy Wagner: I think that after the success of The Conjuring, The Witch, Blair Witch, and Thomas Olde Heuvelt’s novel HEX we’re going to see a lot of witch stories for a few years. There’s already a lot of weird witch SF coming out, and I think that will ripple through horror a bit. I’m down with that. I think it’s time for a witch renaissance! But I’m never going to get enough haunted house stories. 🙂

Lori Titus: I would like to see more women, people of color, and non-Western settings in horror. I want to see less torture porn and more movies with substance. Stories about flawed humans can be just as scary (if not more) than the serial killer/monster like Freddy or Michael Myers. And it’s not to say that those creatures don’t have their place, too. It just seems that horror goes through these phases where it’s only one thing—all serial killers, all vampires, or all Bigfoot. Variety is always good.

Farah Rose Smith: I hope to see horror make a distinct turn away from using sexual assault and misogyny as the primary platform for female characters. I’d like to see diverse authors make strides. The flourishing of the intersectional horror movement. It’s important that we move towards destigmatizing mental illness as well, by incorporating greater sensitivity and research when writing about it. Ultimately, I long for the death of the male gaze in storytelling, but we are a long way from making that happen.

Eden Royce: I’d love to see the definition of horror widen. It has a tendency to be dominated by the Eurocentric male view of what is fearsome or frightening. Chesya Burke’s article in Nightmare Magazine explains this well. Also, I want to see more horror films and webseries written and directed by women. I also hope we can throw off the stigma that comes with horror, especially for women writers. I see so many books that are categorized as “paranormal” in order to avoid using the term “horror” when the works clearly fit into the latter category.

Scarlett R. Algee: Well, I’m hoping to see more women 🙂 Less zombies. I am sick unto death of zombies and I’ve never quite worked out what their appeal is. I’m not a Walking Dead fan, and I can count the number of good zombie novels I’ve read in the past year on one finger. More psychological horror. Stories and films that don’t rely on outside monsters, but that show us we’re the monsters. Keep the gore offscreen and give us the dread, give us those subtle little touches that keep us awake at night.

Julia BenallyJulia Benally: I’d like to see horror that actually makes me shiver. Some horror should be classed in the genre of “stupid” because the story had no meat to it. I want to see better endings. How many stories choke at the end because somehow the evil ghost is a victim? WHATEVER! EYE ROLL! I’d like to see less of women’s privates. One can argue it shows vulnerability, so why are mostly women naked? That dude who wrote the story for the Silent Hill movie said women are good in horror because they’re ALREADY vulnerable. AKA she’s there to satiate horny sickos in the name of vulnerability. The only scary part about that is making rapists think about getting me. House of Wax with Vincent Price did the naked thing, but they showed the woman shoulders up. The focus was not her body, but the actual scene.

Tell us about your latest writing and/or editing projects. Also, what upcoming projects can we expect from you in the next year?

Lori Titus The Art of ShadowsKristi: Currently at work on stories due to anthologies and waiting to hear back on a handful of stories out on submission. Once those are off the list, I can circle back to working on my third novel. My debut novel, Beneath, is forthcoming from Word Horde in April.

K.Z.: I’m happy to share that one of my stories will be included in an anthology with tales written by Filipino authors. The stories are all set in the Philippines (or an alternate version of the Philippines). It’s not a horror antho but is instead made up of various stories in different genres. I’m actually looking forward to introducing more Filipino readers to my work.

Miracle: I’m in the process of working on edits for my upcoming YA/NA eclectic collection, Boundless—a work that almost was not published, which is another story of course. It will possess free-verse poems and short stories, which I hope will evoke many emotions. The expected release date is late January 2017. I’m also working on a short story for a YA Anthology to benefit Autism with 12 more amazing authors. It’s titled Ever in the After—fantasy and supernatural tales. Spring 2017 is expected release date.

Wendy: Editing-wise, I’ll be doing my usual stuff over at Nightmare this year, which is always fun. I love reading horror slush and working with horror writers—it’s an absolute joy. I have a story coming out in Pseudopod’s Artemis Rising project—it’s called “Drift Right,” and I think it’ll be podcast in early March. (It has creepy sea lions in it!) I also have a slightly spooky science fiction novel coming out this summer. It’s called An Oath of Dogs, and it features corporate cover-ups, murder, creepy alien beings, and some very scary dogs.

Sycorax's DaughtersLori: I have a lot on my plate. This month (January) I will have a new novel out called Blood Relations, about a religious cult and their enemies, who practice magic. There have been disappearances of young people in town, and the local sheriff struggles to solve the mystery before something worse happens. I will also be promoting The Art of Shadows, the second book in The Marradith Ryder Series. In this installment Marradith is tasked with finding Rafael Castillo, her missing boss. But as it turns out there are bigger enemies around than the one who abducted him. My plans are to write the third installment of Marradith’s story this year. But first, I have a new story I have already started on which I want to complete. Meanwhile I am also doing my usual ghostwriting work and some editing for author Kody Boye. Also, [I have a story in the anthology] Sycorax’s Daughters, along with a lot of other, great female black authors.

Farah: I am pretty swamped with projects at the moment. The third issue of Mantid Magazine will start coming together in late Spring. I’ll be posting updates to the submission guidelines in early February. I’m always in the process of writing short fiction and poetry, though the most important writing at the moment is a novel I’ve been working on for 4 years that is (finally) almost finished. An extended philosophical essay is in fragmentary form on my desk, as is the concept art for an interactive art exhibition that I’ve been developing over the past few months. All of this will have to take a back seat to some short films I am slated to produce this Spring. All in all, quite busy, and feel quite fortunate to be, especially with the excruciatingly slow pace that I need to work at.

Spook Lights 2Eden: Spook Lights 2: Southern Gothic Horror was just released in January 2017. I’m working on a novelization of one of the stories from my first collection, Spook Lights. I have a story in Sycorax’s Daughters, a collection of horror fiction and poetry by black women authors coming out this month (February 2017) and one in Shadows Over Main Street 2 (publication date TBD).

Scarlett: I’ve done copy editing and proofreading for two upcoming Woodbridge Press releases (Explorations: First Contact at the end of January, and Heart Blade by Juliana Spink Mills, coming in February.) I’m terrifically pleased with both of those and I think they’ll be phenomenal. I’ve also just written another episode of The Lift, for you podcast fans, that will drop later this year, and I’m hoping this is the year I get a good novel/long novella plot dropped in my brain.

Any final thoughts on Women in Horror Month for 2017 (or any thoughts about your plans for Women in Horror Month for the years to come)?

Kristi: We’re here every other month of the year as well. 🙂

Miracle: I hope that Women in Horror Month continues to receive hot attention by the industry and readers. One day, I also hope that there will no longer be just one month dedicated to women horror authors because there will be so many women involved in so many media vehicles, which will become the norm. I’m very grateful that a few doors have opened for some women, but it sure would be nice if all the doors opened for anyone who wish to transform her dreams into reality and to become visible by all.

SanitariumK.Z.: A lot of people are still wondering if women really have a place in horror. Let’s show them that we do. WIHM is a start. Soon, hopefully, it won’t take a month-long celebration every year for people to recognize that women have and always will have a place in the genre.

Wendy: I always see people complain about the need for Women in Horror month—and about the need for Black History month, Indigenous Peoples Day, etc. Yes, it sucks that white male cultural products get the lion’s share of attention. It sucks that we need to have special occasions to call out the contributions of other kinds of creators. But I know I’ve learned a lot from these kinds of promotional activities. Working on Lightspeed and Nightmare’s Destroy series taught me more about women, LGBTQ, and people of color working in my field that I learned in a lifetime of library use. So I’m glad these things exist. They’re a great way to help people broaden their genre experience. And heck, they’re fun, too!

Lori: I just hope everyone will take the time to sample work from some of the excellent women writers who grace the genre.

Farah: I do hope people will take the opportunity to celebrate Women in Horror Month by reading works by women and diverse authors and attending screenings of films directed, written, and produced by women. Regarding the future, it is a mission of mine to grow Mantid Media into a full-fledged small press, releasing works by women and diverse fiction writers as a matter of course. I would encourage people to keep their eyes on Mantid Magazine and submit fiction to us when we are open to them, hopefully on May 1st.

Eden: I’m just so pleased at the success Women in Horror Month continues to achieve and I love chatting with the women authors and artists I meet and delving into their work. For Women in Horror Month in the years to come, I want to be able to promote more of their work as well as release more of my own.

Scarlett: I’m going to spend this year’s WiHM reading a lot and finding new favorites. In years to come, I hope to be more physically involved. We’re voices to be heard. We’re the future.

Tremendous thanks to these nine fantastic authors for being part of my Women in Horror Discussion. Please read their work, now and every other month of the year. The horror genre is so much stronger thanks to their contributions!

Happy reading!

The Art of Advice and Support: Part 3 of Our Women in Horror 2017 Discussion

Welcome back to Part 3 of our Women in Horror 2017 Discussion! This week, these nine awesome authors and I talk about the great people in the horror industry who support women as well as their advice for those female authors just getting started in the industry. (And if you haven’t already, be sure to read the bios on my featured authors!)

So let’s get started for this penultimate installment of our Women in Horror Month celebration!

Unfortunately, there are still too many barriers for women in publishing, especially in genre fiction. However, instead of focusing on the far-too-common experiences many of us have had where someone wouldn’t give us a chance because of our gender, let’s flip it around and shine a light on those who have made publishing a better place to write: specifically, who have you met in this industry who has been supportive of your work in particular or supportive of women in horror in general? Who are those editors, authors, and publications you can count on to support female horror authors year-round, not just in the month of February?

Kristi DeMeester: S.J. Bagley and Simon Strantzas are hugely supportive as is Scott Nicolay. Ellen Datlow and Paula Guran, obviously. Sean Wallace over at The Dark. Constance Ann Fitzgerald over at Lady Box Books. Molly Tanzer. Silvia Moreno Garcia. Michael Wehunt. Shannon Peavey and Kelly Sandoval at Liminal Stories.

Miracle Austin: I must confess Sirens Call Publications, Sanitarium, Dark Eclipse, and many other anthologies allowed my voice to be heard. I’m extremely thankful for and always will be. These publications accepted some of my stories throughout the year.

K.Z Morano.: The lovely ladies at Sirens Call definitely deserve to be mentioned. I’d like to thank Gloria Bobrowicz, Nina D’Arcangela, and Julianne Snow for the support they give female horror authors, especially for opening the doors to newbie female writers in the genre. Also, there’s Fox Emm who included lots of female horror writers in the extreme horror anthology “Bad Neighborhood”. Some people think that women are incapable of writing hardcore horror. This blogger/editor proved them wrong with this kick-ass collection.

Wendy WagnerWendy Wagner: The vast majority of the people I’ve worked with are real champions of women working in horror. I probably wouldn’t work with them if they weren’t! I can’t say enough good stuff about Ellen Datlow, John Joseph Adams, and Ross Lockhart. I feel like Ross and John—who are both editors and small press owners—are working their hardest to find and promote the work of women in this field. I love working with those two!

Farah Rose Smith: There are tons of folks who are consistently supportive of women in the horror genre. So many that it would be impossible to name them all. This alone speaks to how far we’ve come towards equality, though there is still an enormous need for further improvement. Sam Cowan at Dim Shores, Michael Kelly at Undertow Publications, Justin Steele at Strange Aeons, Mike Davis at Lovecraft Ezine Press, and Ross E. Lockhart at Word Horde consistently support and publish women. Scott Nicolay is an avid supporter of diversity in weird fiction, and does so consistently on his podcast The Outer Dark. I’m immensely grateful for his presence in the community, as he was one of the biggest supporters of Mantid Magazine when it first came out of the gate, and also supports and promotes numerous other publications that aim to elevate diverse writers. There are countless writers who make a point of reading, supporting, promoting, and encouraging women and diverse writers in the community, so one need not let the voices of entrenched misogyny frighten them away. We’re always aiming to elevate women over at Mantid Magazine! I’d encourage people to keep an eye on both Lethe Press and a new magazine called Nasty Writers.

Eden RoyceEden Royce: I’ve had wonderful support from so many people. To name a few: Ashlee Blackwell at Graveyard Shift Sisters, the authors at Colors in Darkness—Mya Lairis, Dahlia De Winters, and Kenya Moss-Dyme, Sirens Call Publications, Patricia Flaherty Pagan at Spider Road Press, Linda D. Addison, Kinitra Brooks, Ph.D., Susana Morris, Ph.D., Carolyn Mauricette, Mark Taylor, Roma Gray, Lincoln Farish, Jack Wallen, Armand Rosamilla, Horror Addicts, Terror Realm, Gregory Norris, Joey Pinkney, The Wicked Library, The Horror Honeys, and FIYAH Lit Mag.

Scarlett R. Algee: Sirens Call Publications may be a “for the love” market, but they have, quite possibly, the nicest editorial team I’ve yet worked with. Among the big names, Tor is responsible for my having read a lot of female authors I otherwise wouldn’t have heard of. And of course, I have to give Sanitarium Magazine a shoutout, because that’s where I got the push that made me think “hey, I can do this”.

Julia Benally: Well, there’s Daniel Foytik from The Wicked Library. Farah Rose Smith from Mantid Magazine. Then of course there’s you.

What advice do you have for female horror authors who are just getting involved with the industry?

Kristi: Keep writing. Keep submitting. Dust yourself off when you’re rejected. Mope a little if you need to. It’s okay. Keep writing. Get better.

The Bell HouseMiracle: I will say to surround yourself with a positive circle of true supporters, usually small and that’s a good thing, because there will be so many times you want to give up because of the rejections and various disappointments you’ll endure. Those who you would expect to clap for you may not. You need positive cheerleaders to encourage you and positive affirmations to walk this industry’s twisty road.

K.Z.: This industry has a reputation for being inhospitable to females. Don’t let that intimidate you. There are more successful female horror writers than you think. Most of them are just shelved under “dark fantasy”, “gothic”, etc. If you’re a female horror writer who wants to make it in this industry, my best advice to you would be to seek out and read the works of fellow female horror authors and gain inspiration from them. Don’t pressure yourself into “writing like a man” or writing under a male-ish pseudonym. Instead, just focus on writing well and on finding your own unique voice as a writer. Write like a woman. Write like you and the rest will follow.

Mantid Issue 1Wendy: Work hard and then work harder. Don’t give up or give in. Look for reputable presses and magazines and stick with them, because they will have your back when the trolls come looking for blood.

Lori: I would say, first of all, focus on your writing. We never get to the point where we perfect it, but we can reach a point where we are able to see our mistakes and come up with better ways to fix them. When you have done all you can do for a manuscript, learn how to give it to a good editor. Someone who will not only catch grammar slip ups and anachronisms, but someone able to give you advice about the big picture. Marketing is important, but the focus has to be on the actual work first.

Farah: Unfortunately the best advice I can give doesn’t involve writing or the creative process, but how to navigate the industry and community hardships that often come with trying to pave your way in the “business” of writing. I would advise young women to weed out fake friends, not allow themselves to feel diminished by the success of other women, form sister-like bonds with women who share your personal and professional values, support diversity in your community by reading/writing/promoting works by diverse authors, don’t compromise your voice to make a sale, be exceedingly polite, and don’t make any decisions that make it hard for you to sleep at night.

Spook Lights: Southern Gothic HorrorEden: Don’t bend to what you think publishers or readers want and don’t chase what’s popular. Write what speaks to you and do you best to cultivate your own voice. Read widely—speculative fiction and literary, indie and traditionally published—it can help you learn what works for you in a story and what doesn’t. It will also expose you to various methods of storytelling you might not otherwise come across.

Julia: Horror is an art form, not a bowl of disgusting trash slapped together with every nasty element ever invented. Take the alien from Alien for example. The creature was freaky; its slime served the alien. Imagine if the director focused only on the slime?

Scarlett: Don’t let anyone tell you that women can’t write horror. (Quite a few of us live with it just by virtue of our biology, after all.) Don’t give up. You’ll get rejections, and they’ll hurt, but keep going. Your voice matters.

And that’s Part 3 of our discussion! If you haven’t already, be sure to check out Part 1 and Part 2 from earlier this month!

Happy reading!

Favorite Authors and Least Favorite Tropes: Part 2 of Our Women in Horror 2017 Discussion

Welcome back to our Women in Horror Month celebration! For Part 2 of our Women in Horror 2017 discussion, these nine amazing authors and I discuss their favorite writers and stories as well as the female-penned stories they wish had gotten more attention in the past year. Plus, we talk about crafting female characters in horror and the tropes that sometimes go with them.

So without further adieu, take it away, ladies!

Who are your favorite female horror authors, and which of their stories in particular have resonated with you?

Kristi DeMeester: Livia Llewellyn creeps under my skin like few other writers. Her stories are unnerving and linger after having finished them. Her stories “The Engine of Desire” and “Omphalos” are things of terrifying loveliness. My God. She’s so good. Damien Angelica Walters spins tales that somehow combine the lightest touch with horror. It’s terribly difficult to select just one of her stories because I’ve read so many. Grab her collection Sing Me Your Scars or her novel Paper Tigers, and you’ll see what I mean. Priya Sharma’s “Fabulous Beasts” was one of my absolute favorite stories last year. Sarah Langan’s novels are so incredibly wonderful. Helen Marshall’s collection Gifts for the One Who Comes After is a book I can read again and again. “In the Year of Omens” encapsulates everything I love in a spooky story. Kelly Link blends strangeness into her stories that is the exact right level of disquiet. Her collections are also go-to reads.

Miracle Austin: The fantastic Shirley Jackson and Toni Morrison are two of my favorite horror authors—I have many more. “The Lottery” by Ms. Jackson and Beloved by Ms. Morrison are two that I continue to think about frequently—very powerful works!

KZ MoranoK.Z. Morano: Some of the female horror authors I admire are Shirley Jackson, Daphne du Maurier, Gertrude Atherton, Angela Carter, Octavia Butler, Tananarive Due, Kelly Link, Kaaron Warren, Karen Russell, Kathe Koja, Helen Oyeyemi, Gwendolyn Kiste, and Damien Angelica Walters. I’ve always been a fan of Anne Rice’s sensual and savage portrayal of vampires. And Mary Shelley’s Frankenstein was one of the first books I borrowed from the school library. One of my favorite short stories in the horror genre is Charlotte Perkins Gilman’s “The Yellow Wallpaper.” And then there’s Livia Llewellyn’s beautiful and brutal masterpiece, “And Love Shall Have No Dominion” which still revolts, terrifies, and enthralls me in equal measures.

Wendy Wagner: I love Tananarive Due: her novel The Good House is set in the Pacific NW (I’m a PNW native), and it was just thoughtful and creepy and a great example of the haunted house genre. I love haunted house stories. I re-read The Haunting of Hill House almost every year. (Shirley Jackson, the author of Hill House, is a huge influence on me.) I’m also a huge fan of Daphne DuMaurier. The Birds is legendary, but I think her literary thriller, Rebecca, is my favorite work by her. It’s so moody, so full of character. It’s one the greatest character studies of all time. The Hitchcock film does it very little justice.

Farah Rose SmithFarah Rose Smith: Oddly enough, my favorite female authors don’t fall within the horror genre, but perhaps use horror elements to bolster their narratives (Anya Seton and Clarice Lispector, primarily). As for horror-proper, I’ve tend to gravitate towards the weird, poetic, decadent, gothic, and surreal. I hold K.J. Bishop (THE ETCHED CITY) and Livia Llewellyn (FURNACE) in high esteem. One can never go wrong with Shirley Jackson (THE HAUNTING OF HILL HOUSE, WE HAVE ALWAYS LIVED IN THE CASTLE). And one can’t really call themselves a horror person if they’ve neglected Mary Shelley (FRANKENSTEIN, duh).

Eden Royce: Daphne Du Maurier’s “The Blue Lenses”, Shirley Jackson’s We Have Always Lived in the Castle—I can see that story playing out in my hometown of Charleston. Jewell Parker Rhodes’ Voodoo Dreams series. I also love Alyssa Wong’s work; her story “Scarecrow” is fantastic.

Scarlett R. Algee: Oh gosh, the dreaded ‘favorite author’ question! Ruthanna Emrys–“The Litany of Earth” still astounds me, and I’m immensely excited that Winter Tide is coming. And Octavia Butler: she’s not thought of as a “horror” author, obviously, but “Bloodchild” scared the hell out of me and gave me nightmares.

Julia Benally: So far, I love your stories and I’m beginning to love Scarlett Algee’s stories. I absolutely adore your “The Clawfoot Requiem.” That one had me on the edge of my seat. I also loved your “The Little Girl Who Came From the Sea.” I loved reading “Tomb Wife” from Scarlett.

Related to the last question, what recent story (or stories) have you read in the last year that was written by a female horror author but didn’t get as much attention as you think it deserved?

NightscriptKristi: Carrie Laben’s “Postcards From Natalie” from The Dark. WOW. So good. Cate Gardner’s “As Cymbals Clash” also in The Dark.

Miracle: There are many, but I’ll have to say Cemetery Tours by Jacqueline E. Smith and Skin Witch: Tales of Soucouyants by Chanel Harry.

K.Z.: I think everyone should check out “When You Work for the Old Ones” by Sandra McDonald and “A Diet of Worms” by Valerie Valdes. I came across these stories in Nightmare Magazine so I suppose they reached a lot of readers. Even so, I would recommend these tales to those who haven’t read them yet. Nightmare Magazine features female horror authors a lot and that’s one of the many reasons why I support it.

Wendy: Oh, “The Low, Dark Edge of Life,” by Livia Llewellyn, no doubt. It ran in the December issue of Nightmare Magazine, and it’s just fantastic. I see it as the kind of story if Lovecraft had been born a woman—a furious, brilliant, fierce woman. It’s a burning fever dream of weird.

Pathfinder TalesFarah: Two of my stand-out favorites this year in the weird genre both came from Dim Shores. The first was SPLIT TONGUES by Kristi DeMeester. The other was GRASS by Anya Martin. And there are, of course, many writers pouring into the genre from all walks of life that will undoubtedly produce memorable works in the years to come. I look forward to reading and working with them.

Eden: The Sleepless by Nuzo Onoh. Her brand of African horror resonates with me and is a refreshing change from some of the mainstream portrayals of Nigerian/Igbo culture. I absolutely love “Who will Greet You at Home” by Lesley Nneka Arimah as it shows how magical realism, fantasy, and horror intertwine. Priya Sharma’s “Fabulous Beasts” is also a wonderful read as is Vicy Cross’ Tuesday Apocalypse.

Audrey at NightScarlett: One stands out: Aliette de Bodard’s “Lullaby for a Lost World“. It’s from Tor, so I was a bit surprised that I ran across it on Amazon and hadn’t already heard of it. It’s a beautiful and horrifying story about making sacrifices for what is perceived as the greater good, and what happens when that illusion of greater good is broken.

Julia: Personally I don’t think anyone gets as much attention as they should. We all go through so much pain to write a story and then the readership is small because people don’t read as often as they used to.

When you are crafting female characters in your writing, do you consciously steer clear of the usual tropes of horror, or do you allow the individual story to take shape and see where it takes you?

Kristi: I’m not much of a planner, so I tend to just let the stories take me where they will. My favorite stories are the ones that put girls/women in strange moments where the outcome will drastically change them and then let them work themselves out. Or not.

DollK.Z.: Most of the time, I just let my characters shape themselves. Still, I’m careful not to misrepresent my own sex. There’s already too much of that going on in horror films, stories, and novels. So, each time I create a female character, I ask myself: “Would a real woman actually do/say this?”

Miracle: I usually allow the story to take shape and allow characters to take the reigns, which is the best part of writing to me. I revise, when needed, of course.

Lori: I really try not to use the tropes in obvious ways that have been done too often. The thing about tropes is they do give the reader benefit of the familiar. But with so many books out there, you really have to change things up in order to tell a story which feels different. As a reader I enjoy stories which challenge my expectations. Everyone loves a good twist! I try to surprise myself with how I can craft the story into something different.

Farah: I do make a strange point of avoiding any heavy gender, race, or orientation markers in short fiction unless they have a significant purpose or use within the narrative because I want it to be an immersive experience rather than a preachy one. I tend to write male characters at that length, only really feeling comfortable writing women in longer pieces because I think there needs to be more room to maneuver. At least with the kind of things I am trying to say. I try to approach creative ventures with intersectional feminism as a guiding light. As for tropes, I don’t normally employ them, but only because the stories I write elevate atmosphere and mood over events.

Julia Benally The Wicked LibraryEden: I don’t consciously steer away from horror tropes in my writing; I think telling the story takes precedence. Get the story written first, then you can edit it later. But having said that, I grew up around so many fascinating, yet flawed women that I tend to write characters that possess a variety of traits that make them full characters, not perfect creatures.

Scarlett: I have things I make conscious efforts to avoid. No rape (it almost never serves the plot, in my experience). No scantily clad women being chased upstairs by axe murderers. 95% of my horror protagonists are female, and they have minds of their own, so I just let them drive the story, even though they usually come to bad ends. That’s actually another reason I like horror–the general lack of “happily ever after” is quite in tune with my experiences.

Julia: My characters form themselves after the story does. And then based on how the character is, the story is edited accordingly. Whenever I consciously try to make changes to a character, they throw a fit and won’t work for me. Sometimes I feel like it’s not up to me to steer them in any one direction. They like steering themselves.

So that’s part 2 of our Women in Horror Month Discussion. If you haven’t already, please check out Part 1 from last week, as well as the bios for all these wonderful writers!

Happy reading!

Ladies of the Macabre: Part 1 of Our Women in Horror 2017 Discussion

A big welcome to February and the always awesome Women in Horror Month! This year, I’m celebrating in a big way! As I mentioned last week, this month is all about female horror authors, in particular these nine incredible writers whose work and work ethic I admire wholeheartedly.

So for the first installment of our Women in Horror 2017 Discussion, let’s start at the beginning. Today, I talk with our incredible female horror authors about what drew them to the genre and what this year’s auspicious Women in Horror Month means to them.  In the coming weeks, I’ll be speaking with each of them again about their inspiration and favorite authors as well as where they hope that the horror genre is headed in years to come.

So let’s get started with this celebration of some of the awesome ladies of horror!

As a writer, what attracts you to the horror genre? Also, do you remember your earliest experience with horror, either as a reader of horror literature or a viewer of horror films?

Kristi DeMeesterKristi DeMeester: The unknown and unsettling has always held a dark kind of seduction for me. That moment of breathlessness as you wait for the door to open without knowing what’s on the other side? It lets you teeter on the edge of something terrible, which is in its own right, a form of beauty. My first experience was my mother letting me watch Fright Night when I was four or five. I fell in love with Chris Sarandon. I was hooked after that.

Miracle Austin: My exposure to horror/suspense arenas occurred prior my junior high years. My mom used to listen to an AM radio station, cannot recall name, on Friday nights that aired creepy stories. I was sold instantly and couldn’t wait until the next airing. Horror/suspense just meshed with me from the start. I craved horror…

K.Z. Morano: My earliest exposure to horror was watching Filipino horror flicks as a kid. The “special” effects were horrible but the aswang and other monsters of Filipino folklore terrified me more than the vampires and werewolves in Hollywood movies. From those films, I realized that horror isn’t just about scaring the heck out of people. Horror has a way of revealing people’s truest natures. Horror brings out the best and the worst in people. Horror is honest. That, I think, is what drew me to it in the first place.

Wendy Wagner: When I was about nine, I picked up a copy of Stephen King’s Skeleton Crew. One of my sisters had gotten it from the library, and the whole family was passing it around. It creeped me out, but I loved it, too. I would read a story and then vow I wasn’t going to read another, and then I’d go looking for the book and read another one. I spent the next three or four years devouring a ton of ’80s horror. Writing horror is just fun. I like trying to spin a gory, disgusting scene. I like trying to create something that really challenges social norms. What I love best, though, is writing something that gives me that goosebumply, uncomfortable feeling. That’s the very best.

Lori TitusLori Titus: I am an inquisitive person. I love theorizing about what the world could be like. Horror offers the perfect opportunity to speak deep truths, address taboos and painful subjects, while being entertaining and not preachy about it. I was raised on horror movies and looked for scary books as soon as I was able to read, so it’s no surprise it became my favorite genre.

Farah Rose Smith: I’ve always found horror media to be a powerful platform, not only for storytelling, but for catharsis. It has a transformative power that is too often neglected by the literary community. My earliest experiences with the genre were typical of a 90s kid. Goosebumps, Are You Afraid of the Dark?, So Weird, MST3K, and so on. My Dad was a big fan of both horror and science fiction, so most of my interest in it came from him. I’ve always been a dedicated Vincent Price fan. In the realm of literature, Lovecraft, Poe, and Hoffmann were my anchors. Though they’ve shifted significantly in my hierarchy of admiration in favor of more obscure writers, I still hold their works in high esteem.

Eden Royce: I grew up in a family that embraced death. From a young age, I was told where my grandmother’s plot and insurance paperwork were stored. You know…just in case. My parents speculated on what would kill others and were many times, correct. I found early on that what was normal for me was off-putting or creepy to others. So I decided to write stories where the strange people were the main characters, and they handled life in the way that’s normal for them. Turns out most people considered that horror.

Scarlett R. AlgeeScarlett R. Algee: I can think of a couple of things that attract me to horror. One, it provides a sort of “safe space” to explore things you’re afraid of–fear is a powerful emotion but can also be, oddly enough, an exhilarating one. Two–and this sort of plays off the first–as a writer, horror lets you play with things that you couldn’t do in real life without consequences. Still upset at the kid who took your lunch money in third grade? Make them a character. Kill them horribly. It’s cathartic. My earliest exposure to horror was through film: namely Jaws and Orca and Alien. I was really young, but something stuck, and here we are.

Julia Benally: After some deliberation, I do believe I enjoy scaring people. And it’s so interesting. I get some seriously good villains from the horror section of my brain. My earliest, earliest that I can recall is that whenever we visited my grandparents, it never failed, my uncles had either Aliens or Predator on.

As a female horror writer, what does Women in Horror Month mean to you? How do you plan to get involved in the month’s activities?

100 NightmaresKristi: This year, I hope to see the awareness the month brings leak into all of the other months of the year. I’d love to see the request for a list of female horror writers posed later in the year include more than the (obviously fantastic) standards of Shirley Jackson, and Mary Shelley, and Joyce Carol Oates. I like to promote my fellow female writers all year, so I plan to continue doing that.

Miracle: It’s a huge honor to have a month dedicated to women in horror! I’m absolutely thrilled to have been selected for this interview with you, Ms. Kiste.  I hope to submit a story or two to Sirens Call Publications, one of my favorites, and collaborate with as many as possible during that special month, pending my writing schedule.

K.Z.: WiHM means a lot to me as a horror writer and as a fan of the genre. This annual tradition is essential in shining the spotlight on lesser known female horror writers. More than that, WiHM introduces fans to fresh, high-quality horror fiction. To celebrate Women in Horror Month 2017, I’m making a massive list on my blog featuring female horror writers. Most of these authors are in the small press and deserve more recognition than they get.

Lori: Since we don’t get equal time, it’s a good way to spotlight talent and get our stories out there. Though I will be promoting my own work as always, I am looking forward to finding a few female authors whose work I haven’t explored yet.

Farah: Women in Horror Month has played an enormous role in furthering the inclusion of women and diverse media creators within the genre. I continue to hear people say negative things about it, mostly rooted in the argument that allotting one specific month to celebrate women in the genre is not conducive to inclusion. I disagree with that sentiment. People tend to forget (especially when thinking from places of privilege) the amount of work that still has to be done to pave the way for women in media. Many are often blinded by their own success or opportunities and can’t quite comprehend that there isn’t one clear-cut way to achieving publication or “success.” If we have to pay the dues of heavy-handedness now so that our daughters won’t have to by insisting upon being seen and heard with emphasis, so be it. I plan on spending the month researching and reading contemporary works by women, particularly in the weird fiction and Bizarro genres, and attending screenings of films created by women.

Julia: After hearing of it I was pretty intrigued. Since it’s new to me, I think I’ll watch it for awhile and see what’s up.

MantidScarlett: Since I deal with a lot of health issues, I’m not entirely sure how active I’ll be (and I tend to not be an “event” person anyway). I do enjoy doing interviews (haha) and online discussions. Those are always fun. I’m glad Women in Horror Month exists, on one hand; it’s about time we got some recognition. On the other, part of me says that we shouldn’t need a month: excellent work is excellent work all the time. The horror community doesn’t quite seem to be at that place yet, though.

Eden: For me, Women in Horror is every month. I do what I can to promote my sisters in horror all year long. But Women in Horror month is when the rest of the world turns their eyes to what we do. This year, I’m releasing a second collection of Southern Gothic short stories, called Spook Lights 2. As Women in Horror month coincides with Black History Month, I’m writing a series of blog posts for Graveyard Shift Sisters that highlights black women horror writers then and now, including a giveaway of two of my favorite horror novels.

So that’s Part One of our Women in Horror 2017 Discussion. Head on back here next week as we discuss favorite authors and how these ladies craft female characters of their own.

Happy reading!

Women in Horror 2017 Discussion Coming Soon!

Women in Horror Month is finally here, and I am super thrilled that this blog will be participating in a big way this year! Throughout the month of February, I will be interviewing an illustrious group of female authors and editors who are writing some of the very best horror out there today!

And who might those fantastic writers be? Well, let me tell you all about them! Here are the nine authors who I am honored and excited to have interviewed for this forthcoming feature! Big thanks to each and every one of them for taking the time to answer my questions. I’m looking so forward to sharing their responses throughout the rest of the month!

Kristi DeMeesterKristi DeMeester is a horror author based in Atlanta. Her fiction has appeared in Apex, Shimmer, Black Static, and Year’s Best Weird Fiction, among others. Her chapbook, Split Tongues, was released last year through Dim Shores, and her debut novel, Beneath, is coming soon from Word Horde. Find her at her author website.

KZ MoranoK.Z. Morano is an author of short fiction and poetry. Her collection, 100 Nightmares, was released in 2014 to rave reviews. The collection, which blends folklore and fairy tales, features one-hundred stories told in exactly one-hundred words and includes dozens of illustrations. K.Z.’s fiction has also been featured in The Sirens Call, Vignettes from the End of the World, and Gothic Tales of Terror, among others. Find her at her author website.

Miracle AustinMiracle Austin is a novelist and short fiction author. Her stories have appeared in The Sirens Call, Sanitarium Magazine, and The Wicked Library, among other outlets. Her debut YA novel, Doll, was released in 2016, and her fiction collection, Boundless, is coming soon. Find her at her author website.

Julia BenallyJulia Benally is a short fiction author based in the Southwest. Her work has appeared in Sanitarium Magazine, The Wicked Library, Mantid Magazine, and more. She recently completed her first novel, Pariahs, a dark fantasy set within an American Indian world. Find her at her author blog.

Scarlett R. AlgeeScarlett R. Algee is an author based in Tennessee. Her work has appeared in Sanitarium Magazine, Morpheus Tales, and numerous Popcorn Press anthologies. In addition to her writing and her steampunk-inspired jewelry line, she is also an editor who has worked with numerous fiction writers as well as small presses including Woodbridge Press. Check her out online at her author site.

Eden RoyceEden Royce is an author of short and long fiction. Her novella, Containment, debuted in 2013, and her short fiction has been released through Spider Road Press, Blood Bound Books, and The Sirens Call, among others. She is also the author of the acclaimed fiction collection, Spook Lights: Southern Gothic Horror, as well as its sequel, Spook Lights II. Her nonfiction appears regularly at Graveyard Shift Sisters. She is the recipient of the Speculative Literature Foundations Diverse Worlds grant. A native of Charleston, South Carolina, she now resides in England. Find her online at her author website.

Wendy WagnerWendy Wagner is the editor of Nightmare and Lightspeed as well as an author of short fiction and novels. Her short stories have appeared at Beneath Ceaseless Skies and Farrago’s Wainscot, among others, and her novels, Starspawn and Skinwalkers, have been released as part of the acclaimed Pathfinder Tales series. Find her online at her author site.

Lori TitusLori Titus is a speculative fiction author and editor out of California. Her novels include The Bell House as well as books in The Marradith Ryder series, including Hunting in Closed Spaces and The Art of Shadows. She has also had multiple short stories published, and she has worked as the editor of Flashes in the Dark. Find her at her author website.

Farah Rose SmithFarah Rose Smith is the editor of the acclaimed Mantid Magazine as well as a fiction writer in her own right. Her work incorporates elements of surrealism, eroticism, and death and decay, among other themes. In addition to her writing and editing, she is also an experimental filmmaker through her company, Grimoire Pictures Studio. Find her online at her author and filmmaking site.

So these are the amazing women who will be appearing on my blog throughout February! Definitely head on back here every week for the entire month to read more about their inspiration and favorite authors as well as how they got involved with the horror genre and where they hope to see it go from here!

Happy reading, and happy Women in Horror Month!